Yeats Burns And Wordsworth Poems Essay, Research Paper
In this assignment I will compare and contrast three verse forms based on the subject of
love. I will look at? He Wishes For The Cloths Of Heaven? by W.B Yeats,
Robert Burns? ? A Red, Red Rose? and the? Lucy Poems? by Wordsworth. I
will concentrate on each poet? s tradition and civilization, the poet? s usage of linguistic communication
and the similarities and differences between each verse form. I will reason the
assignment with my personal response. ? He Wishes For The Cloths Of Heaven?
was written by W.B Yeats. William Butler Yeats was born in Dublin in 1865. He
abandoned his painting calling after merely three old ages to prosecute a authorship calling
with wordss and dramas. He finally developed his ain single manner and his
work was known for being peculiarly? Irish? . He went on authorship for the
remainder of his life, and finally died in 1948. In the verse form? He Wishes For The
Fabrics Of Heaven? W.B Yeats expresses his love for Maud Gonne. Gonne was an
utmost Nationalist who rejected W.B Yeats and finally married Major John
MacBride in 1903. After this period there is a noticeable alteration in Yeats?
poesy, possibly because he realised his dreams of a life with Maud could ne’er
go a world. In? He Wishes For The Cloths Of Heaven? the tone is unagitated
and peaceful, due to the sibilants used, nasal and? L? sounds which combine
to make a surreal tone: ? Silver visible radiation? ? Softly? ? Embroidered
fabrics? To assist the tone flow peacefully along there are no exclaiming Markss,
elans or monosyllabic words to disrupt the flow. Yeats creates a soft rhyming
tune and melody, about like a cradlesong. The natural emphasis in each word helps to
make the beat, A B A B C D C D. Yeats? usage of linguistic communication creates really clear
ocular images, eg? heaven? has intensions of peace, repose, about a
enlightenment. Likewise? embroidered? has intensions of flawlessness, an space
array of colors. Throughout the verse form Yeats concentrates on colorss, particularly
different sunglassess of blues of the sky, stand foring the transition of clip, seasons
altering but that throughout all the alterations the sky still remains beautiful yet
unachievable. In the first four lines of the verse form Yeats creates a elaborate image
of Eden and its flawlessness and beauty. Through this he states his wishes/ In
the following four lines he reveals what he would make with those wants. He lays
his psyche bare, and shows the deepness of his love by declaring his deathless love for
Maud Gonne. The lone individual who deserves such wealth as the celestial spheres, is Maud. If
Yeats were God, and owned the celestial spheres, the lone one worthy of having them
would be Maud. He elaborates on this by stating even the celestial spheres would merely be
good plenty for her to walk upon. By saying this, Yeats is lauding his love:
she is like a Goddess and he is undeserving of her. He deems himself unworthy
and humbles himself. In the undermentioned line Yeats writes: ? But I, being hapless,
have merely my dreams. ? Through this, Yeats all of a sudden becomes more realistic: he
knows he is non God and he knows he doesn? t own the celestial spheres. The lone thing of
value and beauty he owns are his dreams. He has made himself vulnerable by
distributing all his dreams and desires before Maud, and now she must make up one’s mind if she
will return his love and do his wildest dreams semen true, or trampling and rupture
his fabrics and shatter his dreams. The verse form ends quietly: ? Step quietly because
you tread on my dreams. ? He is waiting uneasily to see her reaction and is
gently pleading that she will non reject him. Through this last line he is
imploring her to be sort: she has his bosom and dreams in her manus ; she has the
power to make up one’s mind his destiny. This verse form is similar to Burns? and Wordsworth? s
verse forms in many ways. All three sound like a vocal, a soft appeasement cradlesong. Each
verse form creates ocular imagination from nature environing them. They are besides similar
due to the linguistic communication used. None of the verse forms use complex, luxuriant, hard,
linguistic communication but alternatively, apparent linguistic communication that is easy understood by all, Burns?
verse form besides contains some Scots idiom. The three verse forms are besides similar as the
topic of all three verse forms is love. In both Wordsworth? s and Yeats? poem the
love was unreturned. The most dramatic thing about? A Red, Red Rose? by
Robert Burns is the ScotS idiom used. Burns was born in 1759, as the boy of an
Ayrshire husbandman who was an devouring reader and helped in his boy? s instruction.
