? There are many differences between Northern renaissance art and Italian Renaissance art. They are rather different. While Italian Renaissance art tended to demo the organic structure in an idealistic manner. Northern renaissance art hid the organic structure. The art was really realistic. but drapery hid the organic structure in a mediaeval manner. That makes one major difference between the two: Italian was classical and Northern was mediaeval. Northern art had an huge sum of symbols in it. A good illustration of Northern art is the Merode Altarpiece. painted by Robert Campin in 1425-1428.

In this piece. there is an unbelievable sum of symbolism. it is painted in a mediaeval manner ( curtain hides the organic structure. etc. ) . there’s a enormous sum of item put into it. and possibly one of the most defining characteristics of it is that it has got the frequenter in it. Since it was commissioned by person besides the church. they wanted to be put in the piece of art that they paid to be painted. The frequenters of the reredos appear on the far left side. as if they were portion of the scene itself.

Now we have Italian Renaissance art. Some specifying features of it are that it is really classical ( drapery tends to cleaving to the organic structure. uncovering the flawlessness of all the idealised organic structures ) . they used plentifulness of additive position ( whereas Northern art was more mediaeval. so they didn’t much attention for that ) . they liked utilizing semblances in their work. and they didn’t have frequenters in their work because the church normally commissioned all the art. Botticelli’s Birth of Venus is a good illustration of Italian Renaissance art.

It non merely has dozenss of curtain clinging to the female’s organic structures. but it besides has a bare individual. common in classical art. This piece shows no peculiar frequenter. and so we can presume that it was commissioned by the church. One work of art commissioned by a frequenter is the Merode Altarpiece. Since this is a triptych. it has three panels. The frequenters. that are identifiable as middle class from nearby Mechelen. look in the left panel ( the female giver and the retainer in that panel appear to hold been added subsequently by a different painter once it was completed ) .

Since the frequenters wanted to be in it. it had to be modified from the original. A curious illustration of frequenters being in a work of Italian Renaissance art is the Worship of the Magi. painted by Sandro Botticelli in 1476. and commissioned by the Medici household. The Medici household was a pretty immense trade back so. Therefore. if they wanted to be in a picture. they would be in a picture. Botticelli painted many members of this high-toned household in this work of Italian Renaissance art.

Yet another illustration of frequenters in a work of art is Hugo new wave der Goes’s Portinari Altarpiece. painted in 1475. It is another triptych. so it is divided in three. The difference between this one and the earlier one is that alternatively of holding the frequenters on merely one side. they are on both sides of the piece. as if they were watching it. It is really mediaeval. The frequenters in this seem to about be a portion of what is go oning. but they don’t seem connected.