Awakening Essay, Research Paper

.S. Eliot & # 8217 ; s & # 8220 ; The Love Song of J. Alfred Prufrock & # 8221 ; is a verse form which enters the dynamic consciousness of its rubric character, whose feelings, ideas and emotions are displayed in a assortment but organized sequence, as they ride the adult male & # 8217 ; s hesitating temper. His is a temper hesitating more frequently towards haplessness than fulfilment, because Prufrock is a adult male caught in a barbarous rhythm of self-contemplation, journey, and retreat. More specifically, J. Alfred Prufrock, as developed by Eliot, is a adult male sing a mid life crisis, brought about by society, and sustained by his ain fright and reluctance.

Throughout his & # 8220 ; vocal, & # 8221 ; Prufrock inquiries himself. He does so non after a performed action, nor during, but about ever earlier. Apparently inbred in him is the inclination to believe profoundly into everything he does, so that the effects of his actions may non pull the attending of a society he sees invariably skulking behind him. Nervous and fearful of this hovering critic, Prufrock finds himself well shaken by life actions every bit simple as falling a stairway.

A undertaking considered perfunctory and performed without struggle by others, Prufrock, when atop the stairway asks himself, & # 8220 ; & # 8216 ; Do I make bold? & # 8217 ; and & # 8216 ; Do I Dare? & # 8217 ; & # 8221 ; ( Eliot 811 ) . His reluctance comes with the response to the inquiry, which Prufrock in his self-consciousness replies for society, replying, & # 8220 ; ( They will state: & # 8216 ; How his hair is turning

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thin! & # 8217 ; ) and & # 8220 ; ( & # 8217 ; But how his weaponries and legs are thin! & # 8217 ; . & # 8221 ; Prufrock & # 8217 ; s struggle therefore arises because in his consciousness it is non the terminal of T

he stairs which await him as he stands at the top, but a society crouched in the shadows and poised to assail.

Henceforth, the rhythm is revealed ; Prufrock professes an purpose, hesitates in paranoia at the chance of accomplishing it, and so withdraw into self consciousness upon contemplating what society would believe of him, and his & # 8216 ; thinning hair & # 8217 ; as he did it. This fact incites one to inquire if Prufrock, who repeatedly asks himself, & # 8220 ; And how should I assume? & # 8221 ; is trapped by and within his ain head, as it continues to prosecute in the aforesaid rhythm. It is within this & # 8216 ; thinning hair & # 8217 ; and these & # 8216 ; thin weaponries and legs & # 8217 ; where Prufrock & # 8217 ; s suppressions, and accordingly the crises he finds himself in, are rooted. Merely a adult male in a mid-life crisis could be so shaken by a bald topographic point, so unnerved by soundless remarks aimed at his & # 8216 ; thin weaponries and legs & # 8217 ; ( which leads one to visualize his trunk to be the antonym ) by a society which fuels its subjugation of Prufrock with his ain uneasiness.

At summing up of his love vocal, several have oning rhythms holding passed, Prufrock really about ceases to hesitate in his contemplation. In topographic point of the verse form & # 8217 ; s prior up and down beat, one can feel an idle composure, looking irregularly out of the convulsion which is the adult male & # 8217 ; s consciousness. So the expression into the head of J. Alfred Prufrock comes to an terminal as he contemplates, & # 8220 ; I have heard the mermaids vocalizing, each to each. . .I do non believe that they will sing to me. & # 8221 ; ( 814 ) . The passionate reader could about hear along with these words and those few following them, the adult male & # 8217 ; s subsequent surrender, and resignation to haplessness.