Sixteen year-old Juno MacGuff is the type of miss that beats to her ain drummer. and doesn’t truly care what others may believe of her. She learns that she’s pregnant from a erstwhile sexual brush with her best friend. Paulie Bleeker. Juno and Paulie like each other. but don’t consider themselves to be sole boyfriend/girlfriend allow entirely be ready to be a household complete with kid. Although she would instead non be pregnant. Juno is reasonably matter-of-fact about her state of affairs. Paulie truly leaves all the determinations about the babe to Juno. Initially. she decides that she will hold an abortion. but that’s something that she finally can non travel through with. So she decides to hold the babe and give it up for acceptance. But first she has to state her male parent. Mac. and stepmother. Bren. that she is pregnant.
Although they would hold preferred if Juno was on difficult drugs or expelled from school. Mac and Bren excessively are matter-of-fact about Juno’s state of affairs. The following measure is to happen prospective parents for the yet unborn kid. In the Penny rescuer ad subdivision. Juno finds Mark and Vanessa Loring. a yuppie twosome life in the suburbs. Juno likes the Lorings. and in some respects has found who looks to be a akin spirit in Mark. with whom she portions a love of dirt music and horror movies.
Vanessa is a little more edgy and is the 1 in the relationship apparently most eager to hold a babe. On her ain choosing. Juno enters into a closed instead than unfastened acceptance contract with the Lorings. During the 2nd and 3rd trimesters of Juno’s gestation which she treats with attention but withdrawal. Juno’s relationships with her household. with Paulie. and with the Lorings develop. She gives the babe to Venessa. when she gives birth. At the terminal. Juno and Bleeker acquire together and they realized their feeling to each other.
After sum uping the film. I want to analyse it. The 2007 movie release of Juno offers certain challenges to past conceptualisations of maidenhood. yet the representation of female gender as tied to traditional impressions of ‘‘femininity’’ remains well unchanged. Juno represents a cultural artefact of altering political orientations of maidenhood. yet it besides functions as an illustration of the permeant ambivalency towards the sexual subjectiveness of misss.
The representation of misss as sexless is challenged. Rather than a stereotyped word picture of the female organic structure as sexual object. sexual desire is visibly expressed and acted upon by the girl character. Throughout the movie. Juno is shown as agentive in the determinations she makes about her organic structure. sexual desire. and manners of self-expression ; her categorization as a miss who identifies as a ‘‘freak. ’’ cares small about what other people think of her. and dresses in dirt manner vesture connote an independent assurance that is evident in all of her intimate relationships.
Although Juno has received congratulations for its originality. the narrative is most noteworthy as a surprisingly familiar cultural fairy-tale. Juno’s character is apprehensible as a metaphor for conditions of female gender that continue to restrict girls’ full looks of sexual desire. Like the character of Juno. misss today are caught between increased outlooks of bureau on the one manus and go oning limitations of their sexual looks of desire on the other.
In gestating Juno’s bureau it is of import to acknowledge the stuff and societal ways in which Juno’s agentive ‘‘choice’’ is constrained. Juno is non a free agent ; her actions and her bureau operate in connexion to stuff and societal constructions act uponing her day-to-day support. The cardinal paradox within Juno is that it celebrates bureau for misss while at the same time associating that bureau to their physical desirableness and function as possible reproducers.
