Poems: Poetry and Orchids Essay Sample

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O Orchids are presently believed to be the largest household of blooming workss. O The figure of orchid species equals more than twice the figure of bird species. and about four times the figure of mammal species. It besides encompasses about 6–11 % of all seed workss. O All orchids are perennial ( relentless ) herbs and deficiency any lasting woody construction. The foliages of most orchids are perennial. that is. they live for several old ages. O The dried seed cods of some species are used as flavorer in baking. for perfume industry and aromatherapy ( in traditional medical specialty ) . O Orchids are normally cultivated merely for the enjoyment of the flower. ETYMOLOGY ( beginning of the word “orchids” ) :

The name comes from the Greek. literally intending “testicle” . because of the form of the root. The Grecian myth of Orchis explains the beginning of the workss. Orchis. the boy of a nymph ( female superman ) and a lecher ( male superman associated with music and gaiety ) . got rummy at a festival of Dionysius ( Bacchus ) in the wood and attempted to ravish a priestess of Dionysius. For his abuse. he was torn apart by the Bacchanalians. His male parent prayed for him to be restored. but the Gods alternatively changed him into a flower ( orchid ) . Thereby exposing his “testicles” ( nakedness and shame ) everlastingly. ANALYSIS OF POEM:

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“Orchids”
I leave this house
Box pieces of the five-week life I’ve gathered.
This connotes a broken/divided/fragmented/disjointed/separated being. possibly a relationship. The house is symbolic of the persona’s desire/quest for security. safety and belonging. The character ( 1st individual storyteller ) leaves with his properties packed off in boxes ( accumulated over a five-week period ) . I’ll send them on


to make full infinites in my future life.
His ownerships are transported elsewhere ; continually constructing upon the persona’s possible yesteryear failed relationships and switching life style.

5 One thing is left
a spray of orchids person gave
from a corsage one who
makes a ritual of flower-giving sent.
A root of orchids is called a spray but multiple sprays are called a clump. The character received a gift of orchids. taken from a assortment of other flowers. possibly symbolic of the persona’s ain perennially ( continually ) switching being. He is ever traveling from one house/place/location to the following without surcease ; ever on the move ( traveling ) ; altering references ; non confined to one place/space. Hence. the persona’s deficiency of permanency and stableness. The orchids have no aroma



10 but violet petals draw you
to look at the violet bosom.
Possibly the orchids have lost their fragrance—no longer appealing to the sense of odor but sight. as the character is drawn to their regal ( magnificent ) beauty—forced to look within his ain heart/soul/consciousness and do self-contemplation ( soul-searching ) of his ain apparently weathered lifestyle—lacking enrichment and interior beauty. By looking into the “purple heart” of the orchids as into a mirror ( besides symbolic of the Purple Heart/Badge of Military Merit ) he is reminded of his demand to happen interior strength and bravery to confront his day-to-day challenges. I watered them one time

when the flowers were full blown
like polished verse forms.

I was certain they’d wilt
and I would flip them out with the five-week litter.

The beauty of the orchids can be likened to the beauty of good written poesy. The character anticipates the fading beauty of the orchids—their message/meaningfulness/value—the fable here may be true of poesy as good. nevertheless. they outlived his outlooks. Even a verse form lacking in sound or minimum workmanship has the possible to develop/blossom into a work of aesthetic beauty. This is reinforced by the persona’s usage of the simile in lines 13 & A ; 14: “when the flowers were full blown/like polished poems” .

They were stubborn.
I starved them
They would non decease.

The persona’s failed and possibly dishonest/distrustful effort to deny/abandon/disregard his heartfelt esteem of orchids and their symbolic referent ( poesy ) is overcome/resisted by the orchids’ beauty. resiliency and version to societal. historical. environmental-geographical alteration. 20 This forenoon the bud at the stalk’s tip unfurled.

The flowering bud is symbolic of new life. renewed hope and chances. As the orchids are adaptable to whatever adversities. troubles. or challenges encountered in their natural milieus so excessively can ( must ) the character learn to develop endurance. The orchids’ resiliency is meant to remind him and us ( as readers/critics ) that—the dark dark of the soul’s desperation will finally give manner to the glorious forenoon of hope. prosperity and liberty—in true manner to the pastoral lament “In Memoriam” by 19th century poet Lord Tennyson.

I think I’ll pluck the matured blooms
press them between pages of memory.

His desire to stamp down. conceal and restrict his ain apparently bloodcurdling truth/reality is possibly an effort to prematurely stop a potentially fruitful manner of life—a new beginning ; fearful of accepting or encompassing an unsure hereafter and populating his life to its fullest potency. By running from his yesteryear in order to avoid the present the character hinders his future chances. This switching lifestyle appears to be the persona’s perennial ( repeating ) job.

