On Social Classes In Pride And Prejudice By Jane Austen Essay, Research Paper

In the late eighteenth and early 19th centuries, life for the upper-middle category and the nobility was simple and comfy, at least on the surface. Rigorous manners and ethical motives, that frequently prevented them from asseverating or protecting themselves, bound these two categories of people. Such life styles are illustrated rather candidly in Jane Austen s fresh, Pride and Prejudice. The characters in this novel have comfy lives on the surface ; nevertheless, internally they are victims of their societal position.

The hubby and married woman couple of Collins and Charlotte Lucas-Collins are two premier illustrations of this outlook. Collins, who is a curate, and edge by the societal category of his helper, Lady Catherine, ever puts on a fa fruit drink that makes him look much classier than normal when he is around others. He invariably showed off his ownerships. Charlotte, Collins married woman, was non so much his married woman by pick, but instead, out of necessity. Charlotte, a 27 twelvemonth old individual adult female about doomed to stay a old maid for the remainder of her life, had to get married shortly, and the lone adult male that

made a proposal was Collins, hence she had to state yes.

Mrs. Bennet, the female parent of Eliza, ever hastily rushes about to acquire her girls married. Her hastiness is apprehensible, partially, because, the Bennet household has no male inheritor, hence any girls left single will be thrust into poorness upon their male parent s decease. However, most of her rushing seems nil more than the nagging, useless spat of a dish the dirting old hen.

Mr. Bingley seems non to be a victim per Se, but the people around him and their superficial motivations tend to do him injury. His sister, Caroline, causes many people to avoid Bingley because of her snobbery. Mr. Darcy, though good intentioned, about ruins Bingley s most promising matrimony conquering by interrupting Bingley and Jane Bennet up.

These characters, though affluent, and good entertained, became obvious victims of their societal category, and its codification of moralss. The more wealth one had, the tougher their regulations of etiquette became, frequently coercing these people to give up their functions as believing human existences. This fact rings true non merely in Pride and Prejudice, but besides in life during that clip period.