Ode On A Greek Urn-John Keats Essay, Research Paper

Ode on a Greek Urn-John Keats

The 2nd stanza in Keats? ? Ode on a Greek Urn? begins with the statement, ? Heard tunes are sweet, but those unheard/Are sweeter. ? Keats views art as something that is ageless and lets you see what? s go oning in the picture. While he can non really hear the music of the immature adult male? s pipes, he can merely conceive of how sweet the tune would sound. If one was to hear music played, it would merely delight him for the continuance of the vocal, but in looking at a picture of a young person playing pipes one can take pleasance in it every clip he looks at the picture. Of class, in Keats? clip there were no Cadmiums or cassettes.

In the same stanza, Keats speaks of the immature adult male? s lover. He tells the young person that although he is so close to his lover but can non snog her, he shouldn? T be upset because they will ever love each other and they will ne’er turn old and ugly. Keats treats these painted characters as existent people, as if they were populating in their ain small universe confined to the borders of the urn. He percieves art as something that is better than existent life.

Keats goes on to discourse some trees whose subdivisions, he comments, can ne’er

be bare. They will ever be in Spring – ever green. Keats enjoys the fact that nature remains the same, and in this peculiar picture, in its most beautiful province – Spring. The two lovers will ever be in love and will ever hold passionate symptoms including febrility, heavy external respiration, and dry oral cavity. He gives really existent, really human qualities to these two painted existences.

Then in stanza four, Keats describes a spiritual forfeit of a cow. But he goes on to contemplate where all of these spiritual people came from. ? What small town by river or sea shore, ? / ? Is emptied of this common people, this pious forenoon? /And, small town, thy streets for evermore/Will soundless be ; and non a psyche to tell/Why thou art desolate, can e? er return. & # 8221 ; He goes far beyond the ranges of the existent picture, and admirations about how the now empty small town will forever stay soundless and desolate.

Keats ends the verse form by stating the picture that it will populate on to function as a friend to other coevalss when his coevals is long gone and dead.

By utilizing his imaginativeness in construing this picture, Keats shows us what he thinks about art. A work of art can intend different things to people, but it remains for many coevalss to take from it what they will.