Doll & # 8217 ; s House Essay, Research Paper
Linkss between Crime and Punishment and A Doll & # 8217 ; s House
There are many links between Crime and Punishment, by Fyodor Dostoyevsky and A Doll s House, by Henrik Isben. Each character goes through many dry state of affairss. Throughout both of the plants all three types of sarcasm are used. In this essay sarcasm is traveling to be used to associate the two plants together. Dramatic, situational, and verbal sarcasm are traveling to be used to associate the two plants together.
Dramatic sarcasm is used throughout Crime and Punishment. The reader knows that Rodion Romanovitch Raskolnikov killed the pawnbroker, Alyona Ivanovna, and her sister, Lizaveta Ivanovna. A quotation mark to back up this is,
& # 8220 ; He took the axe right out, swung it up in both custodies,
hardly witting of what he was making, and about without attempt, about attempt, about automatically, brought the butt of it down on the old adult female s head. & # 8221 ; ( Dostoyevsky 114 )
No 1 in the fresh knows who killed the pawnbroker and her sister except for Raskolnikov. The constabulary officer, Porfiry Petrovitch, suspects that Raskolnikov killed the pawnbroker and her sister but he can non turn out it.
The reader besides knows that Luzhin puts money in Sofya Semyonovna Marmeladov s pocket when she is non looking. After Sofya, whose moniker is Sonia, finishes speaking to Luzhin she leaves. Sonia has no thought that Luzhin has put money into her pocket. Raskolnikov s friend, Andrei Semyonovitch Lebezyatnikov, was present when all of that takes topographic point. & # 8220 ; All of this was observed by Andrei Semyonovich. & # 8221 ; ( Dostoyevsky 460 ) Luzhin goes to a response for Sonia s male parent, Semyon Zakharovitch Marmeladov, and announces that Sonia is a stealer. Sonia instantly denies the accusal. Luzhin tells her to look in her pocket. Certain plenty the money that he was losing was at that place. Luzhin wants Sonia to get married him but she does non love him. Luzhin plans to blackjack Sonia into get marrieding him. Lebezyatnikov stairss in to salvage the twenty-four hours when he says, & # 8220 ; I saw it. I saw it & # 8230 ; . And even though it s against my strong beliefs, I would be prepared to curse to it on curse in any tribunal of jurisprudence you d care to call, because I saw how you slipped it into her pocket on the sly! & # 8221 ; ( Dostoyevsky 465 )
A Doll s House besides contains many illustrations of dramatic sarcasm. In A Doll s House the reader is cognizant that Nora borrowed money from Krogstad without her hubby s permission. Nora besides forged her male parent s name to derive the money. She says, & # 8220 ; You don Ts know all. I forged a name. & # 8221 ; ( Isben 44 ) In the undermentioned conversation between Nora and Christine it is clearly stated that Torvald does non cognize of Nora s actions: & # 8220 ; Mrs. Linde. And since so have you ne’er told your secret to your hubby? Nora. Good celestial spheres, no! & # 8221 ; ( Isben 13 )
Another illustration of dramatic sarcasm in A Doll s House is when Nora wants to pattern a dance called the Tarantella. When Torvald goes to look in the missive box Nora says, & # 8220 ; Torvald delight don t. There is nil in there. & # 8221 ; ( Isben 46 ) The reader knows that Nora has non forgotten the dance. The reader knows this when Torvald goes to look into the mail and Nora begins to play the Tarantella. Nora so says, & # 8220 ; I can t dance to-morrow if I don t practise with you. & # 8221 ; ( Isben 46 ) The reader knows that all Nora is seeking to make is maintain Torvald from reading the mail which contains a missive from Krogstad.
Situational sarcasm is besides used throughout the two plants. In Crime and Punishment Raskolnikov is the 1 who murdered the two sisters. It was wholly unexpected when Nikolai came to the constabulary office and said, & # 8220 ; I m the guilty 1! The wickedness is mine! I m the liquidator! & # 8221 ; ( Dostoyevsky 413 ) The reader did non anticipate Nikolai to squeal to the two slayings because the rea
der knows that Raskolnikov is the 1 who murdered the two sisters. Porfiry did non anticipate Nikolai to squeal either. He was positive that Raskolnikov had murdered the pawnbroker and her sister.
