Harvey Essay, Research Paper

Theater 310November 22, 1998 HARVEY The aims of costume design were sufficiently met to run into the demands of the drama. All the characters represented people in their natural places in life with a little more accentuation that is frequently necessary in theatre productions. The costumes aided in lucubrating on each characters station in life and clip period in which the drama took topographic point, which are a few aims of costume planing. Most frequently one can separate a individual s station in life from their visual aspect. The costume interior decorator chose garb that clearly emphasized what each characters place in life would be. Vita Louise was clearly a female parent coming from a affluent background. Her frocks were all finely tailored with delicate designs of rhinestones and beads, a type of frock that would merely be worn by the upper category. The form and manner of the frock was idealistic for an grownup adult female. The arms were long, the neckline screening off some cleavage, and the skirt was fluxing past the articulatio genuss. Her costumes made her expression sexy but respectable. Her girl, Myrtle, was dressed with the same rightness, nevertheless, for a immature adult female. Myrtle s frocks had shorter lines, shorter arms, and showed less of her flesh. Her necklines were high, giving the feeling that she is without a adult male. Her arms were short possibly to heighten a male s attending. She showed a small tegument but non excessively much. Her frocks besides had intricate designs of rhinestones and beads meaning an upper category immature adult female. Their aunt, Mrs. Chauvenet, was possibly the most excessive adult female of the drama. She was doused in pelt from hat to coat and besides had intricate designs on her frock. She was evidently coming from upper category. One could non but notice her immense ring on her gloved manus. Her full ensemble of pelt, diamonds, and all right frock all represented excellence which can merely the rich can get. Mrs. Chumley besides dressed in such a manner as to mean that she is the physician s married woman and can dress the portion. She excessively had intricate designs on her all right frock, had a fur coat, and diamonds in her ears and hair. There were other adult females in the drama, which were dressed in stereotyped manner to give an exact feeling of their station in life. The amah and the nurse were in costumes that even adult females of today s universe would be found have oning. It was non hard to calculate out who they were by their visual aspects. The work forces of the drama were all dressed in similar manners to clearly separate

where their station in life took topographic point. Elwood was decently dressed in a three-piece suit meaning a dignified adult male of wealth. A adult male of high stature could hold merely afforded his brown suit with timekeeper. Both Dr. Chumley and Dr. Sanderson were outfitted in costumes typical of physicians. There was no inquiry as to their station in life. It was evident that Dr. Chumley was the outstanding physician due to his thirster lab coat. When the work forces were dressed in their suits they all looked like distinguished gentlemen. Dr. Chumley, Dr. Sanderson, and Judge Gaffney all wore assorted types of suits that exemplified the Stationss in life that they held, those of outstanding business communities. Wilson s costume as a caretaker in a mental infirmary was rather obvious. He was dressed in an all white jacket and bloomerss. As for E.J. , the hack driver, his station in life was obvious with the aid of his baret that most cab drivers of those yearss wore.

The costumes were typical vesture garb that work forces and adult females wore in the early yearss of the 19th century. Womans were frequently found have oning frocks with luxuriant designs manus sewn on the neckband, arms, and organic structure of the frock. They rather frequently wore many concomitants such as chapeaus, coats, baseball mitts, pocketbooks, and jewellery of all right quality. All the adult females in this drama, excepting the amah and nurse, adorned themselves with these qualities, giving the audience member the feeling that they had taken a measure back in clip. The work forces were besides dressed in similar manner as to give the feeling that the drama was taking topographic point in a different clip other than the present. Aside from the caretaker, the work forces of the drama wore suits or outfits representative of the early 19 century. Their suits were dull in colour and simplistic which was characteristic of those yearss. Today we find more luxuriant styled suits with embroideries and bright colourss. Most work forces of those yearss besides wore concomitants with their outfits, such as top chapeaus, over coats, and timekeepers. Elwood carried with him a top chapeau and wore a timekeeper, as did Judge Gaffney. The costumes in Harvey were wondrous representative of the characters Stationss in life and the clip period of the drama. It is necessary for the costume interior decorator to be able to make the characters of the drama in such a manner that corresponds with the dramas subject and clip period. This costume interior decorator enabled the audience to construe, from what the characters were have oning, who the characters were and what clip period the drama took topographic point.