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In Antigone Creon is the tragic hero. Throughout the narrative he displays the four tragic hero features. He was a individual of high character. Creon was the King of Thebes and he thought he was the most powerful individual. Creon didn & # 8217 ; t think anything could halt him. Pride was Creon & # 8217 ; s ruin. It lead to the loss of many loved 1s that were near to him. At the terminal Creon realized he was incorrectly. He tried to repair it but couldn & # 8217 ; t. What makes Creon a tragic hero in the narrative Antigone?

Since Creon was the King of Thebes he didn & # 8217 ; t care what others would believe or state. Creon thought he was above everyone. Creon instantly made the determination that Polyneices would non be buried even though he was household. He still was a treasonist and because of this he would non have the privilege of being buried. Anyone who did bury him would be killed. Creon shows he doesn & # 8217 ; t care about anyone when he finds out Antigone buried Polyneices. He tells Antigone, & # 8220 ; And yet you dared withstand the jurisprudence & # 8221 ; ( I. 285 ) . Creon doesn & # 8217 ; t even care if it is his ain relation that bertays him. That individual will hold to pay for their action of traveling against the jurisprudence that he provided.

Creon believes he is a stone and nil can stand in his manner. He thought he was above the Gods. He didn & # 8217 ; t want to believe in Teiresiasis or anything that came out of his oral cavity. Creon continues to believe he is above the Gods. To him, nil can alter his will. Not even Teiresiasis, the unsighted prophesier who sees the hereafter, can alter his head. & # 8220 ; Whatever you say, you will non alter my head & # 8221 ; ( V. 299 ) . In this illustration, Creon is being stubborn. Teiresiasis tells Creon that what he is making is incorrect and the Gods will acquire him back. Creon doesn & # 8217 ; t believe this and thinks he is merely a prevaricator.

The tragic defect of pride is what over took Creon and made him come to his ruin. Creon thought what he was making was right. To him

it didn’t affair that he destroyed his son’s hereafter with Antigone. It didn’t affair that he was killing his ain household. It besides didn’t make any difference that the Gods tried to halt him and would acquire even with him. Creon thought he was at the top and in control of all. Creon realizes his tragic defect got the best of him when he says, “Oh it is difficult to give in! but it is worse To put on the line everything for obstinate pride” ( Exodos. 300 ) . Creon eventually comes to see that power isn’t worth the decease of his full household.

Creon eventually comprehends that he is incorrect. He realizes that he is non the power above all. After hearing what Teiresias had to state, Creon tries to repair everything. He goes to acquire Antigone from the cave and finds she hung herself. Then Haimon stabs himself because he loved her and couldn & # 8217 ; t live without her. Haimon thought what his male parent was making was incorrect. Creon runs place is despair and finds that his married woman Eurydice found out about the decease of their boy. This was the second of their boies and the last of their kids who died. Eurydice killed herself out of anguish. Creon comes to understand that he is non almighty. & # 8220 ; My ain unsighted bosom has brought me from darkness to concluding darkness & # 8221 ; ( Exodos. 301 ) , by stating this Creon knows this was all his mistake. He even admits he is the guilty 1 when he says, & # 8220 ; I alone am guilty. I know it, and I say it & # 8221 ; ( V. 297 ) . Creon withdraws from his pride. He knows that he is no longer on top and in power of all.

Creon is the tragic hero in the narrative because his defects lead to his ain ruin. Creon & # 8217 ; s pride overtakes him. He thinks he is superior to Gods which he learns to understand he isn & # 8217 ; t. His ain pride killed his household. No 1 can of all time be all knowing. There comes a clip when person is right and you aren & # 8217 ; T.

Works Cited & # 8221 ;

Sophocles. & # 8220 ; Antigone. & # 8221 ; Prentice-Hall Literature. Ed. Bowler, Ellen. Saddle River, NJ: Prentice-Hall, 1996

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