Truth Disguised By Words Essay Research Paper

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Truth Disguised By Words Essay, Research Paper

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Truth Disguised by Wordss

Throughout history people have used camouflages to lead on others to conceal their true individuality. Hiding 1s true individuality is a prevailing subject throughout King Lear for characters dress up to lead on their friends and household. Another usage of camouflage in this drama is utilizing words to conceal 1s true emotions and personality. Wordss have a strong importance to the characters in this drama which leads to easy use. Three characters use words that do non reflect their true feelings to lead on and pull strings their friends and household to make things that they would otherwise non make if their true purposes were know. These three characters are Goneril and Regan, the two eldest girls of King Lear, and Edmund, the illicit boy of Gloucester. They lie, deceive, fabricate grounds, overpower and bewray their male parent and the other people closest in their lives, including each other. All three of these characters have used their command of the English linguistic communication to portray an purpose different from their true feelings and emotions and win in gulling the other characters in the drama to obey them.

Throughout King Lear inhuman treatment and selfishness is an on-going subject and sentiment which is chiefly generated from Lear & # 8217 ; s two eldest girls, Goneril and Regan. Though these two sisters are virtually one character during most of the drama they do even turn on each other when demand takes over their bosom. Goneril and Regan get down the drama by professing their deep undying love for their male parent. These addresss were necessary if they wish to aquire their merited piece of land and power from their male parent. In these two addresss Goneril and Regan use such phrases as “ A love that makes breath hapless and address unable ” ( I, i, 60 ) and “ And happen I am entirely felicitate / In your beloved Highness & # 8217 ; love. ” ( I, i, 75-6 ) while the girl with the truest love towards her male parent refuses to talk for she “ can non heave / My bosom into my oral cavity. “ ( I, i, 91-2 ) . The love Cordelia could non show in words her sisters were able to so insincerely, for if their love was true love it would non be able to be expressed in merely words because emotion would take over any significance words had. This is the first clip we see them talk in the drama and their first words are insincere which is decidedly a mark of the deficiency of regard they give to the significance of words throughout the continuance of the drama. In this scene they deceive their male parent into giving them his land and power with a few false words of love. Soon after, in act I scene four, Goneril & # 8217 ; s purposes become clear when she disrespects her male parent and begins to order him around the manner a female parent would a little kid, Lear curses her to hold a ungrateful kid or none at all. Though Goneril seeks retaliation on her male parent she does non look to care or be hurt by his words, either because words have so small truth and significance to her or because she cares so small for her male parent. It becomes obvious that Regan feels the same manner when they both gang up against Lear at Gloucester & # 8217 ; s place and order Gloucester to go forth him out in the storm. Throughout this clip Goneril has been misleading and endangering her hubby, Albany, to remain on her side alternatively of being loyal to his male monarch, and though Albany finds her to be paranoid her corsets loyal to the 1 he thinks loves him. Goneril and Regan do get down to demo their true barbarous nature in act III particularly in scene seven, but they shortly begin to lie and conceal their true emotions once more but this clip it is to each other. Goneril and Regan want more than power and land they both want the love of Edmund. Goneril shows fondness for him foremost even though she is still married to Albany, but so after Regan & # 8217 ; s hubby, Cornwall, dies she goes after Edmund and wins his love over Goneril. At this point of the drama they start to travel behind each other & # 8217 ; s back and even seek to lead on one another right under their olfactory organ. This becomes an interesting conflict of words and intending between the two sisters, as they both know how the other plants. When Goneril tries to be entirely with Edmund and Regan won & # 8217 ; t allow her she replies, “ O Ho, I know the conundrum. I will travel. “ ( V, I, 38 ) . Here Goneril realizes that Regan understands that she is seeking to pull strings her. Goneril becomes barbarous and despairing which is apparent when she says, “ I had instead lose the conflict than that sister / Should loosen him and me. ” ( V, I, 19 ) . Goneril has gotten to the point where greed has taken over her whole life and she has lied so much that the merely true thing she has is her greed. When Albany confronts Goneril with the truth of her selfishness and treachery she refuses to listen to him because she is unable to manage words said with truth behind them for she has so seldom used them in such a mode. Finally her greed and selfishness along with her deficiency of love for Albany overcomes her and she toxicants Regan. When she is so caught for her personal businesss with Edmund she confe

south southeasts to the slaying and kills herself. A tragic terminal to the two that caused the play’s calamities in the first topographic point. Their strong feeling of lecherousness for Edmund was the fatal terminal to two lives that had hardly of all time allow their words reflect their emotions.

