Stuck in traffic on the Hollywood freeway one forenoon. a carefree cat named Jake gets into an accident amidst nursing a antic dream about having a better auto than his round up ’58 Buick. After appraising the harm on his auto and the absence of it. Jake sees an chance one time he meets the victim of his traffic flight of illusion. He unleashes his appeals and returns to court his victim. a Venezuelan immigrant named Marianna. by inquiring her name and figure. and by seeking to convert her non to allow the governments know what happened. However. all his efforts fail as Marianna keeps switching the focal point back to the job at manus.

When eventually confronted with the duty for the amendss. Jake decides to lie his manner out by giving false information sing his individuality and auto insurance. Despite these. he pursued Marianna by claiming to be both a instrumentalist and an histrion. After the alleged solution to the job. Marianna seems to warm up to Jake and eventually relents in giving her figure. As they portion ways. Jake notices that Marianna jots down his licence home bases. doing certain that he would be traced. However. Jake has the last laugh as it is revealed that his licence home bases were merely stolen from an old debris.

The narrative ends with the sly fox triumphing on his flight and stealing back into another phantasy. Love in L. A. is a narrative about love. or the deficiency of it. Readers of the narrative are led to believe that it is a narrative of two star-crossed lovers. a unworried cat and a stable. proper miss. meeting in the most improbable of topographic points such as a traffic accident on Hollywood avenue. However. the narrative reveals that the romantic impression of happening love in improbable topographic points is merely a phantasy. a flight of fancy non unlike the one Jake was holding when he smacked into Marianna’s auto.

L. A. is perfect as a scene for this narrative as it is a chorus of both the concern universe and cultural diverseness. Harmonizing to the U. S. Census Bureau. it is one of the largest and most diverse metropoliss in the United Sates with a population of about 10 million multicultural occupants ( State and County Quick facts ) . Aside from its impressive statistics. it is besides place to the most celebrated amusement town in the universe. Hollywood. It is the perfect topographic point for a unworried character to hold a opportunity brush with the prim and proper concern type.

And where else but to present it in a expressway where all walks of life are made equal by enduring the same destiny. being stalled in a traffic jam. Therefore. L. A. can be considered a perfect scene for star-crossed “lovers” meeting in a city’s societal melting pot. the expressway. The interaction between the characters when they meet mirrors courtship. The male child eventually holding a opportunity to speak to the pretty miss. attempts to set his best pes frontward while the miss seems imperviable to the infatuation.

This brush reveals the concealed docket. the motivations behind the appeals and the false belief of first feelings. Then. the reader is one time once more taken for a drive as it seems that the prim and proper miss thaws to the appeal of the easy-go-lucky cat and relents in giving him a splinter of personal information. But this hope is dashed one time once more in the last portion of the narrative as the masks of the two characters are stripped off to uncover their craft and use: one is doing certain the other will non get away while the other glees in his concluding fake.

This concluding brush supports the fact that the love in this narrative is nil more than a agency. to be manipulated by both characters to accomplish their terminals. When Jake Met Marianna The debut of Jake pigments a image of a unworried easy-go-lucky cat who lives detached from the set regulations of life. He is presented as a adult male whose doctrine hinges on self-freedom instead than stableness. He despises being chained to routine. as shown by his haughtiness towards ‘the steadily employed’ and his mention to Marianna’s travel rapidlying to the office as ‘boring’ .

He can be considered a free spirit. non in a positive sense. but instead more as a rotter who would instead populate in phantasy than face the duties of world. Despite the age of his auto. 52 old ages old. Jake comes off as middle-aged. around 25-30 old ages of age. lanky and with a scruffy mentum. have oning a shirt with a stone and axial rotation subject. bleached denims and battered Chuck Taylors. He would hold been cool if he had focused on reconstructing his ’58 Buick instead than woolgathering about holding a new auto. Alternatively. his woolgathering about led to the loss of his present auto.

The traffic accident strengthens the word picture of Jake. amplifying his inclination to populate in his dreams instead than face world. He went for swagman and appeals instead than having up fors his error. in the hopes of both get awaying the duty of paying for the harm and capturing the miss. The traffic accident was besides the agencies for the reader to be introduced to Marianna. the victim of Jake’s reverie. She is foremost introduced as amiable. even smiling at Jake in their first verbal exchange.

However. the struggle besides reveals her true nature as she deflects all of Jake’s progresss to guarantee that justness is served. Despite her short exposure and debut in the narrative. the reader can reap so much history from the manner she reacted to the job. From the little pieces of information provided in the narrative. one can deduce that Marianna’s immigrant household have had success in their adoptive fatherland. evidenced by the fact that her male parent was able to give her a auto. She is an independent adult female. asseverating her right even in the bombardment of Jake’s swagman and appeal.

But. she can besides be really manipulative. Recognizing that Jake was untrusty. she pretended to be affected by her appeals so as to get away his progresss. Then. when they were approximately to divide. she jotted down the Buick’s home base figure merely in instance the information received was false. Her attempts failed nevertheless as it is revealed that even the home base figure was false. The last paragraphs defined both characters. They were an anti-thesis of each other right down to their autos. Jake drove a all in down yet really lasting 1958 Buick while Marianna drove a trade name new. imported but rather flimsy auto.

The round down Buick is an extension of the word picture of Jake in the sense that it had the possible to be a really beautiful auto if merely taken attention of. Its bogus home base figure represented the swagman of Jake. open to the populace but deceitful. Marianna’s auto on the other manus besides mirrored her personality. It was new. imported and up to day of the month with the promotions of the modern age. But since it was imported. much like the immigrant Marianna. it was flimsy and non up for the maltreatment of American expresswaies.

Even the consequence of the accident on both proprietors and autos were similar. Surely. Marianna will be traumatized one time she finds out that all the information she got. down to the home base figure. were bogus and useless. much like her auto which was dented and damaged. As for the Buick and Jake. life goes on. the potency of the auto continues to be unfulfilled much like its owner’s world warped by his phantasies. In shutting. the rubric of the narrative misleads the reader into believing that it is so a romantic narrative.

Therefore. it absolutely encapsulates the implicit in subject of misdirecting. This subject propels the narrative: from the prevarications and swagman of Jake to his preference for life in reveries to the use of Marianna with Jake’s infatuation of her down to the bogus licence home bases of the Buick. Even readers will agitate their caputs. falling victims to the same destiny as Marianna and her flimsy auto. Works Cited U. S. Census Bureau. “State and County Quick facts” . last revised 21 April 2010. Web. 13 July 2010. & lt ; hypertext transfer protocol: //quickfacts. nose count. gov/qfd/states/06/06037. hypertext markup language & gt ;