The Hollywood provides different musical composings that someway affected the genres of musical movies and the tendencies of musical penchants within the society. Even with the same musical film genre. certain marked up development can be noticed stand outing from Singing in the Rain in 1952 and the latest Hairspray last 2007.
The tendencies of musicalness. tendencies of conservativism to modernistic musical drama. and the symbolisms of society nowadays have greatly expanded in different positions. such as classical to start musicale. stone to knap music. conservative manner to less elaborate professional expression. etc. Much has been changed and shifted as depicted through the films of Singing in the Rain ( 1952 ) . West Side Story ( 1961 ) . Godspell ( 1973 ) . Fame ( 1980 ) and Hairspray ( 2007 ) ; hence. these films are considered as the chief focal points of the treatment.
The purpose of the survey is to compare and contrast each of the genre presented in all of these musical films. Furthermore. the survey considers the common influence that occurred between these films and the regulating tendencies in society during the twelvemonth of its devising. Discussion Hollywood Musical Progress Hollywood musicals have ever incurred popular support from assorted categories within the society. and these films have undeniably influenced the statements and tendencies present in the society.
Meanwhile. some of these films. such as hairspray ( racism ) . have obtained its secret plan from the current societal issues attesting in the society. Get downing with the musical of Gene Kelly’s Singing in the Rain in 1952. the basic tendencies that can be obtained relates to the rise of showbiz callings by the supporter ( Don Lockwood portrayed by Gene Kelly ) of the narrative. while the adversary ( Lina Lamont as Jean Hagen ) sabotages the success of Lockwood’s musical calling ( Green and Schmidt. 1999 p. 70 ) . The character of the film can be inclined chiefly in a 1950s apparatus wherein conservatism obviously exists in the characters’ portraitures ( deep dictions with lesser usage of slang ) . vesture ( excessively formal suits from 1950s ) . and the construct of the drama. which somehow considers the tendencies of stardom in issues of musical amusement in 1950s.
Meanwhile. the genre of West Side narrative ( 1961 ) has obtained similar characteristics with the latter musicale merely in footings of romanticism played in a modern-day scene ; nevertheless. the overall construct has been revolutionized into a slightly modernised issue of society. which has been mobsters and dance fads ( Green and Schmidt. 1999 p. 233 ) . The film portrays the apparent tendencies happening within the society in footings of the group deviancies. pack wars. and peer organisations that has been blended with the context of love at first site ( Richard Beymer as Tony and Natalie Wood as Maria ) .
The film provides the differentiation on how youth moves in early relationships and seeks equal influences instead familial presence. The following film is Godspell in 1973 can be considered in musical genre about spiritual and practical life issues. From the rubric of the film itself. Godspell depicts the features of Christian evangelism. which has occurred greatly during 1970s under the announcements of different celebrated spiritual sermonizers. Benny Hinn. Don Moen. etc.
The musical of Godspell somewhat provides the subject of Christian messing signifiers wherein they employed less stage dancing. incorporated distinguishable instructions of Christ Jesus. and the return of the young person to church families ( Burridge and Gould. 2004 p. 4 ) . On the other manus. the spiritual context of the movie provides an puzzling manner of messaging the society about Christian orthodox and the demand to unify.
Most significantly. it is during 1970s when the historical triggers of Middle East Wars. racial favoritisms. industrial revolution and assorted struggles within the society are all present ; hence. the drama utilizes faith and has shown the backsliding of young person from rebellious position to an evangelical construct. Meanwhile. Fame in 1980 has provided a alone and a entire recreation of subject from the last three socially oriented films. Fame considers the modern motion of humanistic disciplines and topographic point of young person in the society. which is a entire recreation from the earlier genre of romanticism and conservatism ( LoBrutto. 2002 p. 22 ) .
This film somehow illustrates similarities with Hairspray ( 2007 ) since this musical uses a classical scene in 1950s to 1970s but utilizes the construct of modern amusement likewise seen in the film Fame. The societal impacts of the last two films involve construct of “new wave” . wherein the originative and modernistic agencies of musical is presented with less incorporation of serious societal issues. but instead concentrating on personal principles. Decision
Obviously. the five movies presented in the treatment have shown development of genre from classical to modernistic or new moving ridge classs. These involves the word picture or illustration of society’s status. such as the first three movies that based their secret plan in the happening social issues. and switching or alteration of subjects. such as the 1s viewed in Hairspray and Fame. The alterations and displacements within Hollywood musical have ever considered the tendencies present within the society.