Possibly in their thin dried transparence

As the “pluck/press” orchids die “between pages of memory” at the custodies of the character. so excessively does his chance to see a new get downing “die” by his credence of the potentially deathly and disintegrating influence of personal drawbacks and unsolved emotional injuries.

I’ll discover their curious poesy.

Long after the poets. like the orchids. have withered and died. their verse forms attain greater lucidity. intent and penetration into their true signifier and hidden/concealed beauty. message and vision. Therefore. the orchids ( verse forms ) take on a new life/meaning of their ain during the perennial ( continual ) rhythms of life and decease. As one coevals of orchids die another one flower in its topographic point. Similarly. as one coevals of poets die another coevals fills the nothingness and the perennial ( immortal verse forms ) live on in the memory of new writers/readers/critics. By encompassing the oxymoronic/paradoxical position that in the presence of decease he will detect the true significance of life the character non merely appears to be wishful of decease but assumes that decease will decide all of his questions. letdowns and jobs ; offering him a better. brighter life/future. The orchids serve as an effectual metaphor for poesy and the poetic trade.

Poetic Structure:
§ The structure/form of the verse form may reflect the frequence with which the character alterations references and the length of clip spent in each location. illustrated by the figure of stanzas/verses ( 10 ) . the figure of lines per stanza and the sporadic/uneven length of the lines. Therefore. two lines in the first and 2nd poetries may match to two hebdomads each spent in two different locations. 3rd stanza ( 4 hebdomads ) . 4th ( 3 hebdomads ) . fifth ( 5 hebdomads ) . 6th ( 3 hebdomads ) . 7th ( 1 hebdomad ) . 8th ( 2 hebdomads ) and the last two stanzas/divisions of the verse form ( 1 hebdomad each ) . Again. this is visually and structurally symbolic of his somewhat switching / mobile life style. This is a narrative verse form. one that tells a narrative owing to its secret plan construction. § The poet’s usage of clean poetry ( lacks riming form ) efficaciously captures the persona’s battle between hope and desperation as he narrates ( state his life-story ) with a tone that likewise and on occasion displacements between feelings of optimism and pessimism. adding to a temper that varies between brooding repose and fateful uncertainness. Illustrated by the poet’ usage of affectional linguistic communication to depict the aesthetically delighting orchids—”purple petals/blossoms … full blown/like polished poems/ This forenoon the bud … unfurled” juxtaposed against the persona’s destructive intentions—”I watered them once/ I would flip them out/I starved them/I’ll pluck the matured blooms/press them” . Indicative of the persona’s looking deficiency of grasp for the orchids as natural and philosophical emblems of beauty. wisdom and strength.

Symbolism:
V “The orchid is a flower of impressiveness that brings a cosmopolitan message of love. beauty. wisdom. contemplation. luxury. strength. polish. and affection” ( hypertext transfer protocol: //www. arenaflowers. com/facts/flower ) . v “This elegant flower should do you experience pampered. Purple is the coloring material of royalty. Orchids are by and large regarded as symbolic of rare and delicate beauty… . Their graceful visual aspect draws immediate attending. and their repute as an alien and unusual flower evokes a sense of polish and innocence” ( hypertext transfer protocol: //www. proflowers. com/flowerguide ) . V This verse form may besides function as a literary allusion to and map as a stem/blossom of The Orchid House ( a novel by Phyllis Shand Allfrey. published in 1953 ) which tells the narrative of three white sisters flying from their true colonial world but holding to return to confront the truth of their undeniable love for place. Told through the eyes of their black nurse Lally.

READER RESPONSE:
This is but one descriptive manner the reader/critic may see and see this verse form and by extension. all poetry—as a of course and pervasively ( rhenium ) happening cosmopolitan motive of artistic beauty ; pass oning messages of hope. wisdom. fondness. and grace. particularly to a deceasing planetary barren of desperation. The reader must non trust on decease ( i. e. embracing hopelessness ) to uncover life’s enigmas and lessons when one grows old. weary. deceasing or dead. Death is non the manner of flight from desperation but instead hope in life itself. Like the orchids. happening in about every home ground. the character ( a lone orchid ) is an original ( symbol ) for humanity’s teeming. roving and restless psyches on a ineffectual pursuit for conceited beauty while disregarding the beautiful pureness of Nature’s workmanship. as seen in the orchids. The cosmopolitan subject ( s ) of homelessness ; seeking for home-land ; the quest for self-discovery ; individuality and belonging are all exemplified via this pursuit.

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