& # 8217 ; s Honor Essay, Research Paper

Defending a Man? s Honor

The chief male characters in Shakespeare? s drama Othello kill their married womans in order to support their ain award. In the period scene of the drama, to demo award, adult females are expected to be subservient to their hubbies. The characters Iago and Othello reflect this attitude toward their several married womans, giving them ground to experience merely in killing these adult females. Iago kills Emilia because she dishonors him by uncovering his use of Othello and Cassio. Othello strangles Desdemona because of imagined unfaithfulness, which makes him look like a sap. Both work forces have different thoughts of award, perceive their ain honest position otherwise, have different relationships with their married womans, and different feelings of compunction. Ultimately they both kill their married womans to support their ain award.

Proud, baronial, and weather warrior Othello is good respected and his military accomplishments and escapades are widely known. He is magnetic, charming, autonomous and good traveled. These personality traits made Desdemona autumn in love with him, and by these, he measures his honorability. His measures his dignity by the manner he is perceived by others. That is the chief ground why he perceives Desdemona? s alleged unfaithfulness as destroying his award. It makes him look like a sap and he feels that he has been taken advantage of because he is unwise and unfamiliar with the oblique sexual patterns of Venice adult females.

Othello is besides really swearing. Of class, the inquiry is why he believes Iago and doubts his married woman. He believes? honest Iago? without inquiry because Iago had served in the ground forces with him and is by and large regarded by all to be an honorable adult male. The feelings of being an foreigner and insecure in his societal position are Othello? s character defects and Iago to takes advantage of these Achilles heals.

For Iago, misrepresentation, manipulating, and killing are 2nd nature. It doesn? t occur to him that he will be caught and he doesn? Ts have any scruples about what he has done. These features show that Iago is self-involved and out for himself. He is besides avaricious and covetous and secret plans to do everyone around him unhappy, while seeking place and award. High place and award starts his hate of Othello. Iago sees Othello as being beneath him because of his race, but holding all the glorification and award that he covets. The concluding straw, Cassio being made lieutenant over him, makes him take action and secret plan his retaliation. This blow to his pride and award is his motive to prosecute Othello into a covetous and angry fury, and brings Othello down to his degree.

Othello and Desdemona love each other, but for different grounds. In his insecurity about being an foreigner, get marrieding Desdemona gives him a manner to be included among the Lords of Venice. She gives him position and the award he wants. Othello sees Desdemona giving up everything to be with him. Desdemona defends her matrimony to her male parent and the other Lords by stating? I saw Othello? s countenance in his head / And to his awards and his valiant parts, / Did I my psyche and lucks consecrate. ? His honest and baronial nature was one of the grounds she fell in love with him in the first topographic point. Even on her deathbed, she covers for him when asked who did this to her stating, ? Cipher? I myself. Farewell. / Commend me to my sort Godhead. O, farewell! ?

Not much is written about Iago and Emilia? s matrimony other than she was really much edge by responsibility. When she steals the hankie for him she asks, ? What will you make with? T, that you have been so earnest to hold me pilfer it? ? He replies? Why, what is that to you? ? He doesn? t confide in her as Macbeth did Lady Macbeth. They did non work as a partnership, T

he focus was on Iago and his aspirations. She tries to stand up to him, ? If it be non for some intent of import, / Give me again. ? And he merely tells her to go forth, disregarding her. He doesn? t show any love or grasp for her throughout the drama, but she remains changeless in her wifelike responsibility.

Othello finally kills Desdemona because he loses his control of his passions. He usually possesses much self-denial. It is easier for him to believe she would bewray him because she easy betrayed her male parent. His trust in Iago? s honest character leads him to doubt his feelings for his married woman and introduces a new emotion to Othello & # 8211 ; green-eyed monster. Iago plays on Othello & # 8217 ; s new function as a hubby because Othello and Desdemona were merely married a short period of clip and haven? T been able to construct the sort of trust that comes from a long relationship. Since Othello is so self reliant, it is difficult for him to automatically set that trust in person else. Her imagined unfaithfulness mocks his award and his insecurity doing him believe that he is such an foreigner that he doesn? t even know that adult females in Venice ever carry on personal businesss. Because of his insecurity, it was easier for him to believe that she was doing a sap of him instead than giving her the benefit of the uncertainty.

Iago kills Emilia to cover up his ain evil workss. Even after Iago tells her to keep her lingua, Emilia decides to state the truth instead than allow the Lords think that Desdemona was capable of unfaithfulness. She tells how Iago has manipulated her and Othello. Iago kills her after she reveals his misrepresentation and he is unable to cover for himself. Emilia admits that she gave her hubby the hankie, Iago? s merely touchable cogent evidence of Desdemona? s unfaithfulness, because he begged her to steal it. Emilia has ever been a good married woman by being duteous and honouring her hubby. As she tells the narrative about what happened, Iago says? Zounds, keep your peace! / Be wise, and acquire you home. ? She defends Desdemona? s award and cries at Othello, ? Murd? rous cockscomb! What should such a sap do with so good a married woman? ? The honest Iago shows cowardliness and flees after killing his ain married woman in forepart of the Lords.

Even in the minute he is traveling to kill her, Othello shows his love for Desdemona by snoging her and stating, ? Be therefore when thou art dead and I will kill thee, and love the after. / One more ( buss ) and that? s the last! / So Sweet was ne? Ers so fatal, I must cry, / but they are barbarous cryings. / This sorrow? s heavenly ; It strikes where it doth love. ? He has loved her deeply all the manner to her last breath, but instead than get down his pride and unrecorded with her supposed unfaithfulness, he kills his true love. While killing Desdemona, he feels it is his right to kill her because she has done such a immense unfairness to him. In his compunction after killing Desdemona, he realizes how his pride and award has done and how he has been manipulated by his trust in the honest Iago

Iago feels no compunction because his desires come comes above all other people. While he besides feels it is his right to kill his married woman, he feels he is merely protecting himself because she will non make what she is told. By award, he means that Emilia must make all things required by him, right or incorrect. His award is so of import that he will acquire it and support it by any agencies, as shown in his oblique traffics throughout the drama.

These adult females would hold done anything asked of them, particularly when it comes to their hubbies honor. They loved them, though otherwise, and would non hold done anything to disgrace their hubbies or themselves. In the terminal, they defended their hubbies honor with their ain lives. For Iago and Othello, the lives of their married womans meant less to them than their ain honest position.