Pulp Fiction Essay, Research Paper

Pulp Fiction

Charles Chaponis

WRT 101

Bruce Johnson

Final Transcript

2/12/97

Throughout the film Pulp Fiction, directed by Quentin Tarantino, there are

many concealed mentions to faith and the Bible. The film starts off,

presenting our two chief characters, Vincent Vega and Jules Winnfield, as two

inexpensive gunmans in hunt of a bundle belonging to their foreman, Marcellus Wallace.

The bundle is retrieved, and they so began their occupation of returning it to their

foreman. Along the manner, they ran into troubles, such as Vega & # 8217 ; s alleged

& # 8220 ; day of the month & # 8221 ; with his foreman & # 8217 ; married woman, Mia, during which she overdosed on diacetylmorphine, and Vega

was forced to take her to the drug trader & # 8217 ; s house to salvage her life, every bit good as

the robbers in the eating house, who try to take the bag from Winnfield, but

were unsuccessful. The whole film serves as a warning to all world to avoid

the enticements of the Devil, every bit good as a warning to non seek to play God,

because the two male childs who stole the bag play the function of the Devil, as bash

the drugs, and they were about the ruin of the whole effort.

The film wasted no clip in presenting the first scriptural mention

when the two work forces try to recover the bag incorporating Wallace & # 8217 ; s properties.

When Vega opened the bag, he used the combination & # 8220 ; 666 & # 8243 ; to open the

bag, and when he opened it, the contents glowed a golden-orange colour.

This was evidently an introductory effort to demo the audience that the

bag held Marcellus & # 8217 ; psyche. Possibly Tarantino was seeking to demo that the

people that stole the bag were the Satans pawns, and these two gunmans were

angels seeking to recover stolen belongings.

After Vega and Winnfield had obtained their & # 8220 ; hoarded wealth, & # 8221 ; Winnfield quoted

the Bible, specifically Ezekiel 25:17, the transition about destructing the immorality

members of the society that attempt to harm others for no ground. Part of that

transition was & # 8220 ; ..and you will cognize my name is the Lord, when I lay my retribution

upon thee. & # 8221 ; This quotation mark shows that Winnfield sees what he is making as heroic, or

possibly beatific, and by transporting out his responsibilities, he is following the word of the

Lord. As Winnfield shot the male child, Brett, an orange-golden freshness enveloped the

screen, stand foring Brett & # 8217 ; s psyche go forthing his organic structure. This whole portion of the

film is to warn the evil-doers of the universe to discontinue their errors, because

there are people out there who will halt them.

The following chief scene of the film took topographic point in a saloon, where Marcellus

Wallace sat, discoursing with Butch, a pugilist, whose calling, Wallace said, is near

an terminal. He convinced Butch to throw a battle, for a hard currency wages. As the camera

pans about, we see that Wallace had a patch on the dorsum of his cervix. The

Bible provinces when the Devil takes your psyche, he takes it out of the dorsum of your

cervix. This is where Tarantino truly hinted to us about what was taking topographic point,

and this farther suggests that Wallace & # 8217 ; s psyche was in the bag. This scene

besides suggests that Wallace was perchance seeking to play God by seeking to do

Butch throw the battle. These marks show us that if we try to play God, we will

be punished badly.

Now we saw Vincent Vega sing a drug trader who looked amazingly

like authoritative descriptions of Jesus Christ. This eldritch resemblance can merely be

here to demo us one thing: that He is the Godhead of all, and can be the

destroyer of all every bit good, merely as drugs can destruct all. This is a really concealed,

but good understood mark, for those of us who take the clip to detect it. As it

turns out, subsequently in the movie, we see the drugs that Vega bought from the trader

cause Mia to OD and she narrowly escaped decease with an epinephrine shooting to the

bosom. The epinephrine shooting was administered by Vega, nevertheless it was at the

trader & # 8217 ; s house, one time once more demoing us that He has supreme control over us, for

without the trader, Mia would ne’er hold been in this state of affairs, nor would she

hold made it out if it alive.

Jumping back a spot, at the beginning of the day of the month between Vincent and Mia,

as Vincent entered Mia & # 8217 ; s house, he was greeted by a voice over the intercom. As

he looked up, it was as he was looking toward the celestial spheres for counsel from God.