Nathan birnbaums? work is amoung the best loved in the English linguistic communication perchance because
of the idea and passion he poured into his amusing and dramatic verse forms and
poetry, and his sense of temper and accomplishment for sarcasm. Burns could besides be thought
of as the Jesus of English poesy because of his ability to picture mundane
life in rural Scotland and his usage of Scots idiom, this gave English poesy a
new rental of life. He died at the age of 30 seven of arthritic febrility in
Dumfries. In the first line Burns compares his love to a? Red, Red Rose?
utilizing a simile. By reiterating? Red? twice he emphasises the deepness and
strength of the coloring material to the deepness of his love. Burns repeats many phrases eg
? dry? twice for accent and riming grounds. Every 2nd and 4th line
rime which succeeds in making a lullaby consequence. He elaborates: ? Newly
sprung in June? This is to demo that his love is still immature and vulnerable
but will maintain turning until it becomes full and strong and will bloom into
full glow and beauty. Burns so compares his love to a beautiful vocal that
is sweetly played, once more a simile. He is comparing a beautiful melody to a
beautiful love that will ne’er age as music ne’er ages. In the undermentioned line
Nathan birnbaums straight addresses his love for the first clip utilizing an illustration of Scots
idiom: ? My bonnie young girl? Throughout the verse form many illustrations of Scots idiom
are seeable and these win in invariably reminding the reader that the verse form
is easier to associate to, the love is easier to associate to. By straight turn toing
his love he makes her look more human and the relationship more realistic.
Burns really addresses her six times throughout the verse form. In the 2nd poetry,
he talks of his deep love for his? bonnie? . He is in love with her every bit much
as she is beautiful and will go on to love her: ? Till a? the seas dry? .
This is the same as stating he will love her for all clip, she should ne’er doubt
the earnestness and commitme
National Trust of his love. In the 3rd poetry he continues to
turn out the deepness of his love by saying once more he will love her until the seas run
dry and the stones melt with the Sun. Through this he creates ocular imagination,
leting the reader to visualize the seas and the Sun crushing down on the stones.
Burns yet once more efforts to demo the deepness of his love by stating that he will
still love her even when life itself is over: Nathan birnbaums begins verse four with:
? And do thee weel? Again Scots idiom, intending? farewell? . This
reveals that he is go forthing her, but we shortly discover he is non go forthing everlastingly,
as he promises to return. For the first clip throughout the verse form Burns includes
an exclaiming grade, which is another method of declaring and underscoring his
true love for her. He besides uses another method for accent and doing his
statement more powerful and self-generated: he repeats the word? and? . Nathan birnbaums
ends the verse form on a hopeful and inspiring note. He promises that he will traverse
any obstruction to be with her once more: this is cogent evidence of his deep love. The tone of
the verse form is lighthearted, hopeful and stamp. This is in contrast to? He
Wishs For The Cloths Of Heaven? by Yeats and the? Lucy verse forms? by
Wordsworth, both of which terminal in a despairing tone. There is a major contrast
between Yeats? love, Maud Gonne, who was confident, vocal and ill-famed and
Wordsworth? s love Lucy who appears quiet and stray. In contrast to this
Nathan birnbaums? ? bonnie? Jean Armour seems human and realistic which makes the
relationship seem believeable as opposed to Yeats who put his love up on a
base and worshipped her. Another difference between the verse form is that at the
terminal of Burns? poem the reader is convinced that the two lovers will finally
be reunited, and in existent life Burns did really win in get marrieding his
childhood sweetie. It seems improbable that Yeats? dreams of a life with
Gonne will go a world and in the? Lucy poems? it is an impossibleness
as Lucy dies. William Wordsworth was born in Cumberland in 1770, and at 13
old ages of age became an orphan. Wordsworth had a new, modern attack towards
poesy which in his clip was unheard of, he felt poesy should be about emotions
