The Gothic genre is a manner of movie and literature that expresses subjects of lunacy. decease. darkness. love affair and compulsion. Although Rebecca and The Tell- Tale Heart are fitted to the Gothic genre. the composers have conveyed similar subjects in different ways. Compulsion in Rebecca is that of Mrs Danvers. who is obsessed to the point it drives her mad. She would make anything to convey Rebecca back. Whereas in Poe’s short narrative the storyteller is so haunted with the oculus of an old adult male he would make anything. including commit slaying to acquire rid of it.

Alfred Hitchcock’s movie. Rebecca is a psychological thriller that uses cinematic techniques such as hapless false belief. word picture. motives and illuming to convey Gothic subjects of lunacy and compulsion. In contrast. Edgar Allen Poe’s short narrative The Tell- Tale Heart uses literary techniques such as narrative and nonliteral linguistic communication to successfully convey these same subjects. While both composers convey Gothic subjects of lunacy and compulsion they communicate each with different techniques. Besides the characters that they have created are portrayed as covering with lunacy and compulsion really otherwise.

In the movie Rebecca. the different characters Max and Mrs Danvers are used to research the Gothic subject of lunacy. Hitchcock manipulates the frame in cardinal scenes. by doing Max’s organic structure linguistic communication propose his jitteriness. concern. choler and the demand to ease himself. Max goes on to admit. “Perhaps I am mad” . This declaration sums up the theory that something fusss Max. and that it is evidently taking a toll on him. Hitchcock depicts the sincere and loyal personality of Max as concealing something which changes his personality and domineering position. This is used to research the Gothic subject of lunacy and the effects that it has on Max.

However. Mrs Danvers’ compulsion leads her to perpetrate Acts of the Apostless of lunacy. Towards the terminal of the movie Mrs Danvers burns down the sign of the zodiac while she is still indoors. necessarily killing herself in an effort to convey justness to the long dead Rebecca. The concluding scene of the combustion sign of the zodiac and the shriek Mrs Danvers is symbolic of her lunacy. which was unsafe and non dissimilar from demonic worship. Poe’s The Tell- Tale Heart. besides explores the Gothic subject of lunacy. By composing in first individual. Poe makes the narrative really narrow. as it fits merely the narrator’s ideas and logical thinking.

The storyteller repeatedly claims he is non huffy and that it is non madness that drives him. but alternatively it is the right thing to make. But he continues to inquiry. “How so. am I huffy? ” Although there is merely one point of position throughout the narrative. the storyteller seems to speak to readers. He tries to carry readers who are basically his scruples that he is sane. Rather than converting readers that he is sane. he verifies that he is so huffy. By composing in first individual. it is easy to understand what is traveling through the narrator’s head. He emphasizes his lunacy and denial.

Towards the terminal of the narrative the storyteller behaves as if he is haunted and guilty. “I could bear those hypocritical smilings no longer” . He begins to conceive of things that aren’t truly at that place and reaches the point at which he can no longer conceal his secret. Hence he is basically squealing in the hope of liberating his scruples. Poe’s character is one who denies lunacy. whereas Hitchcock’s character embraces the thought. In add-on. both Hitchcock and Poe successfully convey the Gothic subject of compulsion. Hitchcock develops the menacing and lingering Mrs Danvers as a conniving character with an unnatural worship for Rebecca.

This is made evident when Mrs De Winter gimmicks Mrs Danvers in the room of Rebecca. The room has been kept to the precise orders of the late Rebecca. Mrs Danvers admiringly recounts all Rebecca had requested. “I kept her pelts in here… Put it against your face. It’s soft isn’t it? You can experience it can’t you? The aroma is still fresh isn’t it? ” The relationship between Mrs Danvers and the late Rebecca rapidly escalates to go one that transgresses the normal. Mrs Danvers continues to keep onto the obsessional relationship and twisted love she shared with Rebecca.

Mrs Danvers still longs for Rebecca who is no longer alive. The tone and linguistic communication that Mrs Danvers uses when talking to Mrs De Winter is short and proper. She seems to intentionally desire to do Mrs De Winter experience uneasy with herself and uncomparable to Rebecca. Even though Rebecca is dead. she is an progressively big figure throughout the movie. Her power is non drawn physically. but from the relationship she had with Mrs Danvers and the trueness Mrs Danvers has for her. With the presence of Mrs Danvers. and the motive of her ‘R’ embellishment. there is a heavy feeling of Rebecca still being alive and ne’er traveling off.

The compulsion that Mrs Danvers has for Rebecca may non be one of force and hatred. but it is still endangering. off-putting and terrorization. compensate up to the terminal. The compulsion in Poe’s short narrative and Hitchcock’s movie both end likewise. The chief character from The Tell- Tale Heart has an unhealthy compulsion merely like Mrs Danvers. “It haunted me twenty-four hours and night… I think it was the oculus! Yes it was this! ” After fring himself of the oculus. a motive on the narrator’s compulsion which is similar to the motive of Rebecca. his compulsion has merely shifted to hiding the offense he has committed.

The storyteller focuses all his power and attending to an oculus. which causes him much irritation. and an intolerable demand to destruct it. His compulsion with the oculus and how it makes him experience. leads him to hold with himself in that it must be stopped. It is as if his compulsion clouds his judgement of what is right and incorrect. Even though Poe conveys the old adult male as how the storyteller sees him. a reader can construe the true Nemesis as being the storyteller. Poe conveys the narrator’s compulsion by stressing every idea that has crossed his head and how he spends much clip and energy. taking attention to cover with his compulsion and fright.

Finally Poe’s character like Max besides tries to hide his offense but ends with a guilty confession. In decision. the cardinal characters of Rebecca and The Tell- Tale Heart all portray the Gothic subjects of lunacy and compulsion. Each character plays a different function ; Mrs Danvers is drawn up as a conniving madwoman who meets her merited decease. In contrast. Poe’s character is huffy from the beginning as a consequence of an unhealthy compulsion. He meets his ain terminal voluntarily as he confesses his guilt.