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Victory of a swan and dance manMatthew Bourne gives a valuable penetration into what makes him click in conversation with Alastair MacaulayMatthew Bourne and his Adventures in Motion Pictures: In Conversation with Alastair Macaulay Faber & A ; Faber? 14.99, pp403Matthew Bourne & # 8217 ; s male Swan Lake returns to London this hebdomad, after a enchantment on Broadway and several British Tourss. Since its gap at Sadler & # 8217 ; s Wells in November 1995 and reassign to the West End in 1996, the production has won legion awards, here and in the United States. It has brought a new audience to dance, pulling people who would instead travel to musicals instead than to ballet or modern-day dance.Swan Lake has been skillfully marketed & # 8211 ; though its image as an all-male version of the traditional Tchaikovsky concert dance is misdirecting. There are plentifulness of adult females in the production ; the corps of swans, nevertheless, are male, as is their leader, the Prince & # 8217 ; s idealised love object. & # 8216 ; I saw the Swan as more of an animate being & # 8211 ; even more than a bird & # 8230 ; a heathen thing about, & # 8217 ; Bourne tells his middleman, Alistair Macaulay, the Financial Times theatre critic. & # 8216 ; It was ever the abandon of swans that I wanted to demo & # 8230 ; I besides wanted to make something more lyrical for work forces & # 8211 ; without castrating them in any way. & # 8217 ; The book is an drawn-out & # 8216 ; Meet the Chore

ographer’ session – the question and answer ritual that often accompanies a contemporary dance performance. They can be unsatisfying because audience members are too embarrassed to ask the obvious questions: What’s it all about, and where do you get your ideas from?Creators usually prefer to cover their tracks, but Bourne is unusual in his candour, in print as in person. His first thoughts, revisions, influences and experiences are revealed as he talks about his productions and his background. The book is an insight into what makes Matthew Bourne tick – and into how choreographers operate.It is part of a Faber series of interviews with auteurs, starting with film-makers (Hitchcock, Scorsese) and moving on to people in the performing arts. The intended readership includes fans, the mildly curious and academic specialists. Bourne’s Swan Lake is now on the syllabus for dance A-level: he and his daftly named company, Adventures in Motion Pictures (whose provenance is spelt out in the book), will inspire critical studies in the future. Perhaps, for ordinary dance-goers, the magic might be tarnished by being told too much: me, I love finding out the film references in Swan Lake and Cinderella, and the sub-plot details that never made it onto the stage.• Matthew Bourne’s Swan Lake opens at the Dominion Theatre on Wednesday.