Othello Essay, Research Paper

How Iago Succeeds In His Quest To Destroy Othello

Iago succeeds in his pursuit to destruct Othello by playing head games with him. He subtly puts a negative spin on all of the information that he feeds to Othello to increase his misgiving in Cassio and Desdemona. Iago besides uses other people who inadvertently aid his programs to writhe the ideas of Othello. Finally Iago uses the hankie that Othello gave to Desdemona to convert him that Desdemona is rip offing on him. Iago combines all of these fast ones in a oblique brew that wholly deceives Othello and succeeds in destructing him.

Iago is livid at the fact Cassio was promoted to the place of Othello s head lieutenant alternatively of himself. Another ground that he is ferocious with Othello is that there are rumours traveling around that there was something traveling on between Othello and Emilia, Iago s married woman. Between this and the fact that he feels that he should be Othello s right manus adult male so he vows retribution on both Othello and Cassio. . He begins his program by rousing Dedemona s male parent, Brabantio, and informing him that his lone girl has eloped with Othello. As can be imagined Brabantio is enraged by this and sets out to face Othello. When he sees Othello he accuses him of utilizing witchery to rock Desdemona to his arm. Of class Iago is thrilled by this and stands aside as Othello is brought before the Duke and his council. Othello successfully argues his instance and it is decided that he should travel to Cyprus to support the metropolis against a big Turkish fleet that is off the island. When Othello does non acquire in problem with the council Iago decides to attach to him to Cyprus in order to foster conveying down his commanding officer. Iago comes up with a oblique secret plan to acquire Cassio rummy, which works as Othello wounds a high functionary in the Cyprus authorities. This brings down Othello s wrath and Cassio is demoted from his place as head lieutenant. Iago suggests to Cassio that he ask Desdemona to plead his instance to her hubby. Desdemona agrees and later passionately plead Cassio s instance to Othello. Iago continues to torture Othello by subtly proposing that there may be a thing traveling on between Desdemona and Cassio. For all his wicked and fallacious ways, recognition must be given to Iago for being so good at the evil things he does.

Iago is really good at lead oning people and flexing them to his will. A perfect illustration of this is Roderigo. Iago uses him for his money and as a autumn adult male. When Iago awoke Desdemona s male parent, he took Roderigo with him to help him. It seems whenever there is hazard of acquiring caught making something incorrect Roderigo is at that place to move as Iago s fall adult male. Roderigo was Desdemona s former lover so he has an obvious job with the fact that she is married to a Moor alternatively of him. Iago uses this as his trump card and dramas on Roderigo s emotions like a guitar player plucks the strings. When Cassio gets wholly intoxicated it is Roderigo who precipitates the wrangle in which the Cypru

s functionary is injured. And eventually it is Roderigo who is killed by Iago in the attempted slaying of Cassio. Iago besides uses his married woman Emilia who is servant and best friend to Desdemona. He uses the information that she inadvertently provides to foster progress his ain unreliable secret plan. In the terminal Iago ends up besides killing his married woman for uncovering his strategy to Othello. Iago besides uses Cassio in his programs to destruct Othello. With Othello in secret listening on Iago engages Cassio in conversation about his kept woman, Bianca. Othello believes that Cassio is speaking about Desdemona and orders Iago to kill him. But possibly one of the people most deceived by Iago is Othello himself. He allows himself to be caught up in Iago s unreliable web of prevarications and fraudulence and pays the ultimate monetary value in the terminal.

The hankie is a really interesting piece of the drama in the footings of how it is used. It is the lone physical grounds that is used in the drama to demo that Desdemona is rip offing on Othello. The hankie was a really particular thing to Othello. His female parent gave it to him when she was on her deathbed. It was a charming web that gave its owner the power to keep her hubby s love. When he gave Desdemona the hankie he begged her to guard it carefully. One twenty-four hours in Cyprus Desdemona dropped this cherished hankie. Emilia found it but before she could give it back Iago took it from her. Iago planted the hankie in Cassio s room. He so convinces Othello with his sugarcoated lingua that Desdemona had given to her lover, Cassio. He so engages Cassio in a conversation about his kept woman with Othello in secret listening on. Othello believes that Cassio is talking of his Desdemona. But the straw that breaks the camels back is when Cassio s kept woman comes and contemptuously gives the hankie that Iago planted in his room. This pushes Othello over the border and he orders Iago to kill Cassio. Othello himself goes to kill Desdemona before she can purportedly score another adult male. Iago fails in his mission to kill Cassio and returns to happen Desdemona dead at Othello s manus and his married woman, Emilia, has told Othello about his fraudulence. Iago kills Emilia for uncovering his perfidy and is so wounded by Othello. Othello so falls upon his blade and dies at his married woman s side. Cassio is made governor of Cyprus and is given instructions to torment and put to death Iago.

Iago finally succeeds in his pursuit to destruct Othello by lead oning him and converting him that his married woman is non being faithful. Yet Iago himself pays the ultimate monetary value, his life. One must inquire if extracting that sort of head control was like a drug to Iago. It seemed like he became addicted to the power he wielded with the mere suggestions and inquiries he put into peoples caputs. For all his mistakes Iago must be given recognition for being a supreme maestro of misrepresentation.

Plants Cited

Kenedy, X.J. and Dana Gioia. Literature: An Introduction to Fiction, Poetry, and Drama. New York: Longman, 2000

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