Ode To Franz Liszt Essay, Research Paper

Ode to Franz Liszt

& # 8220 ; A prophetic voice, borne on the aureate wings of clip,

Transcends the round of the human membranophone & # 8230 ; of all time sublimate

Ancient strategic points that plot a consummate mark

Slumber for a century boulder clay given life one time more

Clay figures cascade over tusks, black and white,

Summoning reveries that croon and ululation in the dark

More profound than the Pole or diverse than all his equals

His rich tapestry of sound soaks in blood, perspiration and cryings

Once Prometheus bound his exhumed spirit now soars

Enlightening future coevalss both mine and yours

Enraptured by a Lisztian whirlwind of vivid sound

Heaven gleefully splits unfastened & # 8230 ; a hero is crowned. & # 8221 ;

Richard DiSilvio

Franz Liszt ( 1811-1886 )

Liszt? s influence as a, piano player, composer, and great personality spans about the full 19th century and is felt into the twentieth. He was born with the first coevals of romantic composers, Berlioz, Chopin, Schumann, and Mendelssohn. But he outlived them all and played a enormously important function in the development of the? music of the hereafter. ?

Franz Liszt was born in 1811 in Raiding, Hungary. By the age of six it was obvious that he was no ordinary kid. His male parent gave him piano lessons and arranged for Franz to play for many blue bloods in hopes that person would patronize his boy? s musical instruction. At the age of nine he won an award to analyze in Vienna. He studied piano with Carl Czerny, prot? g? of Beethoven, and composing with Antonio Salieri. He continued touring Europe until the age of 17, executing for the likes of King George IV and Beethoven. By this clip he had already written his first and merely opera, Don Sanche, that was performed in Paris and many ace pieces. Liszt established himself as a maestro of the piano. Some have dubbed him the? King? or? God? of piano. Moscheles, who heard a public presentation in London, wrote, ? In its power and command of every trouble Liszt? s playing surpasses anything antecedently heard. ?

Liszt took up full clip abode in Paris where he spent much of his clip with the greats of literature, music, and art such as Victor Hugo, Chopin, Mendelssohn, Delacriox, Berlioz, Paganini. This clip in Paris was filled with love affair and civilization. Liszt developed his complex aesthetic character.

He was still developing as a composer, though. Most of his work at this clip

consisted of transcribing plants of other composers such as Paganini, Gounod, Verdi, and Wagner. In 1834, at the age of 23, he and his disgraceful lover, the Countess Marie vitamin D? Agoult eloped to Switzerland. Her wealth provided him the chance to give himself to composing. During this period Liszt wrote the Transcendental Etudes, Lelio Fantasy, and 12 Grand Etudes to call a few. He was prolific.

By 1843 Liszt had established himself as a composer of symphonic verse forms. He is credited with contriving this genre of music. He wrote vocals of Goethe, Heine, and Hugo, and his first Magyar Rhapsody. This epoch is the tallness of Lisztomania, an improbably successful circuit all over Europe in which he originates the solo piano narration, naming them? soliloquies. ? He was the first to to the full orchestrate the piano. During Lisztomania he besides began a new manner of conducting, take a breathing life into the plants alternatively of simply signaling a round.

Liszt was besides recognized as an philanthropist. He promoted the work of other composers such as Faure, Debussy, Saint-Saens, and Grieg. He gave free concerts to raise money for charities, and he mentored such immature endowment as Berlioz and Wagner free of charge.

In 1847 he officially retired as a performing artist ne’er accepting another fee for a concert. He met the 2nd great love of his life, Princess Carolyne Sayn-Wittgenstein in Kiev after holding broken with Marie. She finally joined him in Weimar where he had been appointed Grand Ducal Director of Music Extraordinaire. He settled here bring forthing some of his greatest plant, Les Preludes, the Dante and Faust Symphonies, Twelve Symphonic Poems including Hamlet, and Hungaria, and the Sonata in B for Piano. In 1860 Liszt moved to Rome. He divided his clip between Weimar, Budapest, and Rome until his decease in 1886.

Liszt continued to compose, learn, and execute until he died at the age of 74. He had his critics, but his manner has shaped music to the present. He will ever be remembered as a magnetic performing artist and a innovator in the development of Impressionism. The symphonic verse form has outlasted any other signifier of music. Liszt? s influence on the music universe will be everlastingly respected.

& # 8220 ; When When he sits at the piano and, holding repeatedly pushed his hair back over his forehead, begins to improvize, so he frequently rages all excessively frantically upon the tusk keys and Lashkar-e-Taibas loose a flood of heaven-storming thoughts, with here and at that place a few sweet flowers to cast aroma upon the whole. One feels both beatitude and anxiousness, but instead more anxiety. & # 8221 ;

Heinrich Heine