Parallel Editing Essay, Research Paper

Parallel redaction, or the ability to do two separate actions happen at the same

clip, was innovated by D.W. Griffith and is sole to movies. Action movies are

a good beginning for these, as they give the feeling of tensely making a

flood tide in the movie. In Vampires, by John Carpenter ( 1998 ) , there are two

sequences which include parallel redaction. The first illustration happens instead early

in the film. At this point, a squad of lamia killers commissioned by the

Catholic Church are holding a party at a motel. this occurs after they slayed all

the lamias in a nearby nest, losing the caput lamia, Valek. The analogue

action begins when the three subsisters come back to the motel during daytime in

order to bury the The sequence goes as follows: The landrover Montoya and Katrina are

in thrusts onto the route. you see Montoya snaking on some nutrient Jack is seting

decapitated caputs in a blood-stained white sheet. The landrover continues driving

down a little route. Jack sets the motel on fire, and buries the bag of caputs in a

shallow grave. Shot of Jack in a truck. Some rosary beads with a rood are

violently singing from the rearview mirror of Jack? s truck. He stares at it.

It gives the sense that Jack has done something that he should be disturbed by,

but he is successful at barricading out his emotions. Montoya and the stunned Katrina

cheque into a hotel room. Montoya is ma

de to be really impatient and unnecessarily

vulgar. Jack is at a payphone speaking to person. He says that his squad was

killed. In the background across the street is a big brick wall with a really

colourful wall painting of the Virgin Mary. It cuts to Montoya watching the intelligence in the

hotel room, and he is watching the intelligence coverage of the firing motel room. It

gives the consequence that although there is a definite supernatural component, the

incident was really existent and many guiltless people were viciously killed. Jack is at

a church being treated for his lesions at a church or someplace spiritual. This

creates the feeling that Jack turns to religion when he needs it, and he feels

burdened by it at other times. The sequence ends with a shooting of Valek on top of

a traveling train. The whole sequence lasted merely a few proceedingss. The 2nd

sequence is towards the terminal of the film. Katrina has been infected by the Valek,

and she maintains a psychic nexus with him. Merely before every shooting of the

lamias, there is a shooting of Katrina? s face, signaling that it is being viewed

by her. The sequence goes as follows: Jack, in the bathroom of the hotel, is

inquiring Father Adam what the lamias are looking for. Shot of Valek and his squad

of lamias rousing from the land and walking to a monastery in a desertous

country. Jack argues with Father Adam because he does non desire to state Jack. He

violently convinces Father Adam to follow.