Repute can do or interrupt an person. It determines how people view one another and it besides decides how people treat and react to each other. In Frankenstein by Mary Shelley. the monster. Victor Frankenstein and Elizabeth Lavenza face battles with their repute and how it defines them. Besides. in Othello by William Shakespeare. Iago. Othello and Desdemona are presented with similar battles to the 1s the characters in Frankenstein face.
The presentation of repute in both plants allows the readers to understand how the characters interpret each other. how repute can do an interior battle within a character and how repute can do a characters ultimate ruin. Reputation plays a big function in how the characters interpret each other. In these peculiar plants. repute gives a false apprehension of two specific characters. In Frankenstein. the monster is wholly misunderstood by the people around him. His monstrous visual aspect gives him a violent repute. which even the monster himself recognizes.
The monster says. “I was. besides. endued with a figure horridly deformed and nauseating ; I was non even of the same nature as man” ( Shelley. 119 ) . Although the monster does expose Acts of the Apostless of force during the continuance of the novel. killing William Frankenstein for illustration. it is because he was thrown into a universe with no 1 similar to him. He doesn’t understand how to move. and besides he doesn’t seem to understand the construct of right and incorrect. The monster merely hopes for understanding. love and attending from anyone. but particularly from his Godhead.
When the monster says. “Cursed. cursed Godhead? Why did I populate? Why in that blink of an eye. did I non snuff out the flicker of life which you had so wantonly bestowed? I know not” ( Shelley. 137 ) . it becomes seeable to the audience that the monster is cognizant the he is unnatural and it displays his confusion towards his ain creative activity. A being with a genuinely evil nature would and could non inquire why they were created. Additionally. if he was so evil. he would non be feel foring himself or feelings remorse about anything. Another character that is misunderstood because of his repute is Iago.
In this instance. Iagos false repute is what causes him to be so successful in his mission to take down Othello. Othello repeatedly refers to Iago as. “most honest” ( 2. 3. 6 ) . which the audience knows to be wrong. Othellos belief in Iagos so called honorable nature and their friendly relationship is what leads Othello to be blinded by the fast ones Iago is playing. Iagos true nature is pure immorality. He is invariably referred to as Devil Incarnate because he is conniving. revengeful. and he is able to perpetrate awful Acts of the Apostless without experiencing compunction. Iagos misrepresentation ignited Othellos uncertainties in Cassio and Desdemona.
In add-on. he has straight caused Roderigos decease and he is indirectly the cause of Desdemonas decease. At the start of the drama. Iago says. “Heaven is my justice. non I for love and responsibility / But looking so for curious end” ( 1. 1. 60-61 ) . He’s stating that he does everything for himself. non for Othello and that his actions are non to be mistaken for love and regard of responsibility. Othello is purportedly his best friend. yet Iago goes against him anyways. Emilia. Iagos married woman. is stabbed by her ain hubby because she knows the truth about his fast ones and he can non put on the line the truth acquiring out.
When it comes to power. Iago will halt at nil to achieve it. Along with reading. repute can besides hold an tremendous contrast with a characters personality. Through the usage of his repute. the readers see Victor Frankenstein alteration vastly. Victor holds a repute of being a sort adult male with an overpowering intelligence. He says. “curiosity. earnest research to larn ecstasy. as they were unfolded to me. are among the earliest esthesiss I can remember” ( Shelley. 25 ) . He’s ever had a passion to larn and this is where the subject of danger of cognition can come into drama.
Victor begins to fight with his behavior in comparing to his repute. He tries to play God by seting together organic structure parts from different users and it fails miserably for him. When Victor sees the monster he has created. he says. “the beauty of the dream vanished. and dyspneic horror and disgust filled my heart” ( Shelley. 49 ) . Merely when he sees the monster does Victor recognize the mistake of his ways. He believes that by feigning that the monster was ne’er created. that he will basically travel off. but that is non the instance.
The monster begins to bring mayhem in an effort to acquire the attending he craves from his Godhead. The creative activity and the Acts of the Apostless of rebellion from the monster cause Victor to go sick and that’s how Robert Walton finds him in The Arctic. which the readers learn in the letters Walton sends to his sister. Margaret. Victor faces an internal conflict between his actions. his scruples. and his repute. which causes his unwellness and his decease at the terminal of the book. Othello besides faces the battle with his repute.
