Trifles Essay, Research Paper

In Susan Glaspell & # 8217 ; s play Trifles ( 1163 ) , she tells a narrative of enigma

and machination, environing an evident slaying. The scene is in the early

20th century and it appears to be cold, possibly late autumn or the dead

of winter. Either manner the temper is chilling ; cold like the decease that has

put the tone of the drama. Although a decease or a slaying had taken topographic point,

Glaspell was non seeking to do it the chief subject. The chief point she

was taking to was the predicament that so many adult females faced during this clip

in history. Glaspell illustrates how in the early 20th century

adult females were 2nd category and some clip were treated as such even by the

work forces they were married to.

Womans in the early to mid 20th century were chiefly relegated to

the house. The care of the house and care of their hubbies

was or the most portion their lone occupation. Their occupation was ungrateful and that

sometimes-bordered on bondage. Mrs. Wright was lively and happy before her

matrimony. The two female characters in the drama even speak about the beauty

of her voice before matrimony, and how she used to sing in the church

choir. Over the old ages her hubby Mr. Wright seemed to interrupt her down and

transformed her into person to run into his ain demands. The lone thing that

seemed to do her happy was a bird, a sweet vocalizing fink that may hold

turned out to be a breaking point in Mrs. Wright. When Mrs. Wright found

the bird dead, she snapped and killed her hubby. Mrs. Wright found

a manner to liberate herself from the prison that Mr. Wright had kept her in,

through slaying she escaped.

Mister

s. Wright was non the lone one Glaspell was seeking to do a point

for the right to vote that adult females endured in the early 20th century. She

smartly makes her point through the other two female characters in

the drama, Mrs. Peters and Mrs. Hale. In the beginning of the drama the

work forces make remarks on the cleanliness of the house, Court Attorney: ? non

much of a housekeeper, would you state, ladies? ( 1166, 31 ) . This statement

demonstrates the sentiment that work forces had for adult females, whose duty

for the care of the house was the adult females & # 8217 ; s. The ladies are speedy to come

back, Mrs. Hale: Theres a great trade of work to be done on a farm. & # 8221 ; ( 1166,

32 ) . & # 8220 ; Stiffly & # 8221 ; ( 1166 ) was used to depict the temper the actress needed

to stand for to the audience. Glaspell uses this tone to stand for that

these adult females knew how tough life could be for a adult female on a farm or in

any family.

Mrs. Wright was driven to slay her hubby by the systematic dislocation

of her lively spirit that existed before she got married. By the terminal

of the drama, it is the adult females who concluded to what had happened in the

Willard huntington wrights family. And it is these really adult females who decide non to portion

this information with the work forces. Work force who would non understand, or take

into consideration the events that led up to the slaying. Glaspell portions

with the audience what clip was like for adult females in the early twentieth

century, a point in clip that was hard, thankless, and sometime life

altering experience for adult females. At the clip Glaspell wrote the drama,

possibly this was the lone manner to convey visible radiation to what was possibly traveling on

in her ain life, and in the universe.