Jesters Clowns Buffons In Twelth Night Essay

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Jesters, Clowns, Buffons In Twelth Night Essay, Research Paper

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A sap can be defined in many significances harmonizing to the

Oxford English Dictionary On Historical Principles. The word

could intend & # 8220 ; a cockamamie individual & # 8221 ; , or & # 8220 ; one who professionally

forgeries folly for the amusement of others, a fool,

buffoon & # 8221 ; or & # 8220 ; one who has little or no ground or mind & # 8221 ; or

& # 8220 ; one who is made to look to be a sap & # 8221 ; ( word originated from

North Frisian ) . In English literature, the two chief ways which

the sap could come in inventive literature is that & # 8220 ; He could

supply a subject, a subject for mediation, or he could turn into a

stock character on the phase, a conventionalized amusing figure & # 8221 ; . In

William Shakespeare & # 8217 ; s comedy, Twelfth Night, Feste the buffoon is

non the lone sap who is capable to folly. He and many other

characters combine their cockamamie Acts of the Apostless and marbless to occupy other

characters that & # 8220 ; evade world or instead recognize a dream & # 8221 ; , while

& # 8220 ; our understandings go out to those & # 8221 ; . & # 8220 ; It is natural that the sap

should be a outstanding & A ; attractive figure and do an of import

part to the action & # 8221 ; in organizing the confusion and the

wit in an Elizabethan play. In Twelfth Night, the buffoon and

the saps are the 1s who combine wit & A ; humor to do the comedy

work.

Clowns, fools, and Clowns are normally regarded as saps.

Their differences could be of how they dress, act or portrayed in

society. A buffoon for illustration, & # 8220 ; was understood to be a state

yokel or & # 8216 ; cloun & # 8217 ; & # 8221 ; . In Elizabethan use, the word & # 8216 ; clown & # 8217 ; is

equivocal & # 8220 ; intending both countryman and chief comedian & # 8221 ; .

Another significance given to it in the 1600 is & # 8220 ; a sap or fool & # 8221 ; .

As for a clown, it is defined as & # 8220 ; a adult male whose profession is to

do low jokes and jokes positions ; a buffoon, fool, sap & # 8221 ; .

The clown is a sap because & # 8220 ; although he exploits his ain

failings alternatively of being exploited by others & # 8230 ; .he resembles

other amusing saps & # 8221 ; . This is similar to the definition of a

& # 8216 ; Jester & # 8217 ; who is besides known as a & # 8220 ; clown, or a merry Andrew. One

maintained in a prince & # 8217 ; s tribunal or Lord & # 8217 ; s family & # 8221 ; . As

you can see, the clown, fool and the buffoon are all depicted

as saps and are related & amp ; tied to each other in some kind of

manner. They comparatively have the same aims in their functions but

in visual aspect wise ( apparels, physical characteristics ) they may be

different. In Shakespeare & # 8217 ; s Twelfth Night, Feste & # 8217 ; s function in this

Illyrian comedy is important because & # 8220 ; Illyria is a state

permeated with the spirit of the Feast of Fools, where individualities

are confused, & # 8216 ; rude regulation & # 8217 ; applauded & # 8230 ; and no injury is done & # 8221 ; .

& # 8220 ; In Illyria therefore the sap is non so much a critic of his

environment as a ringleader, a merry-companion, a Lord of

Misgovernment. Being every bit welcome above and below stairs.. & # 8221 ; makes

Feste important as a character. In Twelfth Night, Feste dramas

the function of a low buffoon employed by Olivia & # 8217 ; s father playing

the accredited sap of their family. We learn this in Olivia & # 8217 ; s

statement saying that Feste is & # 8220 ; an allowed sap & # 8221 ; ( I.v.93 ) significance

he is licensed, privileged critic to talk the truth of the

people around him. We besides learn in a statement by Curio to the

Duke that Feste is employed by Olivia & # 8217 ; s male parent. & # 8220 ; Feste the

fool & # 8230 ; a sap that the Lady Olivia & # 8217 ; s beget took much pleasance

in & # 8221 ; ( II.iv.11 ) .

Feste is more of the amusing truth of the comedy. Although he

does non do any profound comments, he seems to be the wisest

individual within all the characters in the comedy. Viola comments

this by stating & # 8220 ; This chap & # 8217 ; s wise sufficiency to play the

sap & # 8221 ; ( III.i.61 ) . Since Feste is a accredited sap, his chief function

in Twelfth Night is to talk the truth. This is where the wit

prevarications, his truthfulness. In one illustration he proves Olivia to be a

true sap by inquiring her what she was mourning approximately. The poi

National Trust

Feste tried to do was why was Olivia mourning for a individual

who & # 8217 ; s psyche is in Eden?

