Rudy Robles. Mexican-American Born in East L. A. goes to see one of his relation who works in a mill. In an unexpected bend of events. the United States Immigration every bit good as the Naturalization Service raid the country. and sweep all of the workers. Unfortunately. Robles was caught up in the state of affairs and he. himself was mistaken as an illegal foreigner. He made his entreaty by claiming that he is a US citizen. born in East LA. The in-migration officer would non believe his narrative ; and to do affairs worse he does non hold any signifier of designation with him to turn out his claim.
It merely so happen that he portions the same name with a known illegal foreigner who has been deported and arrested several times. Because he has no ID at the clip of his apprehension. Robles was deported to Mexico together with the workers. Denied of re-entering United States. the Mexican-American got himself involved with con creative persons. runawaies and runners in order to mouse across the lodger. merely to recognize subsequently on that he is non born to run from the in-migration service ( Marin ) .
Although written in a comedic format. “Born in East L. A. ” manifest existent life concerns. specifically about citizenship issues. Marin used a misguided individuality in order to give deepness to the movie and to show the thought that the in-migration service do do errors and for some cases they deport US citizens. which is evident from the state of affairs of the supporter in the movie. However. one such lesson pointed out by the narrative is the importance of transporting proper designation so as to properly represent oneself when caught in a state of affairs similar like that of Robles.
As he has no proper signifier of designation to show. his name. which he portions with a known illegal foreigner. determined his exile. From here. it has been good thought to the audience that proper designation signifiers. so is what truly set one apart from another. While many audience would happen Rudy’s despairing efforts to be amusing. as it is coated in a good comedic-script. one author pointed out that it opened up the Chicano political consciousness. most particularly in the issue of citizenship. boundary lines and individuality.
To cite: “Born in East L. A. epitomizes the manner geographical frontiers have been internalized. making a sense of disconnected identity” ( Fusco 54 qtd. in Darder 108 ) . One of the most affecting things about the film is its incorporation of ethnicity within the construct of national designation. Born in East LA. somehow reveals the uninterrupted being of racism in mainstream America. Not merely did Marin’s usage of a somewhat dark skin color for a supporter as a agency to put him apart from the others. but it besides stands as category marker and ethnicity in one.
In the 1980’s cultural mainstream of America. this film touched the thought that most of the working category in the state were non needfully white but more of diversified descent. Plot wise. one can easy presume that the movie is predictable. as it is expected that Rudy would be deported even if he continuously defend himself. and at the terminal of it all. he would happen the agencies to return to L. A. However. what makes this film stand out is the fact that it was able to integrate a serious issue in a lighter representation ; and this position is what genuinely adds up to the good tempo of the film.
Assorted screaming minutes can be observed within the movies entireness. and the said minutes served as the recreation for the audience to look upon the gravitation of a film that in a so many ways could be culturally critiqued. Work cited Born in East L. A. Prod. Coleman. Stan. Dir. Marin Cheech. Perfs. Marin. Cheech. Stern. Daniel and Rodriguez Paul. DVD. Universal Studios. 1987. Darder. Antonia ( ed. ) . Culture and difference: Critical positions on the bicultural experience in the United States. Westport. Connecticut: Greenwood Publishing Group. 1995