In the drama the illicit boy of Gloucester, Edmund, played a cardinal function of hocus-pocus and use. Edmund begins the drama as the unimportant, yet apparently equal asshole boy of Gloucester who has been off for many old ages. Edmund resents the fact that he is the asshole boy and that he is treated lower than Edgar, the legitimate boy, but manages to portray to the other characters that he is the low, loving boy that everyone expected him to be. His hatred and bitterness for Edgar builds up to the point that Edmund & # 8217 ; s first soliloquy is of pure hatred and enviousness. He proves that his purposes are far from honest when he speaks his true purposes:

Well, so,

Legitimate Edgar, I must hold your land.

Our male parent & # 8217 ; s love is to the asshole Edmund

As to the legitimate. Fine word, & # 8216 ; legitimate & # 8217 ; !

Well, my legitimate, if this missive velocity

And my innovation thrive, Edmund the base

Shall top the legitimate. I grow, I prosper:

Now Gods, stand up for assholes!

( I, ii, 15-22 )

This is the beginning of Edmund & # 8217 ; s ugly behaviour. Here he tells the audience his programs but it does non go evident of how pitiless his purposes towards Edgar and his male parent are till subsequently. This is the last word of truth that leaves Edmund & # 8217 ; s lips for the remainder of the drama. Edmund & # 8217 ; s game of prevarications and hocus-pocus begins in this 2nd scene of the drama. He begins by professing his undying trueness to his male parent, get downing in a similar manner as the sisters began, so continuing, apparently reluctantly, to state him of his immorality brother & # 8217 ; s selfish secret plan to kill his male parent. Edmund presents a missive that he forged himself to his male parent that asked Edmund to fall in him in this diabolic secret plan against his male parent. Here Edmund lies to his male parent in an inexplicable manner, aching his male parent with a boy & # 8217 ; s lost love and destructing his brother & # 8217 ; s life all so that he could lift in power. Edmund so rises to the place of Edgar continuing to lie to Edgar subsequently in the act stating him to fly from his loony male parent. Both his male parent and brother trust him as their faithful intimate while he is pull stringsing and destructing them both. Edmund & # 8217 ; s greed and his success in his prevarications have taken him over as he so betrays his male parent for Goneril and Regan with the promise of the rubric of Earl of Gloucester. He treats each individual in this drama as if they are the most of import individual in the universe to him while the whole clip he is pull stringsing them. Every word of love or trueness that comes out of his oral cavity is a prevarication, for he seems to demo no such feelings towards anyone but himself throughout the full drama. His unimportance in the beginning shortly turns to a proud, excessively confident attitude when he begins to pass his clip with Goneril and Regan. He seems to demo no existent emotions for greed has taken them over, and he tries to mask this by utilizing words of love towards his male parent, Goneril and Regan. Once he betrays his male parent and allows him to be blinded because of false grounds that Edmund fabricated, he so moves on to bewray Albany by doing progresss onto his married woman. Edmund betrays Goneril with words of love and so goes and gives the same vows to Regan who he so makes his married woman. These are his last prevarications and they cause the slaying and self-destruction of the two royal sisters, who couldn & # 8217 ; t play at their ain game. Edmund & # 8217 ; s prevarications and uses that he uses as his arms in his pursuit for power prove to be more powerful than merely words. These mere words cause the ostracism of his brother, the sightlessness and eventual decease of his male parent and the deceases of Goneril and Regan and in the terminal, his ain decease. Edmund caused a ruin of a land in his pursuit to govern it with hatred and dishonesty.

Edmund, Goneril and Regan destroyed their lives, their state and their households all by masking their true purposes with false words that did non come near to showing their true feelings. They used words to conceal their hatred and greed for love and trueness while upseting the natural order of power and household. They abused their power and the trust other characters put into them for they manipulated people to thing that they were different people than they truly were. There was a strong sense of the importance of words and vows in this drama, but the lesson it teaches you are non to take things a face value. Language originally came approximately so that people could pass on their feelings and emotions to each other, this is a privilege given to us and when it is abused, as it was in King Lear it can merely take to bad effects. If eyes are the room access to our psyche so words are the cardinal to understanding others and when we a dishonest we non merely ache those around us we besides hurt ourselves.

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