It is besides dry when Raskolnikov goes to the constabulary station and says, & # 8220 ; What if it were I who murdered Lizaveta and the old adult female? & # 8221 ; ( Dostoyevsky 211 ) Zamyotov merely sits back and smilings. Raskolnikov so says, & # 8220 ; Admit that you believed me! You did didn T you? & # 8221 ; ( Dostoyevsky 211 ) & # 8220 ; Of class I didn t! And now I believe you even less! & # 8221 ; ( Dostoyevsky 211 ) The reader expects Zamyotov to make his occupation and apprehension Raskolnikov when he confesses to the slayings. Leting Raskolnikov is a surprise to everyone including himself.
In A Doll s House there are besides illustrations of situational sarcasm. An illustration of situational sarcasm is when Nora leaves Torvald. There is no intimation that Nora is traveling to go forth Torvald until the terminal of the book. At the beginning of the book she acts as if she loves him really much. Not until she says, & # 8220 ; Or if anything else should go on to me-anything, for case, that might forestall me from being here- & # 8221 ; ( Isben 45 ) does anyone believe about Nora go forthing Torvald. At the terminal of the drama she calls Torvald a & # 8220 ; alien & # 8221 ; and walks out.
The reader does non anticipate Mrs. Linde and Krogstad to hold been acquire married. The reader does non even know that they are friends. When Christine, Mrs. Linde, says, & # 8220 ; Nils, how would it be if we two shipwrecked people could fall in forces. & # 8221 ; ( Isben 51 ) The reader finds out that Christine and Krogstad need each other. No 1 expects Christine to desire to be with Krogstad because he has been corrupt in the past. But Christine besides knew and loved Krogstad in the yesteryear.
Raskolnikov says many dry things throughout the novel. When he is seeking to squeal to Zamyotov he says, & # 8220 ; All ears upstairs? & # 8221 ; ( Dostoyevsky 207 ) He truly does non intend if Zamyotov s ears are physically upstairs. He is inquiring Zamyotov if he is listening to what he is stating. He merely wants Zamyotov to listen carefully to what he is about to state.
After Raskolnikov receives a missive from his female parent he says, & # 8220 ; Because the whole thing is absolutely clear. & # 8221 ; ( Dostoyevsky 74 ) The missive is non clear or opaque. Raskolnikov understands the missive wholly. He is able to see what his female parent is seeking to state in the missive. He says, & # 8220 ; No, mother, no, Dunya, you won t full me! & # 8221 ; ( Dostoyevsky 74 ) He realizes that his ma and sister are seeking to gull him in the missive.
Verbal sarcasm is besides present in A Doll s House. When Helmer says, & # 8220 ; Is that my small Alauda arvensis chittering out at that place? & # 8221 ; ( Isben 3 ) He is non truly inquiring if Nora is a bird. He is non even stating that she is chittering like a bird. He is merely inquiring if it is his married woman, Nora, and if she is stating something. When Torvald Helmer says, & # 8220 ; Is it my small squirrel hustling about? & # 8221 ; ( Isben 4 ) He does non believe that Nora is a squirrel either.
Nora has her portion of verbal sarcasm excessively. When she is sitting down speaking to Mrs. Linde she says, & # 8220 ; There now, it is firing up. & # 8221 ; ( Isben 15 ) The topographic point is non literally firing up. The house is non on fire. Nora is merely saying that the temperature inside the house is hot. Nora so gets up and, & # 8220 ; Shuts the door of the range and moves the rocking-chair aside. & # 8221 ; ( Isben 15 )
All three types of sarcasm are used throughout the two plants. Crime and Punishment and A Doll s House would be uncomplete without sarcasm. Irony plays an of import function in any type of literature. Irony is used to assist demo the antonym of what is really said and/or done. I think that without sarcasm there would be no literature. I think that literature would be deadening and field if there was no sarcasm to add to its originality and creativeness.