& # 8220 ; ClOWN Good Mary, why mourn & # 8217 ; st thou?

OLIVIA Good Fool, for my brother & # 8217 ; s decease.

ClOWN I think his psyche is in snake pit, Mary.

OLIVIA I know his psyche is in Eden, sap.

Clown The more sap, Mary, to mourn for your

brother & # 8217 ; s psyche, being in Eden. Take away the sap,

gentlemen.

Adding to the wit of the comedy, Feste, dresses up as Sir

Topaz, the minister of religion and visits the captive Malvolio with Maria

and Sir Toby. There he uses his wit to mistreat Malvolio

who is still incognizant that he is really speaking to the buffoon

than to the existent Sir Topas. Feste ( disguised as Sir Topaz )

calls Malvolio a & # 8220 ; moonstruck & # 8221 ; ( IV.ii.23 ) , & # 8220 ; satan & # 8221 ; ( IV.ii.32 ) and

confuses him by knowingly doing him a sap.

Throughout the drama, Malvolio has ever been the individual who

deliberately spoils the pleasance of other people ( spoilsport ) . He

is Feste & # 8217 ; s worst incubus in the drama, but in the terminal is

triumphed over by Feste wholly and is the lone character to

show a negative attitude and a self-respect reversed.

& # 8220 ; MALVOLIO: I & # 8217 ; ll be revenged on the whole battalion of

you! & # 8221 ; ( V.i.378 ) At the terminal of the comedy, Feste, & # 8220 ; is given the

last word and is left in ownership of the phase & # 8221 ; .

Maria, Olivia & # 8217 ; s comrade is another individual who seems

enthusiastic in playing buffooneries on other people. In Twelfth

Night, she plays the unsuspicious function of a behind the scene

sap who gives thoughts to Feste, Sir Andrew & A ; Sir Toby to

help her in her programs. In two incidents, she remains quiet

while her programs are carried out by either the Knights or the

Clown.

Part of the wit that lies in this comedy is that Maria & # 8217 ; s

buffooneries are rough & A ; cruel, utilizing love and power ( position of Olivia )

to assail Malvolio, steward of Olivia, who is & # 8220 ; & # 8230 ; .sick of ego

love & # 8221 ; ( I.v.90 ) . For this, Malvolio & # 8217 ; s greed for power terminals

himself locked up in a dark cell and is accused of being huffy.

She besides prepares Feste to mask as Sir Topaz. This is seen

in the quotation mark: & # 8220 ; Nay, I prithee put on this gown and this face fungus ;

do him believe 1000 are Sir Topas the minister of religion ; make it rapidly.

I & # 8217 ; ll name Sir Toby the whilst. & # 8221 ; ( IV.ii.1,2,3 ) Combined with other

saps, Maria helps do Twelfth Night a uproariously amusing comedy.

Last, Sir Toby Belch is another sap in Twelfth Night.

His function is assisting & # 8220 ; on the game of make-believe & # 8221 ; . Always

converting & A ; promoting the rich Sir Andrew Aguecheek that he

has a opportunity of winning Lady Olivia & # 8217 ; s love. He is similar to

Feste, except he plays the function of a knight and is Olivia & # 8217 ; s

kinsman. His function is similar to a sap because he depicts many

buffooneries of a sap. For illustration in Act II scene three, while he was

rummy he sings along with Feste when Malvolio barges in to close

them up. Whenever there is a buffoonery, Maria invites Sir Toby to

participate. One such buffoonery was to help Maria & # 8217 ; s fake

missive to do Malvolio believe Olivia is in love with

him. Sir Toby & # 8217 ; s pretend strategy works convincingly on

Malvolio. Another buffoonery was to attach to the cloaked Feste

( Sir Topaz ) into the dark cell where Malvolio was imprisoned.

This concomitant was likely to guarantee Malvolio that the existent

Sir Topaz is sing him. Yet it is another pretend strategy

of Sir Toby.

In Twelfth Night, the saps are the 1s that control the

comedy and wit in the drama. They assist in the brand believe

game and sap around with characters who & # 8220 ; evade world or instead

recognize a dream & # 8221 ; . In Twelfth Night, Feste, Maria and Sir Toby

are the saps that make the comedy work in many senses. They

make the confusion through wit and it all works out in the

terminal to do William Shakespeare & # 8217 ; s Twelfth Night a truly amusing

Elizabethan drama.

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