In the drama. ‘Othello. ’ by William Shakespeare. one character is considered the most evil character in all of English literature. This character is Iago. the adversary of the drama. He is considered so evil because of his ability to pull strings and carry people into believing things. and doing others’ good qualities the chief ground for their ruin. During the class of the drama. he manipulates others to make whatever he wants. and makes Othello believe that his married woman. Desdemona. is holding an matter with Cassio. the adult male who late was given the rubric of 2nd in bid. a occupation in which Iago felt he was better qualified for. This is one of the chief grounds that Iago wants to do Othello suffer. though he besides mentions the fact that he was leery that Othello slept with his married woman. Emilia.
Iago is a maestro of Rhetoric. the art of persuasion. He uses three facets of rhetoric in his persuasion: Pathos. which entreaties to emotion. specifically anger. fright and commiseration ; Ethos. which entreaties to the speaker’s credibleness in the drama. and eventually Logos. which entreaties to logic. He is so successful with his use because non merely is he highly cagey and witty. but besides really sure among every character in the drama. particularly Othello. Othello believes that Iago is his right manus adult male. and tells him nil but the truth. Iago takes advantage of this by feigning to experience regretful for him when he tells him lies about Cassio and Desdemona. and how they have been kiping together. One illustration of Iago moving sorry for Othello is in lines 182-210 of Act 3. Scene 3:
Othello- Why. why is this?
Think’st 1000 I’d do a life of green-eyed monster. to follow still the alterations of the Moon with fresh intuitions? No! To be one time in uncertainty is to be resolved. Exchange me for a caprine animal when I shall turn the concern of my psyche to such exsufflicate and blowed guesss. fiting thy illation. ‘Tis non to do me covetous to state my married woman is just. provenders good. loves company. Is free of address. sings. dramas. and dances. Where virtuousness is. these are more virtuous nor from mine ain weak virtues will I pull the smallest fright or uncertainty of her rebellion. for she had eyes and take me. No. Iago. I’ll see before I doubt. when I doubt. turn out. and on the cogent evidence there is no more but this: Away at one time with love or green-eyed monster!
Iago- I am glad of this. for now I shall hold ground to demo the love and responsibility that I bear you With franker spirit. Therefore. as I am bound. have it from me. I speak non yet of cogent evidence. Look to your married woman. detect her well with Cassio. Wear your eyes therefore. non covetous nor unafraid. I would non hold your free and baronial nature Out of self-bounty be abused. Look to’t. I know our state temperament good. In Venice they do allow God see the buffooneries they dare non demo their hubbies. Their best scruples is non to leave’t undone. but keep’t unknown.
Othello- Dost 1000s say so?
During the class of these soliloquies Othello merely tells Iago that he has full trust in Desdemona. and that he is non covetous of Cassio in any manner. He rambles about how perfect she is. and how he has no intuition at all. Othello says. if he is presented with cogent evidence of any kind that Cassio and Desdemona are holding an matter. he will love her no more. In response to this. Iago subtly hints to Othello that he should watch Desdemona. and be neither leery nor trustful. and see how things seem to him. What makes these lines so clever on Iago’s portion is that he says merely adequate to do Othello believe about whether or non his beloved Desdemona is faithful to him. or non. all while looking wholly harmless about it.
Not merely does Iago pull strings Othello in the drama. he manipulated about every other character in the drama every bit good. Again. like Othello. other characters believe that Iago is genuinely caring for them. For illustration. Roderigo listens carefully to all of the advice given to him from Iago. and does whatever he says. In lines 381-415 in Act 1. Scene 3. there is an illustration of this: Iago- It is simply a lecherousness of the blood and a permission of the will. Come. be a adult male! Submerge thyself? Drown cats and blind puppies! I have professed me thy friend. and I confess me knit to thy meriting with overseas telegrams of indestructible stamina ; I could ne’er better stead thee than now. Put money in thy bag ; follow thou the wars ; licking thy favor with an usurped face fungus. I say. set money in thy bag. It can non be that Desdemona should long go on her love to the Moor—put money in thy purse—nor he his to her. It was a violent beginning. and thou shalt see an answerable segregation ; put but money in thy bag. These Moors are mutable in their volitions: —fill thy bag with money.
The nutrient that to him now is every bit juicy as locusts. shall be to him shortly every bit acerb as the coloquintida. She must alter for young person ; when she is sated with his organic structure. she will happen the mistake of her pick. She must hold alteration. she must ; therefore put money in thy bag. If thou wilt demands damn thyself. make it a more delicate manner than submerging. Make all the money 1000 canst. If sanctimoniousness and a frail vow betwixt an mistaking savage and a ace subtle Venetian be non excessively difficult for my marbless and all the folk of snake pit. 1000 shalt enjoy her ; hence do money. A syphilis of submerging thyself! It is clean out of the manner. Seek 1000 instead to be hanged in compassing thy joy than to be drowned and travel without her.
Roderigo- Wilt 1000 be fast to my hopes. if I depend on the issue? Iago- Thou art sure of me ; travel. do money. I have told thee frequently. and I retell thee once more and once more. I hate the Moor. My cause is hearted ; thine hath no less ground. Let us be conjunctive in our retaliation against him. If thou canst cuckold him. 1000 dost thyself a pleasance. me a athletics. There are many events in the uterus of clip which will be delivered. Traverse. travel. supply thy money. We will hold more of this tomorrow. Adieu. In these lines. Iago manipulates Roderigo into believing that if he wants to do Desdemona love him. it will non be hard because Othello and her will non last. In the hereafter this will put Cassio up to look like he is with Desdemona.
In decision. Iago is considered so evil because of his ability to pull strings and carry people into believing things. and doing others’ good qualities the chief ground for their ruin. He uses rhetoric in his manipulating. which is portion of the ground why he is so good at carrying others to make things that he wants them to make. In the terminal. Iago non merely manipulates every other character in the drama. but he is the most selfish character in all of English Literature.
