Mozart Essay, Research Paper
The Life of Wolfgang Amadeus
Mozart
Wolfgang Amadeus Mozart ( 1756-91 ) is regarded as the
greatest composer who of all time lived. He began composing minuets
at the age of 5, and by the clip he died in 1791 at the age
of 35, he had produced 626 cataloged plants. & # 8220 ; Mozart has
enriched the concerto signifier with a larger figure of
chef-d’oeuvres than any other composer. & # 8221 ; 1
Wolfgang Amadeus Mozart is said to be the greatest
mastermind in western music history. Wolfgang Amadeus was born
in Salzburg, Austria January 27, 1756 his parents were
Leopold Mozart and Anna Maria Pertl. Wolfgang Amadeus
Mozart & # 8217 ; s male parent was a successful composer, fiddler, and
adjunct concertmaster at the Salzburg tribunal. The
Archbishop Sigismund von Schratten told Leopold Mozart to
promote the childs musical abilities.
Wolfgang Amadeus Mozart & # 8217 ; s Life
By the age of four Wolfgang had great musical memory
and a great ear for music. Due to Wolfgang & # 8217 ; s talent his
father signed him up for Harpsichord lessons. After a few
lessons Wolfgang & # 8217 ; s endowment was noticed by many. Wolfgang
besides had a sister Maria Anna she was a musician and they
toured Munich and Vienna. At the clip of the circuit Wolfang
was merely six old ages old, but he began composing at the age of
five. Because of this early start Wolfgang composed for the
remainder of his life he ne’er stopped executing or composing
music. While on the circuit Wolfgang became a fiddle ace.
By Wolfgang & # 8217 ; s early teens he had mastered playing the piano,
fiddle, and cembalo. Besides he had composed keyboard
pieces, cantatas, symphonic musics, and operas. He performed his
foremost major opera when he was 14 it was staged in
Milan in 1770 the manner of the opera was opera seria,
Mitriade.
In 1762 he and his sister performed in the tribunals of
Vienna for the Emperor Francis I and the Empress Maria
Theresa. During the clip of ( 1763-1766 ) the kids
performed in Germany, Paris at the tribunal of Versailles, and
in London
Mozart & # 8217 ; s Compositional Style
Wolfgang Amadeus Mozart & # 8217 ; s manner unlike anyone else.
Mozart was a maestro of counterpoint, fugue, and the other
traditional compositional points of his twenty-four hours. He is besides
considered the best tune author the universe has of all time known.
Wolfgang perfected the expansive signifiers of symphonic music, opera twine
four, and concerto made the classical period. & # 8220 ; Mozart & # 8217 ; s
music is characterized by limpid easiness and differentiation of
manner & # 8230 ; . & # 8221 ; 2 Wolfgang wrote over 600 plants which consisted
of 21 phase and opera plants, 15 multitudes, over 50 symphonic musics,
25 piano concertos, 12 fiddle concertos,27 concert arias, 17
piano sonatas, 26 threading fours, and many more. His
operas range from amusing baubles to tragic pieces. In his
Requiem it illustrates the supreme vocal sounds in any of
his work.
Wolfgang & # 8217 ; s musical influence and readying
Wolfgang did non hold much readying because he was a
kid prodigy. Wolfgang did take a few music lessons on the
Harpsichord and he thought himself how play the fiddle.
While in London on circuits Wolfgang meet Johann Bach and it is
found apparent that Bach influenced the immature composer. His
father a great composer-musician besides influenced his boy.
Besides another composer that influenced the immature composer was
Josef Haydn it said that Mozart dedicated six twine
fours to Haydn.
The reappraisal of Marriage of Figaro
The Marriage of Figaro was composed for Viennese tribunal
in 1786. The Marriage of Figaro was a really controversial
piece of music it contained radical thoughts that made
the Viennese tribunal nervous. The opera is an opera buffa or
called by some as opera comedy. The opera is based upon
existent human life as Jacob & # 8217 ; s says & # 8220 ; It is an opera about
Masterss and retainers and the complications in that
relationship caused by sex. & # 8221 ; 3 On the musical side of Figaro
the opera has a single-channel texture with vocal timbers
dwelling of sopranos and barytones. The signifier of this
piece is a treble signifier ABA or the De Capo manner. The type
of music is a secular manner.
Bibliography
1.Grabbe, Paul The Story of One Hundred Symphonic
Favorites p.129 1986.
2.Gridlestone, Cuthbert Mozart and His Piano Concertos
p.13 164.
3.Jacobs, Arthur Greatest Composers in Synopsis p.26
1966.