The Maltese Falcon Essay, Research Paper
The Changing Of Fictional characters
Many clip in our lives, we have seen the
transmutation of novels into films. Some of them
are equal to the novel, few are superior, and most
are inferior. Why is this? Why is it that a narrative
that was certainly to be one of the best written
narratives of all time, could turn out to be Hollywood
floating-point operations? One ground is that in many transmutations,
the chief characters are changed, some the manner they
expression, others the manner they act. On top of this,
scenes are cut out and secret plan is even changed. In
this essay, I will discourse some of the alterations
made to the characters of the Maltese Falcon as
they make their transmutation to the? large
screen. ?
The first character that we read or see is Sam
Spade. In the book he is written as being tall and
lanky with blond hair, and a repeating v-motif
that makes him out to be what Hammett describes as
a? blond Satan. ? With these descriptions, we can
easy do out a powerful image of what Sam Spade
must look like in our caputs. When we have an image
of what something is traveling to be like and it turns
out to non at all be what we expected, we are
frequently allow down, disappointed.This is due to the
casting of Humphrey Bogart as Sam Spade. His hair
is brown, and his, unit of ammunition, soft face is the
farthest a face can come from holding a demonic
v-motif. Although Humphrey Bogart? s playing was
really good, it was intruded by my perceptual experience of
what Sam Spade was supposed to look like.
Brigid O? Shaunessey is the villianess of this
narrative, the? femme fatale?
as we sometimes refer to her in category. She is
ever lying and intriguing to acquire what she wants.
In the book, her pursuit is aided really good by her
gorgeous expressions. The first image we get of Miss
O? Shaughnessey is that of a tall red-header with long
legs, ruddy hair, and beautiful ruddy lips. This image
of her may hold been influenced by the image
that is on the screen of the book, but the
publishing houses wouldn? T have pout it at that place if that
wasn? t the image they got of her either.
The film does non make Miss O? Shaughnessey justness
as the fresh really good does. In the novel, she is
portrayed as a immature, juicy, beautiful adult female.
Although she is slightly beautiful in the film,
she does non make the criterions that are set for
her in the novel. The legs that Sam Spade sees as
she enters his office offer an thought as to what
sort of individual Miss O? Shaughnessey is: person who
uses her gender to carry others. This is a
really of import portion of the narrative, and the film
failed to cover with it. A technological
disadvantage that the film had was the absence
colour. In the novel, Miss O? Shaughnessey? s hair is
described as? darkly red. ? Her ruddy hair helps to
develop a diabolic subject that goes along really good
with her purposes and her personality. This is
besides missed in the film.
The character Joel Cairo is one of the most
interesting in the book, and the film every bit good. I
idea he was absolutely cast by the production
cre
tungsten and they did a really good occupation of including the
necessary inside informations about him: the perfumed concern
card, the white hankie, and his girlish
voice. I thought the portraiture of Cairo in the
film was better than that of the book mostly due
to the fact that he was a homosexual. We could
hear his voice and see his motions much better
in the film. When we hear a voice, if it is
crying plenty, we can about automatically state
if person is a homosexual. The same goes for the
motions that they make, or how they react to
being hit or punched. These things can non be
picked up in the book and I think they are
of import to his character. I believe that the
film has a better portraiture of Joel Cairo than
the book does.
Samuel Spades secretary, Effie Perine, is one of
the most of import characters in the novel.
Constantly she is taking attention of Sam, doing certain
he knows what he is making. You could state that she
is slightly of a scruples for him. Sam trusts
her really much. In fact, she is the lone 1 that
he does trust. I believe that the film and the
novel are really near in their portraitures of Effie
Perine. The one thing that was non good about her
portraiture in the film was her visual aspect. In the
book, Effie is portrayed as a little, bantam,
mousy, sort of hoydenish adult female. This helps to
do her be the sort of adult female that Sam could ne’er
autumn for. Yet in the film, she in a tall, blond,
juicy, sexy adult female that is in no manner the Effie
Perine that we have in our heads oculus.
Then there is Wilmer, the male child, the? gunsul. ? He
is Gutman & # 8217 ; s right manus adult male and handles all of his
dirty work for him. The film and the novel are
rather equal in their portraiture of Wilmer. He
expressions, negotiations, walks, and Acts of the Apostless like he did in the
book. They did a good occupation doing Wilmer semen to
the? large screen. ?
Now that brings us to Casper Gutman. The
originator ( or shall we merely say head ) behind this
adventure. His name is a instead amusing drama on
words as Mr. Gutman is a big adult male with a really
big intestine. The film did a really good occupation in doing
Casper Gutman into a film scoundrel. Everything
that he is in the book, he is in the film. The
manager uses camera really good to stress the
size of Gutman? s belly which is rather amusive.
Casper Gutman in the film is precisely how I
pictured him to be in the book. I was really pleased
and I don? t think that the film audience will
lose a thing about him.
I must state that The Maltese Falcon is one of the
best books i have of all time read. I besides must state that
the film was nil particular, although I enjoyed
it. The Maltese Falcon in no manner strays from the
stereotype that films which are made from novels
are non of the same quality as the novel. The
films normally do the books a ill service as
characters are changed and frequently scenes are left
out. I think that it is awful how Hollywood
alterations the secret plan and characters from what the
writer originally intended. The consequence is losing
secret plan, and absence of necessary subject. When T