Hamlet Emotions Essay, Research Paper

The character of Prince Hamlet, in Shakespeare & # 8217 ; s Hamlet, displays many strong

yet justified emotions. For case, the “ To be or Not To Be ”

monologue, possibly one of the most good known quotation marks in the English linguistic communication,

Hamlet really debates suicide. His desperation, sorrow, choler, and interior peace are

all justifiable emotions for this troubled character. Hamlet & # 8217 ; s feeling of

desperation towards his life and to the universe develops as the drama moves on. In

Hamlet & # 8217 ; s first monologue he reveals that his desperation has driven him to ideas

of self-destruction ; “ How weary ( atrocious ) & # 8230 ; His jurisprudence & # 8216 ; gainst self slaughter. ”

Similarly, when Hamlet negotiations to his friends, Rosencrantz and Guildenstern in Act

2, scene 2, Hamlet wishes they tell the King and Queen that he has “ lost

all hilarity, ” in this universe so “ disgusting and pestilent. ” In his

“ To be or non to be ” monologue, he expresses his desperation through

ideas of self-destruction, proposing that self-destruction is an easy manner to stop life & # 8217 ; s

struggles. But fortunately he concludes that the fright of an unknown hereafter is

what keeps us populating. All of Hamlet & # 8217 ; s ideas of desperation can be understood when

one looks at the atrocious struggles Hamlet goes through. Sorrow, possibly the

most apparent emotion, is really good developed throughout the drama. Initially, the

merely cause of Hamlet & # 8217 ; s sorrow is his male parent & # 8217 ; s decease. However, after reading Act

1, scene 2, we see in Hamlet & # 8217 ; s asides that another beginning of his melancholy is

his female parent & # 8217 ; s headlong matrimony to Claudius, the new male monarch of Denmark. Further, when

Queen Gertrude asks her boy why his male parent & # 8217 ; s decease “ seems ” so

of import, he replies, “ Seems, dame? Nay it is. I know non & # 8217 ; seems & # 8217 ; . ”

In add-on, Shakespeare reveals another beginning of unhappiness ; now Hamlet is entirely,

with the most loved character in his life, Ophelia, rejecting him. This cause is

good brought out in Hamlet & # 8217 ; s monologue in which he states ; “ Now I am entirely.

O, what a paint and provincial slave am I! ” Finally, when Hamlet discovers

that Ophelia had died, new grounds for Hamlet & # 8217 ; s utmost feelings of sorrow are

added. In fact, his sorrow is so great that “ Forty 1000 brothers/Could

non ( with all their measure and love ) Make up my amount. ” Therefore, Hamlet & # 8217 ; s good

developed unhappiness, is sensible throughout the drama. Unfortunately, Hamlet & # 8217 ; s

ideas of mourning are replaced by those of choler. Most readers of Hamlet

agree, to some extent or another, that Hamlet is good justified in showing

choler. Possibly the first incident of Hamlet & # 8217 ; s true look of choler is during

his scene with the shade in Act I. He states, “ I with wings every bit Swift as

thought & # 8230 ; expanse to my retaliation. ” Furthermore, in malice of his love for

Ophelia, when he discovers she is non being true with him in Act III scene

1, he becomes outraged, disregarding his love for her. “ I loved you

one time, ” and so “ loved you non. ” Therefore, “ to a nunnery

travel. ” He continues to mistreat the thoughts of matrimony and muliebrity to Ophelia

in his feigned lunacy until he eventually leaves. These onslaughts on matrimony and

muliebrity should non hold been directed to O

phelia, but instead possibly to Queen

Gertrude for her drama acted out, with the intent of finding Claudius & # 8217 ;

guilt. When Hamlet & # 8217 ; s uncertainty is dismissed, he reveals more ideas of choler and

indignation towards Claudius. “ O bosom, lose non thy nature, allow me be

cruel. ” One of the most telling scenes about Hamlet & # 8217 ; s choler can be found

where Claudius is praying to shrive his wickednesss. Hamlet is given the opportunity to

avenge “ this foul and most unnatural slaying ” when he sees Claudius

praying. Hamlet, being a Christian prince, can non convey himself to kill Claudius

while he is praying, as this would procure his topographic point in Eden. Hamlet wants to

before Claudius gets up, declaring he can non pray ; “ My words fly up, my

ideas remain below: Wordss without ideas ne’er to heaven travel ”

( Claudius, Act III, Scene 3 ) . Had Hamlet known Claudius was unable to pray, so

he could hold had his retaliation right so and at that place, alternatively of waiting until the

terminal and taking everyone else with him. Most of the other characters would

likely have acted much quicker than Hamlet if they were in his place.

Imagine Polonius in the state of affairs Hamlet found himself in. He would non

procrastinate as much. It would hold most likely been away with the caput of the

liquidator. Any other character in the drama would non hold stayed every bit quiet as

Hamlet does ( confiding merely in his best friend, and even maintaining the truth from

his female parent until the terminal of Act III ) . Although non every one of them might hold

come to killing Claudius. Hamlet does non look to make anything. Again, he thinks

excessively much. Hamlet is self-aware, while the bulk of characters that

environment him are non. This explains why he feels inhibited to move. Hamlet

resembles a existent individual more than any treatment, and why the drama remains so

popular. Hamlet is one of the most interesting characters in English fiction

because we can place with him, and understand, although non ever agree with

his actions. Hamlet is besides set apart by his elusiveness. Many of the characters

in the drama can be categorized within proceedingss of their debut. I & # 8217 ; m non

naming them imitations, but there is decidedly a caricature-like side to some

of them. The grandiloquent Polonius and the fallacious and thick-headed Guildenstern

and Rozencrantz come to mind. However, this does non keep true for some other

characters, such as Laertes and Ophelia. The character of Hamlet garbages

classification. Interesting with respect to this is his love of theatre. He is

peculiarly interested in the thought that things may look different from what

they truly are, merely like the people that surround him. His female parent is no longer

his male parent & # 8217 ; s married woman, but his uncle & # 8217 ; s ; his girlfriend is no longer at that place for him,

and Guildenstern and Rosencrantz are no longer his friends. Besides, he is cognizant

that he will hold to mask himself and his existent motivations and ends in order to

attain them-this is why he fakes his lunacy. It is non until he picks up

Yorick & # 8217 ; s skull in the beginning of Act V that he finds out what is existent and what

is non. In the terminal, when the truth is revealed and everyone & # 8217 ; s “ masks ”

are removed, decease is all that is to be found.