Untitled Essay, Research Paper

A Raisin in the Sun

The characters in Lorraine Hansberry^s drama are really important in

understanding the drama. The characters are illustrations of they manner

Lorraine lived twenty-four hours by twenty-four hours her live when she was a child. The success of

the drama was brought out by the characters and her manner of maintaining our

involvement with each one of them. They characters are really critical in

understanding the drama. There were four chief characters that made the

play a sellout, Lena, Ruth, Beneatha and Walter Lee. Each one of these

characters had a dream to seek to carry through. The Characters portray

the dramas significance in the manner the drama evolved into a chef-d’oeuvre.

Lorraine Hansberry studied African history while working

on A

Raisin in the Sun. She incorporated her cognition of the

history and wanted to convey it over in to her drama. Beneatha a

character in A Raisin in the Sun knows much about her African yesteryear.

Mama is really proud of her African heritage and believing it^s

importance. During the phase directing of the drama Lena has the ^noble

bearings of the adult females of the heroes of the Southwest Africa, but she

wholly ignores her African yesteryear and does non care much about it

either^ ( Cheney 59 ) . Asagai Beneatha^s familiarity negotiations allot about

his African yesteryear and believes profoundly in his civilization and heritage. He

is from Nigeria where there is a batch of poorness.

A Raisin in the Sun is a quiet

jubilation of the black

household the importance of African

roots, the equality of

adult females, the exposure of matrimony,

the true value of

money, the endurance of the person

and the nature of

adult males dreams ( Cheney 55 ) .

Africa is a great portion of the drama because it brings out good and

humourous elements in the Younger household, such as Walter shouting out

^Hot Damn! ^ ^Flaming Spear! ^ as Beneatha walks out in her Nigerian

robes ( Cheney 60 ) . Africa becomes a symbol of heritage and a

troublesome but hopeful hereafter ( Cheney 56 ) .

With the aid of Paul Robeson, W.E.B Dubois and

Frederick

Douglass she created the drama A Raisin in the Sun. Paul

Robeson was a celebrated barytone vocalist. He inspired her to compose A

Raisin in the Sun. She loved his voice and the vocals he sang.

Hansberry learned from him ^ & # 8230 ; the manner that most inkinesss lived, and the

dangers of being an artist^ ( Cheney 45-46 ) . W.E.B Dubois was an

original mind and a sociologist. Hansberry ^ & # 8230 ; gained esteem

for black rational, socialism, and black leadership^ ( Cheney 40 ) .

Frederick Douglass was a another author. Hansberry learned about

bondage and its psychological science. She besides learned a ^ & # 8230 ; priceless lesson

that the agonies of a people may be presented truthfully in ways

that rise above propaganda to the degree of art^ ( Cheney 36-37 ) . A

Raisin in the Sun is a really interesting drama about the Younger^s, a

household that lives in the Chicago south side ghetto. The characters in

the drama are Ruth her hubby Walter, their boy Travis, besides Beneatha

and Lena. The household is hapless and really much so hopeless in happening a

new place. Lena is lucky though she found a really nice place in Clyborne

Park in a white vicinity. In the beginning of the drama the household

is waiting for a 10,000 dollar cheque. Each household member has at that place ain

ideas on what they should make with the money. Lena wants a new place

and so she could back up the household, Walter wants to put the money

in a spirits shop, and Beneatha wants the money so she could pay for

medical school. Acco

rding to Lorraine Hansberry, Joseph Asagai was her

favourite character to make. He is a Nigerian pupil who is

Beneatha^s intimate. Mama is a really good illustration of a black materfamilias

seeking to maintain her household in line. Mama is a really spiritual adult females.

She is up set and slaps Beneatha when Beneatha tells her that she does

non believe in God. Mama tells her that if she lives in her house she

must believe in God. Henry Hewes sentiment was that ^the drama contained

dramaturgical deductions which were brought out by Walter^ ( Hewes

212 ) .

Theophilus Lewis impression was ^the play had a great sense

of

religious struggle in the country of Walter Younger^s psyche

with an

obligato of societal awareness^ ( Lewis 216 ) . Harmonizing to James Baldwin

he thought this drama was ^excellent and ne’er earlier in the full

history of the American theatre had so much of the truth of Black

peoples lives been on stage^ ( Baldwin 55 ) .

Many critics thought that the characters had most to make

with

the drama an how the drama was perceived. Jordan Y. Miller

thought ^A Raisin in the Sun is one of the greatly enhanced by good

ordered disclosure of the events which are so of import in the lives of

the characters^ ( Miller ) . Besides Lorraine Hansberry kept our involvement by

developing the characters through out the drama. The characters are

people who collaborated with other people and facing at that place

confusion and choler. Gerald Weales thought the drama was old manner

and had about no serious dramatist. However he thought ^the dramas

strength lied in the characters and the job of Walter Lee^

( Weales ) . If the drama was to be written otherwise it would hold had

no existent important significance. Amari Baraka another playwright ^liked the

drama and thought that the characters had a large portion in developing it^ .

^The drama was basking and revival^ harmonizing to Mr. Baraka. ^The

characters were critical to its dramatic tensenesss and understanding^

( Baraka ) . Beneatha had a existent strong sense of her racial pride. She

had a powerful believe in her civilization and heritage. The drama was besides

about dreams. Beneatha wanted to be a medical pupil, Ruth wanted to

acquire off from the creaky vicinity, and Walter wanted his spirits

shop. Theophilus Lewis from The Catholic World had this to state ^The

predicament of the Youngers enfiladed by economic insecurity from one side

and by race bias from the other offers the writer obvious

chances to indulge in propaganda for interracial justice^ ( Lewis

215 ) . Mr. Lewis once more thought the drama ^ & # 8230 ; stirs the emotions of some

perceivers while pricking the scruples of others^ ( Lewis 215 ) . In the

terminal Harold Clurman thought the drama ^was an reliable portrayal of the

aspirations, anxiousnesss, aspirations and contradictory force per unit areas of

impacting a low Negro household in a large city^ ( Clurman 212 ) .

In decision the drama itself and the characters resemble

the

manner Lorraine lived. The four characters Lena, Ruth,

Beneatha,

and Walter Lee, made the drama into a enjoying play by there duologue

and actions. Hansberry believed strongly in her African heritage, and

she incorporated her cognition of her African yesteryear by tie ining it

largely between Beneatha and Asagai. The manner Hansberry describes her

characters each one had to depend on one another for support in

endurance. I thought Hansberry^s play of a Negro household fighting for

endurance was first-class by the manner she made that drama revolve around her

childhood, and the manner she developed each character.