Worn Path Essay, Research Paper
Death is non something to be feared, but faced with awe. Although, by nature, aging and decease are simply facts of life ; a loss of hope, the defeat of all aspirations, a spring into a great darkness, and the feelings of fright and torment. Phoneix Jackson of Eudora Welty & # 8217 ; s & # 8220 ; A Worn Path & # 8221 ; and Granny of Katherine Anne Porter & # 8217 ; s & # 8220 ; The Jilting of Granny Weatherall & # 8221 ; face these inevitable marks of aging and decease.
Phoenix Jackson, an old Negro lady, haltingly struggles with her age while walking through the forests and Fieldss on her manner to town. & # 8220 ; Seem like there is ironss about my pess, clip I get this far. & # 8221 ; Phoenix Jackson walks a worn way and overcomes obstructions and hardship to make her end. & # 8220 ; She carried a thin, little cane made from an umbrella, and with this she kept tapping the frozen Earth in forepart of her. & # 8221 ; The fact that she kept persistently tapping the Earth in forepart of her could merely bespeak that she was visually impaired. She may non hold been wholly unsighted, but she had to hold been well impaired to maintain tapping her cane in a excess mode.
& # 8220 ; But she sat down to rest? She did non make bold to shut her eyes and when a small male child brought her a home base with a piece of marble bar on it she spoke to him. & # 8220 ; That would be acceptable, & # 8221 ; she said. But when she went to take it at that place was merely her ain manus in the air. & # 8221 ; This was merely one out of many cases in the narrative where Phoenix talked to herself and had hallucinations. Talking to one? s ego in the wood is a definite mark of dotage. Phoenix did non let her disablements to acquire in her manner. Her memory fails her when she forgets the intent of her nature walk. & # 8220 ; My senses is gone. I excessively old, I th
e oldest people I of all time know.”
As a deceasing individual, Granny Weatherall is losing her powers of deliberate control over events, which she has obviously learned to get the hang along with the assorted letdowns that life has dealt her but is besides capable to a figure of intense anxiousnesss. & # 8220 ; While she was rummaging around she found decease in her head and it felt dank and unfamiliar. She had spent so much clip fixing for decease there was no demand for conveying it up again. & # 8221 ; In a semi-conscious province the feisty and cranky Granny reviews her life by retrieving the of import occurrences, letdowns, crises, accomplishments, and feelings.
The writer uses a manner of stream-of-consciousness which renders the ideas, memories, and associations of Granny? s head. This technique is particularly well-suited to the narrative because it reveals Grannys jumping baffled and clear ideas during her concluding minutes as she moves from limpid consciousness to confused semiconsciousness..
? He merely left five proceedingss ago. ? ? That was this forenoon, Mother. It? s dark now. ? The memories, ideas, feelings, and images that work stoppage Granny & # 8217 ; s head in the present when they happened in the yesteryear are her most important experiences. Granny Weatherall is jilted when the concluding mark she & # 8217 ; s been waiting for from Jesus ne’er appears. & # 8220 ; For the 2nd clip there was no mark. Again no bridegroom and the priest in the house. . . She stretched herself with a deep breath and blew out the light. & # 8221 ; The visible radiation, which she blows out represents her life and as she descends into the darkness of decease.
These narratives have the power to excite profound feelings and an rational
apprehension of life and decease
