Yellow Wallpaper Essay, Research Paper

The importance of the wallpaper in “ The Yellow Wallpaper ” , and the

& # 8216 ; three & # 8217 ; sides of Jane The & # 8216 ; three & # 8217 ; in Jane In Charlotte Perkins Gilman & # 8217 ; s “ The

Yellow Wallpaper ” , Gilman makes direct or indirect mention to objects

which play a symbolic function within the context of the narrative and clarify its

thematic fiber, a fiber which revolves around the chief character and whose

kernel is integrated in her interior fundamental law. Therefore, in order to come to footings

with the narrative and pull certain decisions based on this fiber, it is important

to analyze these objects and what they symbolise within this thematic fiber and

obtain a better apprehension of the chief character. The chief object which signifiers

the background to this fiber and generates the yarn of action is the wallpaper

itself, a mirror image of the heroine Jane and her cohesive egos, an opaque

medium into the subdivisions of her ain head. Jane, who is besides the storyteller of

the narrative and its Centre of consciousness, is telling her domesticated and

pent-up manner of life, every bit good as her hubby & # 8217 ; s intervention of her as a consequence of

her postpartum depression. What emerges, nevertheless, from Jane & # 8217 ; s expounding,

becomes a sinister paradox unfastened to diverse reading, for what comes to the

surface as a consequence of Jane & # 8217 ; s changeless compulsion with the wallpaper is an

fazing sense that she is enduring non merely from postpartum depression, but

besides from multiple schizophrenic disorder. Her ain narrative in consequence becomes an

egoistic depth psychology where the fiber of her individualities can be divested and

detached small by small by the reader, and changeless mentions to the

wallpaper allow for this procedure since it is the wallpaper itself which signifiers

the fiber of Jane & # 8217 ; s egos. One such case is when Jane claims that the

wallpaper alterations colour by dark: “ By moonlight- the Moon radiances in all

dark when there is a moon- I wouldn & # 8217 ; t cognize it was the same paper. ” Here,

really clearly, we have a apposition of two dissociated individualities, with the

alteration in the colour of the wallpaper emphasizing the displacement in both individuality and

function. Jane & # 8217 ; s craze is set off by her changeless shifting or playing off of ego

from one self-importance to the other. At dark a different ego emerges and, since the

wallpaper is nil other than a projection of Jane & # 8217 ; s egos, it becomes

executable that the wallpaper should besides alter facet as one Jane is played off

against the other. Furthermore, in several instances of the disease which Jane seems

to demo marks of, the patient loses sight of one personality as the other sets

in. Hence it would be logical for Jane non to recognize the paper since it is a

side of her which becomes disconnected from her witting head every bit shortly as the

transmutation has taken topographic point. One of Freud & # 8217 ; s theories in depth psychology is

really expressed about

this dissociation. Freud, for case, claims that systems

of thought can be split away from each other and congeal into a secondary

personality that is unconscious: “ We have come upon something in the self-importance

itself which is besides unconscious, which behaves precisely like the repressed- that

is, which produces powerful effects without itself being witting and which

requires particular work before it can be made witting. ” ( Sigmund Freud & # 8217 ; s

The Ego and the Id, 1923, pgs. 8-9 ) In simple footings, repression in Freudian

depth psychology is visualized as the split between the witting and unconscious

heads. Separate and dissociated facets of consciousness may be, but they are

in changeless struggle. The subliminal attempts to emerge on the surface. The

wallpaper in The Yellow Wallpaper is & # 8216 ; repression & # 8217 ; ; it incorporates two planes of

consciousness within Jane & # 8217 ; s ain head, two planes in conflict. The pent-up and

unconscious ego behind that wallpaper is fighting to come out, but it

& # 8216 ; requires particular work before it can be made witting, and this can be seen in

the violent battle which occurs at the passage stage: “ I pulled and

she shook. I shook and she pulled, and before forenoon we had peeled off paces of

that paper. ” Here the storyteller & # 8217 ; s words reveals more than an strength of

the haunted head. The usage of words such as “ shook ” and

“ pulled ” suggest the conflict between the witting and the unconscious,

the power which thrusts the unconscious into being. The wallpaper once more reflects

two planes of consciousness, but as it is divested by the witting side of

Jane, the pent-up and unconscious side can take the function of the witting.

Besides, the fact that ” pulled ” and “ shook ” switch functions in the

battle, with “ I pulled ” turning into “ I shook ” and the

same apparent displacement with “ she ” – the secondary personality- shows the

submerging of the egos, with the wallpaper as medium. ET Aul, who suffers

from this disease normally known as Multiple Personality Disorder, has written

in her autobiography As You Desire Maines: The Psychology of a Multiple Personality:

“ Those with dissociated individualities, with “ split ” personalities,

are locked into one or more functions, and their alterations from function to function are

dictated by their fortunes instead than their ain pick. The alteration may be

wholly out of their control and they may, or may non, be cognizant of it. ”

Hence, Jane & # 8217 ; s battle, or passage, is beyond her control and she can non be

aware of it. “ I wouldn & # 8217 ; t cognize it was the same paper ” proves this- she

is non cognizant of the two planes of consciousness within her ain head any longer than & lt ; Br…

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