Othello is introduced as a confident. good spoken. and good well-thought-of character. Every other character in the drama. even Iago can hold that Othello is. “of a free and unfastened nature” ( 1. 3. 390 ) . Iago is noticing on Othellos personality and he’s fundamentally stating that Othello is really straightforward. Othello is appointed Governor of Cyprus and is responsible for maintaining up with the outlook everyone has of him. The first marks of his inner battle are seen when he begins to believe what Iago is stating him. Othello orders Iago to garner more information about Cassio and Desdemona.
Othello begins altering the minute Iago mentions a possible relationship between Cassio and Desdemona. Othello is disbelieving at first. but becomes convinced when Iago tells him that Cassio has Desdemonas hankie. which was Othellos first gift to her. He so begins to go more observant of what Desdemona does. and finally. he starts to be after Cassio and Desdemonas death. Othello ends up killing Desdemona and that’s when Lodivico and Gratiano compare him to his repute. Lodivico says. “O. 1000 Othello. that wert one time so good” ( 5. 2. 288 ) .
This testimony from Lodivico shows the readers that Othello has wholly changed and lost against his battle. His repute and his personality are now polar antonyms. Othello has lost the regard of his equals and his place as Governor of Cyprus. Last. in both plants. repute is responsible for doing two characters ruins. Elizabeth Lavenza is the type of stereotyped adult female that is sort and would make anything for her hubby. Elizabeth has ever been considered to be beautiful and her beauty can be seen as an advantage and a disadvantage for her.
The Frankenstein household picked Elizabeth out of many kids at the acceptance bureau because of her image and her image has besides gotten her into a relationship. and shortly to be matrimony with Victor. Even though her beauty has helped her. Elizabeth has been nil more than merely. “a pretty nowadays for Victor” ( Shelley. 24 ) . Elizabeth is the type of married woman that supports everything her hubby does and she would ne’er travel against him. Towards the stoping of the book. the monster kills Elizabeth on the dark of her matrimony to Victor.
The monster does this as a signifier of penalty for Victor. since he destroyed the female monster. The monsters gives Victor a warning by stating. “I shall be with you on your nuptials night” ( Shelley. 173 ) . and Victor misunderstands the warning. He believes that the monster is coming after him and because of that. he leaves Elizabeth unattended and vulnerable to the monster. Elizabeth and Victor knew each other since childhood. and non one time did Elizabeth over measure the boundary of acquiring into Victors personal concern. Elizabeth died because of the adult male she would make anything for.
She died because she fits the repute of a blinded adult female in a relationship. Desdemona is besides a adult female who is seen as a personal ownership. At first she belonged to her male parent. Brabantio. and the readers see an illustration of this when Iago and Roderigo tell Brabantio that he’s been robbed of something. which is his girl. After Othello marries Desdemona. she is considered his. Although Othello dainties Desdemona with love and regard. her repute is still a married woman that is considered an object. and a married woman that would ne’er travel against her hubby.
Desdemona obeys every bid she is given. An illustration of this is Othello stating Desdemona to travel to her bed chamber and direct off Emilia. and after Desdemona does what he says. she tells Emilia that. “It was his command ; hence good Emilia/ Give me my every night have oning and adieu/ We must non displease him” ( 4. 3. 15-17 ) . This specific illustration is approximately something every bit minor as slumber. but Othello besides commands her about more serious things. Although Desdemona is the same as her repute for bulk of the drama. there is one clip where she isn’t.
She asks Othello to give Cassio another opportunity even when Othello tells her that he doesn’t wish to talk with Cassio. This one difference from her repute is the start of her ruin. Othello becomes certain of the love matter between Desdemona and Cassio and he begins to plot her decease and so finally slay her by asphyxiation. Even in decease Desdemona stays true to her repute. When Emilia asks Desdemona who is responsible for her slaying. she says. “nobody ; I myself” ( 5. 2. 125 ) . Othello merely committed the ultimate treachery by doing her passing and she still defends him.
Desdemona efforts to protect Othellos repute by cleaving to her ain. In both plants studied. repute can be used to a characters advantage or disadvantage. Iago benefits from his repute. while the monster gets pushed into isolation and more force. The contrast between Othello at the terminal of the drama and his original repute do his battle. while Victor’s actions do his unwellness. Additionally. both Elizabeth and Desdemona die because of the repute that is put onto them. Although sometimes reputes can be viewed as a good thing. more frequently than non. they bring more problem than good.
