Alice Walker’s The Color Purple takes topographic point in the 1920’s-1930’s during the times of segregation and women’s right to vote. In this transition Celie’s step-son confides in her one dark sitting on her front porch stairss.

Read the undermentioned transition from Alice Walker’s The Color Purple. Then. in a well-organized essay analyze how the author’s manner exposes the tone towards the unequal intervention of adult females by the usage of literary elements such as entreaty to emotion. sentence structure. and sarcasm.

Harpo sitting out on the stairss. shouting like his bosom gon interruption. Oh. boo-hoo. and boo-hoo. He got his caput in his custodies. cryings and snob running down his mentum. I give him a hansker. He blow his olfactory organ. look up at me out of two eyes near like fists. What happen to your eyes? I ast. He clam unit of ammunition in his head for a narrative to state. so fall back on the truth. Sofia. he say. You still trouble oneselfing Sofia? I ast. She my married woman. he say. That don’t mean you got to maintain on trouble oneselfing her. I say. Sofia love you. she a good married woman. Good to the kids and good looking. Hardworking. Godfearing and clean. I don’t cognize what more you want. Harpo snuffle. I want her to make what I say. like you do for Pa. Oh. Lord. I say. When Pa tell you to make something. you do it. he say. When he say non to. you don’t. You don’t make what he say. he beat you. Sometime beat me anyhow. I say. whether I do what he say or non.

That’s right. state Harpo. But non Sofia. She do what she want. don’t pay me no head at all. I try to crush her. she black my eyes. Oh. boo-hoo. he cry. Boo-hoo-hoo. I start to take back my hansker. Possibly push him and his black eyes off the measure. I think bout Sofia. She tickle me. I used to run game with a bow and pointer. she say. Some adult females can’t be all in. I say. Sofia one of them. Besides. Sofia love you. She likely be happy to make most of what you say if you ast her right. She non intend. she non vindictive. She don’t keep a score. He sit there hanging his caput. looking idiot. Harpo. I say. giving him a shingle. Sofia love you. You love Sofia. He look up at me best he can out his fat small eyes. Yes ma’am? he state. Mr. ___ marry me to take attention of his kids. I marry him do my dada made me. I don’t love Mr. ___ and he don’t love me.

In this transition from The Color Purple. the author’s sentiment of the manner work forces treat adult females is clearly displayed through the tone of the text and manner of her authorship. Alice Walker exposes her strong disapproval of the mistreatment of adult females through literary elements such as sentence structure. entreaty to emotion and sarcasm.

Walker uses specific sentence structure in order to stress the importance of the points that Harpo’s comrade makes. The word “Hardworking. ” is treated as a sentence in itself. and the adjacent phrases such as “Good to the kids and good looking. ” . “Godfearing and clean. ” . and “Sofia love you. she a good married woman. ” are short and punctuated like sentences in the same manner. The writer does this to indicate out that amongst all the duologue written. these phrases are the most important text in the scene because they demonstrate her sentiment that work forces. including Harpo. should non maltreat adult females. and particularly adult females who take attention of themselves. act harmonizing to spiritual instructions. and are good to their households and hubbies. She besides uses this same sentence construction to stress the ways Sofia doesn’t act ; for illustration. “She non intend. she non vindictive. ” and “She don’t keep a grudge” . This shows that Sofia’s behaviour does non merit penalty. and therefore she and other adult females of similar character should non be harmed.

The transition contains emotional entreaty which serves the intent of indicating out the author’s sentiment of the mistreatment of adult females. Sofia’s delivering qualities are obviously stated: features such as hardworking. loving. spiritual. and loyal to household. When the reader learns that Sofia’s hubby attempts to crush her despite her idiosyncrasies. understanding is evoked. The entreaty to emotion continues when a briefing on the lady companion’s yesteryear is supplied. The reader learns of the woman’s bad lucks including whippings that take topographic point regardless of her actions. and a forced matrimony that leads to her upbringing of another woman’s kids.

Imbedded deeper in the text. is situational sarcasm. Walker uses imagination like “He got his caput in his custodies. cryings and snob running down his mentum. ” and onomatopoetic words such as “sniffle” and “boo-hoo” to indicate out Harpo’s overdone reaction. Harpo feels that his inability to crush his married woman puts him in an unjust state of affairs. These illustrations are used to indicate out the world of the state of affairs ; adult females such as his comrade [ Celie ] are the luckless 1s because they are forced into unfair relationships in which they are beaten and mistreated. The imagination and onomatopoeia doing merriment of Harpo’s actions. function the intent of indicating out his hypocritical pathetic behaviour.

Throughout the transition provided. Walker uses stylistic techniques such as sentence structure. emotional entreaty. and situational sarcasm to light her critical sentiment of the mistreatment of adult females. Her peculiar methods provoke contemplation and contemplation in the reader once the transition has been comprehended. As a consequence. this increases the value of her work as a whole.