The voice over the intercom was like God talking down to his angel, giving him

waies. This image is further strengthened when we see Mia looking down on

Vega through a system of security cameras. This, yet once more, gives us the image

that since Mia is Marcellus & # 8217 ; married woman, she was besides in a manner seeking to play God

by

watching her & # 8220 ; angel & # 8221 ; and stating him what to make without him really seeing her.

Throughout the whole scene, & # 8220 ; Son of a Preacher Man & # 8221 ; was playing in the

background. This was seen as a beef uping mark, to show to us even

farther the similitudes of the Sir william wallaces to God and their effort to command

others.

At this point, the film jumped in front to another occupation that Vincent Vega must

perform after he has completed his undertaking of returning Wallace & # 8217 ; s psyche to him.

Vega was concealing out in Butch & # 8217 ; s house. As it turned out, he didn & # 8217 ; t throw the

battle he was paid to, and in fact beat the other combatant so severely that he killed

him. As Butch returned to his place to pick up a ticker left behind by his

girlfriend in the manic issue, he encountered Vega who was concealing out waiting

for him, and quickly shot him repeatedly, killing him.

As the film progressed, we saw Vega falling into the traps of society,

such as drugs, intoxicant, blasphemy, and doubting of miracles. At the very terminal of

the film, which is really the center of the narrative, Vega was roasting Jules

because he planned on retiring after witnessing what he believes to be a miracle,

or divine intercession, when in the flat at the beginning of the film, a

male child appeared out of the bathroom, firing a gun five times straight at the two

gunmans, but losing with all five shootings. This shows us further that Vega is

rolling from trueness and belief in God and his ways, and this is why he is changeable

and killed in the pugilist & # 8217 ; s house. This is a strong and effectual manner to state us

that non-believers will be eliminated, and that God is all powerful.

Again, leaping back a spot, the angels ( Jules and Vincent ) came across a

serious quandary when Vega accidently shot a male child in a auto in wide daytime. The

two end up naming Wallace, who in this sense was God, to assist them. He sent to

their deliverance the adult male they call The Wolf. He was the lifeguard to the two

partly fallen angels. They committed a wickedness that was non a requital for

anything done to them, and for this they were stuck between a stone and a difficult

topographic point, and needed the aid of their & # 8220 ; God & # 8221 ; to salvage them. This is a cleverly

concealed mark that shows us that He can forgive in the & # 8220 ; Do unto others? & # 8221 ; sense,

but if there is something done which is non in response to something done

antecedently, there is a monetary value to pay.

At the terminal of the film, which is really the same scene as the really

beginning of the film, both of which are the center of the narrative, in the

eating house in which Jules and Vincent are in is being robbed, the robber tried

to acquire the bag from Jules. A shuffling ensued, and Jules ended up with the

upper manus. He did, nevertheless open the bag for the robber, and the robber

thought it was the most beautiful thing he had of all time seen, which the psyche is said

to be. Jules did non kill the robber ; alternatively he allow him travel, with the money

from the eating house. He did, nevertheless, recite Ezekiel 25:17 to the robber, but

this clip he did non hit his hearer. This clip he contemplated the significance

of the transition as he was stating it. He develoed several challenging accounts

of the transition, but his last is his best. He says that the robber is the weak

in society, and that he, Jules, is the dictatorship, but he is seeking to be the

shepherd. This reading of the transition suggests that Jules realizes that,

even though he is making the work of God, sometimes what he does is non right,

and he is seeking to be the 1 that ever does the right thing: the shepherd.

This is another ground why Jules is non killed away. He realized that he can non

drama God, and hence he is forgiven. Vincent, nevertheless, ne’er to the full realized

this, and he is punished at the terminal of the narrative by being killed by Butch.

Although smartly hidden, the marks of scriptural illation and the power

of God are highly prevailing in the movie. Elementss of the secret plan such as the

realisation of error by Jules, the general feeling that the Sir william wallaces are

seeking to be all knowing and all powerful, the drug trader being the ruin as

good as the Jesus for Mia, and the manner that Jules and Vincent seek to command

others lives and are punished for it all show us something. These marks show us

that we must make as we think we should, and non seek to command anyone but

yourself, because if you are busy seeking to command others, you may non be

be givening to yourself, go forthing yourself broad unfastened to use by others like

yourself. If we mind our ain concern and take attention of ourselves, the universe

would travel a batch drum sander, and have many fewer struggles.