Mountain Graveyard Essay, Research Paper

The tone of a Mountain Graveyard and the enunciation of Robert Morgan

An about bare country left contained within a castle of ever-growing, alert giants. Liing entirely visited seldom, going a enigma, a cell, or even a shrine to those who know of its being. Feelingss abound hidden in the privy subdivision of the forest. They range from love to detest, desire to abandonment, grieve to rejoice all caused by what dwells at that place no, but what is no longer here. Here, being with us the life, for the land is where they now lay. Not to be seen or touched by that of the human manus, merely to be remembered by a statue or plaque. This is a image of cemetery that lies atop a mountain, and is the footing for a verse form written by Robert Morgan.

In envisioning, a cemetery many of us view it as unfastened and on a nicely cut field, with few trees to let the sunshine to reflect through to be seen and non clogged by that of tree limbs and foliages. Kept good maintained for all of the visitants. A mountain cemetery is seen to be a different in several ways as described by the vocabulary chosen by Morgan. The image shown through his declaration is that of big rocks, grey colored slates, written on stating narratives of enigma. Surrounding them would be the Earth and the sacred cedars that crowd the ceiling above the earthly bedclothes leting small light to reflect through to the floor below.

Robert Morris uses the emotional discrepancy of his readers to assist portray the image of a cragged cemetery throughout the verse form entitled Mountain Graveyard with the great accent placed on his in-between enunciation of word picks. His word alternations were selective for they are all anagrams. Some illustrations would be: slate narratives ( 686 ) , hated decease ( 686 ) . Th

ese words are simple in significance, but the intensions that could be associated with them provide the reader with a greater deepness of the portraiture that the writer may hold been seeking to make. A word with minor complexness, bosom, intending in comparative definition an organ of the human organic structure designed to pump blood. When transposed as done by Morris it provides several other degrees of deductions such as fragile, love, desire, loneness, and life. All of which vary within the graduated table of emotional scope of the reader from negatives to positives.

The tone of the verse form as expressed by Morris is one of sorrow and felicity. It is apprehensible that those are two different terminals of the spectrum,

but they are besides the in-between land of which twenty-four hours to twenty-four hours life is lived. The mountain is seen to be an country of tallness and Gravess are seen to be that inhumed underneath the

Earth, go forthing us to inquire in between the Earth and celestial spheres. The tone of the verse form would hold to be that of the tone of life, it is neither positive nor negative, yet one of apprehension and credence. The feelings expressed aid to give us a manner to apologize the hated decease ( 686 ) by ways of believing it as a petition by the asleep asleep please ( 686 ) . Therefore, the tone of the verse form is that of life on norm, mellow.

In decision, Robert Morgan s word picks and written tone leaves the reader in a sense of emptiness and fulfillment much like that of his verse form which divides from one extreme to the other. Leaving the reader in the perfect state of affairs after reading, and that being of disdain.

Plants Cited

Morgan, Robert. Mountain Graveyard The Bedford Introduction to Literature.

Ed. Michael Myer. Boston and New York: BedfordSt. Martin s Press

1999,686