The Love Song Of J. Alfred Prufrock

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When our lives begin, we are guiltless and life is beautiful, but as we grow older and clip easy and rapidly passes we discover that non everything about life is rather so pleasing. Along with the joys and felicity we experience there is besides hurting, unhappiness and solitariness. Hemingway & # 8217 ; s & # 8220 ; A Clean, Illuminated Place, & # 8221 ; and Eliot & # 8217 ; s & # 8220 ; The Love Song of J. Alfred Prufrock & # 8221 ; both tell us about older work forces who are sing these awful emotions.

In Hemingway & # 8217 ; s short narrative there are three characters, two servers and their client. Of these three, two are older work forces who are sing utmost solitariness. The client sits entirely imbibing his spectacless of brandy slowly, and really carefully, peacefully going rummy. While he is meticulously imbibing his intoxicant, the two servers talk about him. They discuss his suicide effort of the hebdomad yesteryear. The younger server doesn & # 8217 ; t seem to understand why a adult male with money would seek to stop his life. Although the older server seems to hold an penetration into the client & # 8217 ; s ground, he doesn & # 8217 ; t portion this with the younger 1. He seems to cognize why this deaf old adult male is so down, and sits at that place entirely and soundless. When the younger server rushes the client, the older server objects. He knows what it is like to travel place to emptiness at dark, while the younger adult male goes place to his married woman. The older server comments on the differences between him and his younger comrade when he says, & # 8220 ; I have ne’er had assurance and I am non young. & # 8221 ; He

tells the server and us that he prefers to remain in a well-lit topographic point alternatively of traveling place to darkness and loneliness. When he does travel place, he waits until daytime to kip. The light seems to bring around his inner darkness, his desperation at being entirely, and his desperation at the “nada”-ness in his life but merely temporarily.

In T.S. Eliot & # 8217 ; s poem J. Alfred Prufrock tells the reader of his fright of rejection. He is a alone adult male and wants to inquire person to do his life a small less desolate. He doesn & # 8217 ; t cognize what to state or how to inquire. We are at a party, a scene Prufrock seems to see frequently. He tells us about himself, his bald topographic point, his scraggy weaponries and legs. He knows that the people at the party will speak about those defects in his visual aspect. Prufrock is so diffident of himself that while seeking to happen a manner to inquire his inquiry, he loses the chance to inquire it. He loses his opportunity at stoping the void that seems to make full his life every bit good. His uncertainness and his lower status composite are affectingly revealed when he tells us, & # 8220 ; I have heard the mermaids vocalizing, each to each. // I do non believe they will sing to me. & # 8221 ; It is this forlorn attitude that moves us. He is highly alone and yet, he can non make anything about it.

In both these plants work forces talk of solitariness and unhappiness. They are all entirely in a universe filled with people. The wretchedness they experience from this feeling of purdah moves the reader because we have all at one point or another felt similarly even if non to that strength.

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