The work of art I chose was “The Angel of Death and The Sculptor” by Daniel Chester French. Harmonizing to the Metropolitan Museum of Art’s web site. he recreated this piece based on the reliable sculpture by Martin Milmore. Martin Milmore created the piece as a commemoration in award of his brother’s decease. The original graphics was made of bronze. but Gallic recreated the piece out of marble. The original work of art is located in Forest Hills Cemetery. Jamaica Plain. Massachusetts.

In the Metropolitan Museum. the diversion is located in the American Wing. This subdivision of the museum has a glass roof to allow sunlight reflect through. The work of art is standing up against a level concrete wall. Several pess in forepart of the sculpture is a H2O fountain. I could hear the H2O fluxing as I observed The Angel of Death. It gave me a feeling of repose.

The piece is a relief sculpture. It seems as though it was meant to be seen from the forepart. but it has multiple sing angles. I suspect that French was a fan of the Classical Era. The Angel of Death is standing contrapposto. Her frock curtain around her organic structure ; losing sight of her pess. His attending to item is apparent. The frock looks really realistic and free flowing. and you can see the plumes in her wings. She has a cloak or chapeau that envelopes her face. The manner her manus holds the poppies is realistic. Her characteristics appear muted about what she is about to make ; take the sculptor’s life.

Gallic indicates that the sculpturer is really immature and talented through his work. Not merely does this piece have classical features. but it besides has the Old Kingdom attributes. The sculpturer is in the center of making a profile piece of the Sphinx which is located in Giza. Egypt. He has a long bladed tool in one manus keeping above his caput. and in the other is a cock about to strike. He has one leg up and is barefoot while is have oning an apron-like duster over his apparels which drapes down his organic structure. His weaponries and back expression unusually lifelike. Another illustration of French’s attending to item. There is a immense sum of negative infinite between him and his art work. It looks as though he is in mid-action but still with classical features. Looking at Hellenistic or Baroque art. I can state the difference in the plants between emotions and motion.

There is plentifulness of light reflecting down on this piece. The dark countries are largely around The Angel of Death’s face. In my sentiment the darkness is at that place to demo the unhappiness or somberness around her. I get the feeling the adult male that is honored in this piece was a existent sculpturer like his brother. Martin Milmore. and was taken from the universe at a immature age. His face is smooth and really guiltless. I am unsure of how he passed. but Gallic implies that it was excessively early. I get the feeling of daze that the sculpturer is about to be taken off right in the center of working on his piece. From looking at this I feel sad for the household that lost this sculpturer. but it besides gives a sense of peace that perchance he was taken by an angel. An angel screening composure and peace.

I am unsure of what the original work looks like. but French’s take is realistic and photographic. When I stood on either side of the sculpture I saw something different. I was able to see full frontlet of their faces. Standing in the forepart or sing a exposure of the piece merely their profiles are seeable. You can see the negative infinite between the weaponries. legs and caput of the sculptor’s organic structure. The Angel of Death is so expansive and large compared to the immature adult male. She must be over six pess tall. Standing at that place. I felt so little compared to her.

Sing this piece in individual gives it more depth. I have more perceptual experience of what the creative person is seeking to convey. In my sentiment. detecting a work of art in individual gives oneself a better grasp of the piece. You can bask it and see it in its entireness. Looking at a exposure does non make it justice. The pictures. sculptures. and edifices that I have learned in this category has intrigued me. I hope to go around the universe to position and have a true comprehension of the great plants of art throughout history.

Plants Cited
The Metropolitan Museum of Art. 2000 – 2011
hypertext transfer protocol: //www. metmuseum. org/toah/works-of-art/26. 120