Race and ethnicity in the United States Census Essay

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The media is an industry where the competition is intense and it has been used by the authorities persons. organisations. establishments. society. and household etc. for assorted intents. However. due to the increasing competition in the industry. many at times the maps and responsibilities which the media owes to the society are significantly overlooked. There are assorted maps of the media some will be discussed subsequently on in this paper. The purpose of the media has to a fearfully big extent shifted from carry throughing its functions to the society. instead their focal point is frequently on how much amusement they can offer to their audience and how much money they can do and how rapidly they can do it.

Entertainment and money devising is decidedly cardinal in the being. endurance and growing of this industry. however. this should non be achieved by unsuitably portraying a group’s individuality in any signifier. DEFINITION OF KEY TERMS Construction – To do or make. by seting together thoughts. constituents or statements. Group Identity – This refers to a person’s sense of belonging to a group. Media- Are communicating channels through which intelligence. amusement. instruction. informations or promotional messages are disseminated.

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Media includes every broadcast medium and narrow projecting medium such as newspapers. magazines. Television. wireless. hoardings. direct mail. telephone. facsimile and cyberspace ( concern lexicon. 2015 ) . THEORETICAL FRAMEWORK SOCIAL IDENTITY THEORY BY TAJFEL & A ; TURNER ( 1979 ) This theory was propounded in order to understand the psychological grounds and footing for inter- group favoritism. The constituents of this theory goes therefore: Categorization- This is the procedure of seting ourselves and others into classs. our self-image is associated with the classs we belong to.

Designation – This is the procedure by which we associate ourselves with certain groups of people. However there are some groups we don’t want to be identified with ( out groups ) and there are some we would desire to be identified with ( in groups ) . Comparison- This is the procedure through which we compare our groups with other groups. thereby making a positive prejudice towards the groups in which we are members of. This facet of this work will concentrate on two outstanding maps of the media amidst the assorted 1s there are.

Social heritage function- The burden lies on the media to convey positive racial and cultural values about every bing race and cultural group. The act of foregrounding and foregrounding the assorted negativenesss of races and cultural groups should be avoided. Surveillance function- This is the responsibility the media owes to the society in go arounding intelligence and information when necessary. the media is responsible for supplying information about events. THE CONSTRUCTION OF GROUP IDENTITY BY HOLLYWOOD ( A STUDY OF THE LATINO RACE ) There are five acclaimed races in the universe: 1 ) Mongoloid ( Asiatic and American Indian ) 2 ) Caucasoid ( European ) 3 ) Australoid ( Australian and pelagic ) 4 ) Negroid ( East African black ) .

5 ) Capoid ( South African black ) The Latinos could be said to belong to the Mongoloid race and most of the 315 million people who live in the United States of America are either immigrants or have ancestry to another state. In existent fact. the lone truly American people are the Native 1s. This state is based on the thought of migration in chase of a better societal and economic life. Harmonizing to U. S. Census Bureau ( 2012 ) . there are approximately 52 million Hispanics/Latinos life in the United States. stand foring about 16. 7 % of the entire population of United States of America. and doing them the nation’s largest cultural minority.

Among Latino subgroups. Mexicans rated as the largest at 63 % . followed by Puerto Ricans ( 9. 2 % ) . Cubans ( 3. 5 % ) . Salvadorans ( 3. 3 % ) . Dominicans ( 2. 8 % ) . and the staying 18. 2 % were Colombians. Guatemalans. Portuguese. Honduras. Ecuadorians. Peruvians. Brazilian. The chief ground for their migration has been either that they are politically endangered or have fiscal jobs. For case the Cubans who ended up in America wanted to get away from the political conditions in their state. Escaping from the communist authorities practiced in Cuba. they were considered as ‘political refugees’ in America for three and a half decennaries until 1995.

As a consequence of America’s resistance to the Cuban authorities. they were treated in America better than about any other cultural group. This has besides been partially because of their high degree of instruction and professionalism before migration ( Martins. 2006 as seen in Mousavi & A ; Sadeghi. 2013 ) . Latinos. Mexicans in peculiar. largely live in the Southwest ; about half in California and Texas. Puerto Ricans are largely in the East and Cubans are in Florida.

Harmonizing to the U. S. Census Bureau. legal Hispanic family income is merely 75 per centum of White American income. There is besides a high rate of poorness and unemployment among them. and their socio economic position is at a low degree. The cause for this state of affairs is partly their occupations being the lowest paid 1s. their low instruction degree. and employment favoritism ( Camarillo and Bonilla. 2001 ) . They are present in the intelligence. advertizements. election runs. political arguments. telecasting and movies.

The common major characteristic that is present in all of these portraitures is the jobs related to them that should be solved and non to be glorified. overdone or exploited by Hollywood. Before now African Americans were more likely to be portrayed as domestic workers in Hollywood. African Americans played major functions in telecasting situation comedies such as “Beulah” in the 1950’s and “Gone with the wind” in 1939. In recent times Latinos have progressively replaced African Americans as Hollywood house servants. Hollywood has presented an wrong world of the Latino people to the American people and to the universe at big. it has exaggerated a hapless image of this peculiar race.

