Van Gogh Biography Essay, Research Paper

Vincent Van Gogh Vincent was born on March 30, 1853, in the small town of Groot Zunbert in the Dutch state of North Brabant. At 16, he left school. Through the influence of Uncle Cent, a topographic point was found for him in the office of Goupil and Cie at The Hague. Goupil & # 8217 ; s was a conservative house, specialising in well-made reproductions of celebrated pictures. When he was 20 Vincent was transferred, with a all right recommendation, to the London subdivision of Goupil & # 8217 ; s. He found a room in the place of Mrs. Loyer, who with her girl Ursula. In 1875 Uncle Cent arranged for him to be transferred to the Paris office in the hope that his liquors might be revived by a alteration in scene. Here he became progressively careless in his work. He was given three months notice, and so six old ages of preparation as an art trader ended. He was about 23, unemployed, and had non the slightest thought what he would make next. Vincent decided to return to England, where he found a occupation as a instructor in a boarding school. After he gave up that occupation, he took another instruction occupation at a school in Isleworth. As a immature adult male, Vincent Van Gogh & # 8217 ; s strongest irresistible impulse was to love and assist world. The boy of a curate, he chose rather of course to take up faith. However, his evangelical mission was a catastrophe. The major ground Van Gogh committed him to being an creative person was that through art he could pour out his feelings. If he could non relieve the difficult life of the hapless Dutch provincial, at least he could demo his compassion in pulling and pictures. Possibly this was his manner to a Communion with God. In any instance, it was in this crucible that his art was formed. In his short life, Van Gogh wrote about a 1000 letters, frequently several a twenty-four hours. However, even as he was composing so expressively Van Gogh seemingly felt that words were non every bit distinguishable as images. Having decided at 27 that his mission in life was to go an creative person, he established his first & # 8220 ; studio & # 8221 ; in the bungalow of a Borinage coal mineworker. He paid the rent with little amounts sent by his male parent and commenced his instruction in a fury of work. From The Hague the director of Goupil & # 8217 ; s subdivision office Theo sent text editions on anatomy and position. Theo suggested that Vincent join him in Paris, but Vincent seems to hold been loath to venture into what was so the centre of the art universe. Alternatively, in the autumn of 1880, he went to Brussels and moved into the cheapest hotel he could happen. Vincent remained in Brussels during the winter 1880-1881, fighting with his drawing and describing his advancement to Theo. At this clip, Vincent & # 8217 ; s colourss were still dark. The Potato Eaters is normally called Van Gogh & # 8217 ; s first & # 8220 ; masterpiece & # 8221 ; . There are no mentions to faith in Vincent & # 8217 ; s comments about The Potato Eaters. Eight months after his male parent & # 8217 ; s decease Vincent left Holland, ne’er to return. The benefit of his three-month visit in Antwerp was an increased exposure to colour, or, more accurately, increa

sed thought about it. Van Gogh was soon to be the most intense colorist of his time. He sensed that color has meaning that transcends mere visual impressions. When Van Gogh arrived in Paris in 1886, he was eager to learn and ready to be stimulated by new experiences. In two years, he went through a complete change as a painter. Brightness and lightness flooded his work. He painted serene caf? interiors and breeze swept landscapes. The dark figures of laborers at work were replaced by close-ups of friends and of him at rest. Vincent worked hard to perfect his technical skill. In 1888, his production was torrential. Between his arrival in February and his hospitalization after his mental collapse in December, he made at least 90 drawings and 100 paintings. Vincent defended himself by referring to the speed of Claude Monet. From February 1888 to May 1889, he produced some 200 paintings, as well as many drawings. His work under the sun at Arles established him as a giant in art, but when it was over, he had only one year left to live. One of Vincent’s best-known works, Sunflowers conveys the warmth of color Vincent found at Arles. He made many of these sunflowers studies as decorations for his rooms, and each radiates his passion for light, color and simplicity. In the south, Vincent was a lonely man. Many of his paintings, like the picture of his bedroom, reflect his wanting for companionship. The painting is relaxing, yet signs of his loneliness appear in the way he longingly paired every object: two pillows, two chairs. Even the pictures hang in pairs. When Vincent regained consciousness in the hospital in Arles, it was not the fact that he had suffered a severe mental breakdown that first concerned him. After he recovered from that. He was back to drawing in the fields with his canvas and easel. Vincent was admitted to the hospital again on May 8, 1889. Vincent was assigned not one room but two, one for sleeping and another for painting. Within a few weeks after his admission to the hospital, Vincent, accompanied by a guard, was allowed to go out into the countryside to paint. Vincent’s first attack in Saint-Remy after the visit to Arles was a severe one. Had it not been for the presence of the guards he might have killed himself. He tried to swallow his poisonous paints. Once again, he was able to go home. Where very often his doctor asked him over for dinner. Vincent believed that life is endless. Vincent did not kill himself during an attack of insanity. Then he made a journey. At a few hundred yards’ distance from the inn he entered a farmyard, and shot himself. He did not put the gun to his head or heart but against his abdomen. Then he walked back to the inn and back into his room. The landlord discovered him there, lying on his bed with his face. Vincent died thirty-six hours after he shot himself. He was only thirty-seven years old. His work was not the work of a madman. His mature style, which flourished at Arles, his last paintings are brilliant in color.