Akai MPC2000 MIDI PRODUCTION CENTER Essay Research

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Akai MPC2000 ( MIDI PRODUCTION CENTER ) Essay, Research Paper

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AKAI MPC2000

MIDI PRODUCTION CENTER

The followers is a sum-up of the advanced characteristics of the AKAI MPC2000,

which include a built in sampling station, sequenator and more.

Here is a elaborate general description of the AKAI MPC2000.

Large 248 ten 60 dot LCD show with artworks.

6 maps keys under the LCD show provide assorted maps on each page.

Built-in 1.44 M floppy disc thrust to hive away both sequences and sound informations.

Built-in SCSI interface for hive awaying informations to external difficult disc.

Here is a elaborate description of the AKAI MPC2000? s built in sampling station.

16-bit, 44.1kHz stereo sampling

High capacity sound memory: 2 Ms standard ( 22 seconds mono or 11 seconds

stereo ) , expandible to 32 Ms with SIMM memory.

Digital sampling input for direct recording from digital beginnings with IB-M208P board.

128 sounds ( samples ) may be held in memory at one clip.

32 coincident playback voices.

The envelope or filter can be set for each sound.

Optional multi-effects generator EB16 for various effects.

Sample files may be loaded from AKAI S1000 and S3000 discs.

IB-M208P ( optional ) enables you to blend and end product internal sampling station sounds from 8

single end products.

A upper limit of 24 plans ( sound assignments and sound parametric quantity scenes ) can be

created.

A choice between poloyphonic ( multiple sounds are overlaid when the same sound

is played continuously ) or glandular fever ( the 2nd sound silences the first ) .

It is possible to halt the playing of a sound with another sound. This is used to

imitate the unfastened close consequence of the hello chapeau.

It is possible to copy a portion of a sound as a separate sound or paste a sound to a

subdivision of a sound. It is besides possible to muffle or change by reversal portion of a sound.

One MIDI note can play three sounds. The sounds can be played at the same time,

switched by speed, or with the NOTE VARIATION skidder.

Loop scenes can be made to a sound

The speed can alter the playback pitch.

When phrase sampling, it is possible to cipher the pacing of the phrase from the

length of the sound cringle.

Since the sound moving ridge forms are displayed, its is possible to redact the sound while

watching the moving ridge form. It is besides possible to whizz in or out on the moving ridge form

Here is a elaborate description of the AKAI MPC2000? s built in sequenator.

Loop entering map enables quick entering by looping short phrases.

10,000 note sequenator memory capacity. ( 1NOTE VARIATION = 2NOTE )

99 sequences may be held in memory at one time. Each sequence contains 64 person

paths.

2 independent MIDI end products ports license 32 coincident MIDI end product channels.

2 mergeable MIDI inputs.

The optional SMPTE boards enable synchronism with SMPTE clip codifications.

MTC ( MIDI clip codification ) , MMC ( MIDI machine control ) compatible.

Datas can be exported to or imported from standard MIDI files.

Measure edit maps enables you top edit single Eve

National Trusts.

The speed of each path can easy be modified.

It is possible to enter 16 MIDI channels at one clip.

Tap tempo characteristic allows the playback pacing to be set by tapping a key in the clip of

1/4-notes.

Programmable pacing alterations in mid-sequence or mid-song are supported.

Auto punch characteristic enables you to plug in or plug out automatically in the

designated sequence.

Swinging characteristic enables you to add a swing-feel to the beat.

16 speed and force per unit area sensitive front panel membranophone tablets and 4 pad Bankss provide a

sum of 64 pad/bank combinations.

The NOTE VARIATION skidder controls the decay or filter value of the sound beginning

in existent clip.

Since it is possible to change over MIDI prolong pedal informations to observe continuance informations, you can

topographic point sustain effects independently from the note informations within a path.

The note repetition map and the after touch map tablets enable you to easy come in

membranophone axial rotations and hi-hat beats.

The UNDO SEQ cardinal enables you to undo sequence recordings or edits.

? Then to Now?

Akai is now known for their scope of sampling stations which still have major

portion in most production studios around the Earth. And it is no surprise that it was them

that produced the universe & # 8217 ; s first sampling station and sequence integrated rhythm machine with such

a flexibleness in trying. It was back in later & # 8217 ; 80s that Akai produced the first Midi

Production Center MPC60 in coaction with Roger Linn, one of the conceivers of

what is now called Drum machines. With his expertness of bring forthing Linn Drum series

Combination of sequences and keyboards, and sound faculties were going popular at

the clip as the MIDI criterion was coming of age.

MPC was designed to give us musicians the engineering in one neat box that

doesn & # 8217 ; t need measure up linemans around it to merely maintain on working. Surely he was

popular along manufacturers and studio technicians whose chief concern is practicality.

His name besides become a manner in many hip hop manufacturers and there are still many people

coming into studio with merely 2 bend tabular arraies and a MPC.

MPC60 was so followed by MPC60mk2 which incorporated a SCSI port

and more memory, and It was superseded by the MPC3000 of which design was based on

the 16 spot sampler S3000, which was already going popular at the clip. ( But there are

still many people utilizing MPC60s for the & # 8216 ; lo-fi & # 8217 ; sound quality coming out of its 12 spot

trying engine. And certainly the MPC sequenator was already such an advanced system.

However, the MPC3000 was certainly a great machine, but its cost ( it was likely

the most expensive beat machine at the clip, though much cheaper than other sampling station

co-operated systems ) prohibited the usage of those who are non doing music commercially.

At the same clip, Akai & # 8217 ; s normal sampling station ( ? ) division was completing the designs of S-XL

scope and the S2000 which in simple footings had higher specification with a modest monetary value

ticket, which rang the bell of their MPC division. In fact MPC2000 has about the same

sound engine as that of S2000.

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