eighteenth Century Poem Analysis Essay, Research Paper

The differences between eighteenth-century literature and

romantic verse forms, with regard to history is constituted here. This is

seen through the influential plant of John Keats and Alexander Pope.

These plants are acknowledged as, & # 8220 ; The Rape of Lock & # 8221 ; and & # 8220 ; The Eve of

St. Agnes. & # 8221 ; Alexander Pope takes his readers on a hatred filled heroic poem.

A robust piece of literature and love induced psychoses in, & # 8220 ; The Rape

of Lock. & # 8221 ; On the other manus, & # 8220 ; The Eve of St. Agnes & # 8221 ; told a narrative of

life, love, decease, and ageless destiny in Eden. These two brilliant

authors have given two brilliant verse forms. Pope exhibits many

features of a egotistic homo being. His independency in

life shows through his Hagiographas in fiction. Which necessarily portray

his deeper feelings of life. Popes & # 8217 ; attempts here are of outstanding

quality. However, his verse form did neglect to convert Arabella to r? amount?

her battle to Lord Petre. Most of Pope & # 8217 ; s attempts here were

written with clip. Now, Keats has romantically serenaded his reader

with descriptive lecherousness and desire, which can be compared with Catholic Popes & # 8217 ;

attempts by the difference in 18th century literature and

romantic verse forms, their descriptive natures and thoughts they portray to

the reader through their authorship.

Pope has written an eighteenth-century verse form which he calls,

& # 8220 ; An Hero-Comical Poem. & # 8221 ; This verse form has exalted an over all sense of

ineptitude for common regulations. The mentioning of Achilles and the

ever-popular Aeneas, are symbols of Pope & # 8217 ; s Gothic manner. Pope speaks

( about ) G-D like throughout, & # 8220 ; The Rape of Lock. & # 8221 ; Contrary to Keats,

who is more earthy with his sense of pragmatism in his Hagiographas.

In the beginning of Keats romantic premiss to life in St. Agnes, all

is cold. The gap sequence brings a sense of pragmatism to this

acrimonious cold scene. Cold bird of Minerva, coney & # 8217 ; s, and asleep fingers on a sanctum,

& # 8220 ; Beads man. & # 8221 ; The Beads adult male symbolizes the sense of age and spirit.

Much of this verse form is a trial of Keats interior psyche or spirit. He has

lead himself to St. Agnes for his ain personal history of life in a

clip long gone. Keats & # 8217 ; romantic manner has brought airy altogether

emotion to the hurting Black Marias of all his readers. Then, both verse forms go

separate ways in their narratives of organic structure and spirit.

Taking history of all differences in these two plants, has

brought out a sense of unknown extasy. Pope displays morality with

his ain turns on destiny and adult male sort & # 8217 ; s inability to apologize right

determination devising in life. He complicates this with, & # 8220 ; Moral

high quality & # 8221 ; and his visions of old manners blended with his attitude

for acknowledgment. Pope has indulged the reader in consistent spiritual

order, and awkward justness for world. However, when sing Keats

verse form stanza by stanza, much is revealed. Keats & # 8217 ; tale starts as a

direct avidity for future considerations. His image of love and old

age creates a smothered knot in the tummy of the reader. Enthusiastic

opposition is overcome by Keats smooth flow, and harmonising beauty in

heaven. Angels and decease are brought together like osmosis. His

ability to get down off in a cold bitter ambiance of sorrow, and so

sway the reader & # 8217 ; s emotion to a peaceable loving ambiance is in itself

amazing. Desire brings Keats to the heightened point of emotional

satisfaction within, & # 8220 ; The Eve of St. Agnes. & # 8221 ; St. Agnes is such a

peaceable antique memory for Keats. He presents strength when hurting is

being inflicted. His early images of purgatory, show Keats in a bind

of human emotion and sorrow for past wickednesss. However, Pope does this

every bit good throughout, & # 8220 ; The Rape of Lock. & # 8221 ; Although, Pope is less

likely to happen a happy medium in his narrative of tolerance. He does

manage to release all his desires for the interest of his ain inner

strength. This strength is portrayed more intensely through

his psyche.

Memories are cardinal to the torment of the verse form. In all of Keats

mediocre issues come love and award. The full ten percent stanza is

caused by the emotions involved with love. However, this must go forth

some readers at a loss. Keats doesn & # 8217 ; t seem to truly care whether

anybody understands him. Keats merely concern is to atone and accomplish

harmoniousness in life with his organic structure and psyche. Each of these two poets has

signified their deficiency of pragmatism with a significant concern for age-old

myth, and undeniable love. The portraiture of love in each verse form has

brought most of the emotional satisfaction from the reader. Hence,

holding observed these two magnificent creative persons for their personal

attachment to the reader, it is necessary to dig into the emotional

coaction of imagination and its consequence on the head, organic structure, and psyche of

the two sides involved in each reading.

Imagination can prolong many possible contradictions on the

author & # 8217 ; s purposes. For case, Keats hides his characters ( Porphro

and Madeline ) in order to show a more lubricious in-depth love.

Safety is a cardinal to Keats & # 8217 ; fecund attitude on the secretiveness of a

adult female & # 8217 ; s virginity. A wholesome mentality is ever in the hereafter, it

would look. However, this mentality is ne’er reached throughout the

verse form. In comparing with Pope, Keats has distinguished himself in his

composing. Pope relies on old myths and vague fables in order to

accomplish his result of lucidity. Each author has their ain hero of the

twenty-four hours. In each author & # 8217 ; s head is the thought that one can be g-d through

their ain Bible. Each must be excused for non ever being able

to cognize what is still existent and what is fiction in life. Their

expensive heads have brought their ain personal truth to visible radiation. Can

they hear the weeping of their love sick yesteryears? In authoritative manner, Pope

has brought dreams to world. While Keats has more realistically

attended to his personal experiences. In add-on to adult females, love,

g-d, sex, psyche, head, and organic structure, Keats and Pope have taken different

mentalities on many similar issues. Keats has given the reader a more

intense feeling of desire and lecherousness, so Pope. However, when myth and

love collide Alexander Pope has answered with his narrative of g-d & # 8217 ; s,

angels and hereafter. As an empirical egotistic individual, I have

romanticized about the love affairs Keats has described. His inner

ideas are more clear, so those of Pope. Additionally, Pope is

more morbid and in a manner rancid about his defects in life. Which

are expressed significantly in many of Pope & # 8217 ; s images. For case,

& # 8220 ; poetic eyes & # 8221 ; is used by Pope on line 124. This image can be

expressed as a better manner for the reader to see that life imitates

art! Now, sing both plants in item has brought out an rousing of

insecurity and misunderstood quality. However, each has distinguished

its ain individuality by its manner.

Mentioning back to the comparing of Pope and Keats manners can

be rather an sweetening upon the intellectual context in each verse form. Pope

has purely concerned himself with literary virtue, and ghostly

phantoms of old narratives that haunt all authors of the possibility for

glare. Keats nevertheless, has staked his claim as a romantic

dreamer of love and idea. Mind, organic structure and psyche are cardinal factors in

both of these plants. Heaven is portrayed as a Jesus to adult male, and an

unforsaken end for others. Spirituality reigns deep within the

Black Marias of both Keats and Pope. Consequence is non an issue, but the

ability to atone through words of wisdom is. This is what keeps Keats

and Pope sane ( Equally good as many other authors, including myself ) . With

wisdom comes age, and with desire comes lust. Therefore, romantic

poets need to be preserved for their enormous ability to stretch the

common ability to grok all of life & # 8217 ; s tests and trials as

seen here in all its glorification!