and feelings, it shouldn? T be inhibited or stifled by political relations or metropolis societal
life. He looked to nature, the English countryside for inspiration and many of
his most celebrated verse forms involve nature. Wordsworth changed the way of
English poesy and his influence is still seeable today. In? I Travelled Among
Unknown Men? Wordsworth begins by bodying England. He addresses it
straight as if it were alive. He speaks of his going from England and how
entirely he felt among aliens. It was merely when he left England that he realised
how much he loved his fatherland. In the 2nd poetry he compares his clip abroad
to a bad dream through the usage of a metaphor and to underscore this he uses an
exclaiming grade: ? Tis yesteryear, that melancholic dream! ? He makes a noncompliant
promise to himself that ne’er once more will he abandon England, and for the 2nd
clip personifies it and utilizing strong, resolute, graphic linguistic communication to demo his love
for England: ? To love thee more and more. ? In the 3rd poetry he uses ocular
imagination to raise up an idyllic image of his love sitting at her spinning wheel
beside a glowing fire among the English hillside. This is the first clip he
introduces his love and we can state by his description of her that he cherishes
and admires her and wants to protect her. It is a really loyal image, being
secure and comfy in England, while besides demoing the strength of his love.
Wordsworth so links his love for England with his love for Lucy, a double love.
The reader begins to larn more about Lucy. She is portrayed as a quiet, lonely
miss who is non valued and hidden off from the outside universe. The reader is
lulled into a false sense of security by the first two lines in verse four. They
sound gentle and? English? , about like playing a musical instrument, so
all of a sudden the reader is shocked and saddened: ? And thine excessively is the last green
field that Lucy? s eyes surveyed. ? This evokes a personal response from the
reader. We feel great understanding for Wordsworth as his love has died. We can now
understand why Wordsworth made his noncompliant vow ne’er to go forth England, to go forth
England would be to go forth Lucy? s memory behind, Lucy and England have become
intertwined in his memory. In? She Dwelt Among The Untrodden Ways? Lucy? s
lone nature is pursued. He compares Lucy to a violet hidden behind a mossy
rock, Wordsworth uses ocular imagination through nature. He so compares Lucy to a
lone star, a lone and alone individual. The last poetry takes on a sad,
melancholy tone as Wordsworth expresses his deep unhappiness at her decease. Lucy
lived and died unknown to anyone. Her decease didn? t affair to anyone except
him. Her decease has evoked pure emotion and graphic responses. She wholly
changed his life and he will ever retrieve her: ? The difference to me! ?
The concluding verse form? A Slumber Did My Spirit Did Seal? has a temper of repose and
peace. The gait is slowed down by the linguistic communication used. When Wordsworth slumbers in
that semi-conscious province Lucy is with him and in his head she is still immature
and to him she ever will be. Suddenly Lucy no longer seems concealed off or
forgotten because she will ever be remembered by him, in his head she is
untouchable. Wordsworth has lost his love but in English nature and his dreams
he is reunited with Lucy. Compared to Yeats? and Wordsworth? s verse form Burns?
verse form, ? A Red, Red Rose? seems less powerful and somehow his love doesn? T
seem as strong, although it is much more realistic and human, and it really
terminals optimistically. In Wordworth? s poem the more I read the better my
apprehension of it, the more powerful it became and the more I could sympathize
with it. It excessively reveals much agony and hurting. From the three verse forms I examined
I was most greatly affected by? He Wishes For The Cloths Of Heaven? by W.B
Yeats. The emotion and power in the verse form, and Yeats? humbling declaration of
his deathless love for Gonne was overpowering. It was bosom twisting to conceive of
Yeats distributing his dreams beneath her pess and cognizing that, in the terminal, she
rejected him. It is besides a verse form for today because it is a verse form about unanswered
love which everyone can sympathize with.