Ode To A Nightengale Essay, Research Paper

In Ode to a Nightingale, Keats is reflecting on a beautiful and inventive minute of nature. He is wishing to enjoy this minute, but due to the assorted rhythms of nature, this minute can non last for long, there is changeless alteration. Nature itself can travel on everlastingly, it is uninterrupted, but on the other manus, for world, no one minute is immortal. Keats is cognizant of this and he wants to go portion of it. The beginning of the bird s vocal marks the beginning of the minute Keats longs to enjoy. To truly appreciate this minute, and get away his ain universe, he feels as though he must see this every bit intensly as possible & # 8211 ; in a drugged and about numbed province. Keates creates images to touch to the beautiful and inspirational strength that this nature has brought. The Provencal vocal ( line 14 ) and the blushing Hippocrene ( line 16 ) are illustrations which represent this love and inspiration. These images are so strong that he desires to imbibe it and melt off into it, so that he could go one with nature. Consequently, in line 22, what 1000 among the foliages hast ne’er known, Keats realizes that for world all that is beautiful must come to an terminal. He will non accomplish success if he alludes to absorbing himself with intoxicant. This is where the sorrow of world remainders ; due to our temporalty we can merely take beauty and its minutes merely for a mere minute. On the other manus, nature can see and bring forth it over and over once more. The Nightingale and its melody are able to stand for this thought that nature is immortal it is dateless. The beauty that the vocal produces, to us may merely be a brief minute, but in nature it is non this. Due to the cyclic nature of nature, it can see this minute everlastingly. In stanza VI, Keats is cognizant of this and longs to go portion of this and the lone manner he now sees he is cacable of making this is through decease. He begins to accept the thought of decease as the possibilities that it will confer a peaceableness in human life. From this verse form, it seems as though Keats believes there is a possibility for peaceableness. With the transition of decease, he can be brought into this rapture. It can be said that decease is a tract through which we are able to go one with nature. In line 60, Keats makes a mention that to thy high dirge become a turf. I se

vitamin E this that our physical organic structure is going a portion of the Earth, as our psyche is able to unify itself with nature.

Ode on a Greek Urn depicts a dateless subject that is relevant to any society. Through the usage careful enunciation, Keats portrays the subject of ageless artlessness and the sufficiency of beauty throughout his verse form. He introduces this subject in the first stanza with mention to the unravished bride of soundlessness. The bride is portrayed as a virgin, and she will stay as one forever. This thought of ageless artlessness and beauty is besides apparent in the 2nd and 3rd stanza. The trees with the foliages, the maiden, and the immature adult male will ever stay the same. He will ever play the flute, yet ne’er snog the miss. She can non melt, though thou hast non thy cloud nine, For of all time wilt 1000 love, and she be just! ( line 18,19 ) The male child does non hold the cloud nine of the buss ; but the poet says non to worry because the immature adult female will ever stay by his side, immature and beautiful. The urn is able to capture her artlessness. Consequently, their love is pure, guiltless, and ageless complying with this implicit in subject. The urn represents a kind of life style that Keats ever wished he had been a portion of, whose slogan is Beauty is truth, truth is beauty ( line 49 ) . We as a society want to partially believe that such a simple phrase could really be the key to genuine felicity. It is nice to conceive of that beauty leads to one being happy but everything is non as it ever may look. At times we all live vicariously, for illustration, through famous persons who tend to stay perfect in our memories everlastingly, similar to the manner in which Keats idolized the people depicted on his urn. Keats is cognizant that the urn may non necessitate to cognize anything beyond beauty and truth, but the complications of human life make it impossible to populate in this inert universe filled with beauty. Life characterized on the urn is described as a Cold Pastoral ( line 45 ) . There is no existent life here, for it is merely able to retain its beauty because it is dead and nil of all time alterations. He mocks this ideal life style by recognizing that no 1 is truly genuinely happy, no affair how idyllic everything may look on the out side. Beauty filled with pure felicity is unrealistic, there are facets of both positive and negative elements in mundane life every bit good.

330