Essay, Research Paper

Many verse forms written by the same writer frequently have similar subjects. The writers normally believe in something really strongly and their verse forms normally reflect such a nature. Sometimes poets reflect facets of their personal life in their verse forms. In the verse form & # 8220 ; The Lamb & # 8221 ; and & # 8220 ; The Tiger & # 8221 ; , by William Blake, the poet discusses similar subjects in both.

In the verse form & # 8220 ; The Lamb & # 8221 ; , I interpret that William Blake discusses many points oppugning creative activity and faith. He describes the lamb as being an object of artlessness and breakability when he says & # 8220 ; Gave thee vesture of delectation, Softest vesture, woolly, bright ; Gave thee such a stamp voice & # 8221 ; ( line 5 ) . & # 8220 ; Blake develops an luxuriant personal mythology that underlies virtually all symbolism and thoughts in his work. & # 8221 ; ( Shilstone, p.223 ) Blake discusses that the Godhead of the lamb is besides calls Himself a Lamb. With this he brings spiritual significance into the verse form. It the New Testament, Jesus of Nazareth is referred as God & # 8217 ; s Lamb.

There are a few subjects developed in & # 8220 ; The Lamb. & # 8221 ; Blake describes the lamb as symbol of childhood artlessness. He besides inquiries about how the lamb was brought into being, which mentions another subject of godly intercession and how all animals were created. The verse form is nil but one inquiring inquiry to another ( Harmon, p. 361 ) .

& # 8220 ; The Tiger & # 8221 ; by William Blake describes the tiger as being an symbol of immorality. This is displayed when Blake says & # 8220 ; What an anvil? what dread appreciation, Dare its deathly panics clasp? & # 8221 ; By reiterating fluctuations of the word & # 8220 ; fear & # 8221 ; in the verse form, he emphasizes the immorality of tiger and the immorality this tiger possesses. The mighty animal is whole universe of experience outside ourselves, a universe of pyrogenic creative activity and devastation, faced with a terrorizing beauty ( Harmon, p.360 ) . This verse form besides contains the subject of creative activity in that it besides mentions the Lamb. The storyteller inquiries, & # 8220 ; Did he who make the Lam

Bs make thee? ” ( line 20 )

Both verse forms contain many similarities harmonizing to their subjects. & # 8220 ; The Tiger & # 8221 ; was taken from a aggregation of verse forms by Blake called The Songs of Experience. These verse forms focus on immorality and the importance of understanding the evil around in hope of achieving a province of artlessness. & # 8220 ; In The Songs of Innocence Blake suggests that by recapturing the imaginativeness and admiration of childhood, we could accomplish the end of self-awareness & # 8230 ; the verse forms therefore present positions of the universe as filtered through the eyes and head of a child. & # 8221 ; ( Literature, The English Tradition, p. 606 ) Thousand can besides deduce that immorality can convey forth the loss of artlessness. Therefore, one bing similarity is that they both concern the loss of artlessness. Many verse forms from each set are comrade pieces to each other. & # 8220 ; The Lamb & # 8221 ; is an emblem of artlessness, matching to & # 8220 ; The Tiger & # 8221 ; as the emblem of experience. ( Harmon, p. 365 )

Another shared subject between the two plants, & # 8220 ; The Tiger & # 8221 ; and & # 8220 ; The Lamb & # 8221 ; , is the subject of creative activity and Godhead intercession. In both verse forms Blake inquiries multiple times about how each was created. In & # 8220 ; The Lamb & # 8221 ; , Blake suggests that the lamb was created by a godlike being. In & # 8220 ; The Tiger & # 8221 ; Blake inquiries if the tiger was created by the same being that created the lamb. Such wonder is a common subject to both verse forms.

Therefore, through the information discussed, it can be seen that there exists a common comparing in two separate plants by William Blake. The subjects of both verse forms are in concurrence with each other. Therefore, harmonizing to theme it can be proven that there exists important similarities in these plants by William Blake.

1. William Harmon, Top 500 Poems ( Mew York: Columbia University Press, 1992 )

2. Frederick W. Shilstone, British Poetry ( Middletown, NY: N & A ; N Publishing Company, 1988 )

3. Literature ; The English Tradition, Prentic Hall, New Jersey, 1991.