Although the Latinos who live in America acquire more functions to play in Hollywood. most of these functions are mentioned in the following paragraph. The Latino female is frequently presented as a enchantress. coquette. lubricious. promiscuous. unfaithful. manipulative. of loose ethical motives or submissive at times in relation to a white male phantasy. low category. functioning the Whites. A list of Ten Latino Female creative persons who have played the function of a amah in Hollywood Movies/series. Jennifer Lopez – Maid in Manhattan. 2002 Aida Linares- Clueless. 1995 Lupe Ontiveros- As good as it gets. 1997 ( She has played an estimation of 150 maid functions on telecasting ) .

Consuela-Family Guy. 2005-till present Nadine Valesquez-My name is Earl. 2005-2009 Paz Vega- Spanglish. 2004 Kate Del Castillo- La misma Luna. 2007 Adriana Barraza- Babel. 2006 Catalina Saavedra. The amah. 2009 Roselyn Sanchez. Devious Maids. 2013- boulder clay present Pania Ramirez – Devious Maids. 2013 boulder clay present THE MEDIA. DIVERSITY AND SOCIAL CHANGE INITIATIVE ( MDSCI ) ’S SIX Year STUDY REVEALS SOME STATISTICS. Among the racial and cultural groups studied in the Media. Diversity. and Social Change Initiative’s study. released August 2014. Latin americans made up merely 4.

9 % of film characters across 100 of 2013’s top-grossing movies. Harmonizing to the U. S. Census Bureau’s estimations. there are approximately 52 million Latinos in the U. S. as of July 1. 2011. or merely over 16 % of the current U. S. population. That figure is on path to make 132. 8 million — or about 30 % of the U. S. population — by July 1. 2050. LATINOS THAT ARE DEPICTED IN TOP-GROSSING MOVIES ARE MOSTLY NAKED.

While the survey does observe that “Hispanic females ( 37. 3 % ) were more likely to be featured in popular movies than were white females ( 29. 6 % ) or Asiatic females ( 32 % ) . ” Latinas are besides more likely than females among any of the other groups studied ( 37. 5 % . to be precise ) to be shown partly dressed or nude on the large screen. LATINOS ARE ALSO HIGHLY LIKELY TO BE SEXUALIZED.

The sexualization of Latinos does non halt with adult females. Latino work forces were the most likely among the studied groups ( 16. 5 % ) to be depicted have oning “tight. tempting or uncovering vesture. ” DANGERS OF THE NEGATIVE PORTRAYAL OF RACE & A ; ETHNICITY BY THE MEDIA? Since there is a inclination to believe what is represented or depicted by the media ; as peculiar races or cultural groups are frequently negatively portrayed. others who are non acquainted with such group of people are bound to believe they are really the manner the media has presented them. ?

Another danger of negative portraitures of race/ethnic groups by the media is that the younger 1s from such groups may non be able to see themselves better than the manner the media has portrayed them. For illustration if a race is continually depicted as a amah or as coarse liquidator the younger coevals of such groups may non see anything incorrect with being that manner and could really stop up as same. ?

This peculiar race have bing challenges of employment. hapless instruction ; the uninterrupted word pictures as such does non assist work out these jobs. but merely worsens them. ? It could be hard for people who are negatively portrayed to maintain relationships with or amongst other races who are depicted as superior to them. THE NOLLYWOOD CONSTRUCT OF ETHNICITY ( A STUDY OF THE YORUBA. AND NORTHERN NIGERIANS ) The establishing male parents of Yoruba movies in Nigeria i. e. Herbert Ogunde. Moses Olaiya ( Baba Sala ) Based their plants on the constructive values of the Yoruba cultural group without go forthing their audience entertained.

In recent times Nollywood has neglected the transportation of societal heritage map in the production of Yoruba movies. More frequently than necessary opprobrious statements. raining of expletives and the innovation of such and prankishness has been synonymous with Yoruba movies. The really rich Yoruba civilization which the universe could larn from is frequently being tarnished by our movie industry. However there are assorted Yoruba manufacturers who focus on distributing the positiveness of the Yoruba civilization i. e. Tunde Kelani. Tade Ogidan. Yinka Afolayan. Work force from the Northern portion of Nigeria are besides frequently times portrayed as either a gateman or the security adult male of a well-established household.

The character who could really be Yoruba speaks like a adult male from the North to convert the audience that the gateman is a adult male from the Northern portion of the Country. Little does Nollywood cognize that many of the gatemen in Lagos which I can talk for are non even Nigerians. I have observed that most of the gatemen/security work forces in world are really from Niger Republic many of them look like Nigerian Northerners. are able to talk Hausa linguistic communication but they are non Nigerians. RECOMMENDATIONS? Every race has some kind of value and norms that could be positive. the media should hereby seek out such and spread them. ?

The media needs to esteem the fact that every human individual has self-respect and should be portrayed as such. ? They ne’er should ne’er presume that a peculiar race or ethnicity is less than the other. regardless of the socio economic position of such groups. ? The media should seek to work out the challenges faced by some races and cultural groups instead than work them. ? The media should be reminded that they are socially responsible to the society. therefore they should be aware of what they feed the society with.

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