& # 8211 ; W. Griffith? S Techniques Of Filmmaking Essay, Research Paper

D.W. Griffith? s Techniques of Filmmaking Parallel redaction, or the ability to do two separate actions happen at the sametime, was innovated by D.W. Griffith and is sole to movies. Action movies are a goodsource for these, as they give the feeling of tensely making a flood tide in the movie. InVampires, by John Carpenter ( 1998 ) , there are two sequences which include parallelediting. The first illustration happens instead early in the film. At this point, a squad ofvampire killers commissioned by the Catholic Church are holding a party at a motel. thisoccurs after they slayed all the lamias in a nearby nest, losing the caput lamia, Valek. The parallel action begins when the three subsisters come back to the motel duringdaylight in order to bury the The sequencegoes as follows: The landrover Montoya and Katrina are in thrusts onto the route. you see Montoya snaking onsome foodJack is seting beheaded caputs in a blood-stained white sheet.The landrover continues driving down a little road.Jack sets the motel on fire, and buries the bag of caputs in a shallow grave. Shot of Jack ina truck. Some rosary beads with a rood are violently singing from the rearviewmirror of Jack? s truck. He stares at it. It gives the sense that Jack has done somethingthat he should be disturbed by, but he is successful at barricading out his emotions.Montoya and the stunned Katr

ina check into a hotel room. Montoya is made to be veryimpatient and unnecessarily vulgar. Jack is at a payphone talking to someone. He says that his team was killed. In thebackground across the street is a large brick wall with a very colorful mural of the VirginMary.It cuts to Montoya watching the news in the hotel room, and he is watching the newscoverage of the burning motel room. It gives the effect that although there is a definitesupernatural element, the incident was very real and many innocent people were brutallykilled.Jack is at a church being treated for his wounds at a church or somewhere religious. Thiscreates the feeling that Jack turns to religion when he needs it, and he feels burdened by itat other times.The sequence ends with a shot of Valek on top of a moving train. The whole sequencelasted only a few minutes. The second sequence is towards the end of the movie. Katrina has been infectedby the Valek, and she maintains a psychic link with him. Just before every shot of thevampires, there is a shot of Katrina?s face, signaling that it is being viewed by her. Thesequence goes as follows:Jack, in the bathroom of the hotel, is asking Father Adam what the vampires are lookingfor.Shot of Valek and his team of vampires awakening from the ground and walking to amonastery in a desertous area.Jack argues with Father Adam because he does not want to tell Jack. He violentlyconvinces Father Adam to comply.