Scarlet Letter Logs Essay, Research Paper

There are two chief subjects that Hawthorne he uses in the fresh both are related. Through his enunciation Hawthorne seems to stress the badness of Puritan jurisprudence as a subject, the other is the stringency of Puritan society. In the gap chapter he carefully describes the prison as an? ugly edifice? and gloomy? even though the prison is old, it still has the power to implement the terrible Puritan Torahs whatever they may be. He describes the door of the prison as being? . Heavily timbered with oak and studded with Fe spikes. ?

The 2nd subject trades with the stringency of Puritan society. In the start of 2nd chapter the adult females in the town are talking with great maliciousness about Hester Prynne they speak of her as though she has committed the severest of offenses. ? This adult female has brought shame upon us all and ought to decease. ?

Through these few adult females Hawthorne gives the feeling that Hester is of really bad character, the adult females describe her as? a hussy. ? Yet when she eventually steps out Hawthorne describes her as an elegant and beautiful adult female. It is non till she comes out of prison boulder clay Hawthorne starts demoing his true sentiment about the badness of the puritanical society. The people are really offended by the fact that this Scarlet missive which is supposed to be a penalty for Hester is worn so attractively as they comment that she makes? plume out of what, they worthy gentlemen, meant for a penalty. Hawthorne so begins to demo that Hester is of great character as she stays strong through her ordeals, the society is rigorous in many ways and he seems to hold understanding for her as he describes how barbarous the people treat her.

Ch5-9.

The vermilion missive has now become a kind of lesson to the community. Preac & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; boy boulder clay Hawthorne st

humanistic disciplines demoing his true sentiment about the badness of the puritanical society. The people are really pained B & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 10794 ; & # 8736 ; & # 8289 ; & # 30056 ; & # 29555 ; & # 11897 ; ? & # 25945 ; & # 8308 ; & # 26743 ; & # 28261 ; & # 29472 ; & # 25960 ; & # 26144 ; & # 28265 ; & # 27745 ; & # 31084 ; & # 29472 ; & # 25972 ; & # 29552 ; & # 28448 ; & # 29813 ; & # 18464 ; & # 30561 ; & # 26740 ; & # 29295 ; & # 25966 ; & # 25632 ; & # 29541 ; & # 29283 ; & # 25193 ; & # 29541 ; & # 26656 ; & # 29285 ; & # 24864 ; & # 8307 ; & # 28257 ; & # 25888 ; & # 25964 ; & # 24935 ; & # 29806 ; & # 24864 ; & # 25710 ; & # 25120 ; & # 24933 ; & # 29813 ; & # 26217 ; & # 27765 ; & # 30496 ; & # 28015 ; & # 28257 ; & # 29769 ; & # 26912 ; & # 8307 ; & # 28526 ; & # 8308 ; & # 26996 ; & # 27756 ; & # 29472 ; & # 25960 ; & # 25376 ; & # 28015 ; & # 29541 ; & # 28448 ; & # 29813 ; & # 28448 ; & # 8294 ; & # 29296 ; & # 29545 ; & # 28271 ; & # 29728 ; & # 27753 ; & # 8300 ; & # 24904 ; & # 29815 ; & # 28520 ; & # 28274 ; & # 8293 ; & # 29811 ; & # 29281 ; & # 29556 ; & # 29472 ; & # 28520 ; & # 26999 ; & # 26478 ; & # 26656 ; & # 29545 ; & # 29728 ; & # 30066 ; & # 8293 ; & # 28783 ; & # 28265 ; & # 28521 ; & # 8302 ; & # 25185 ; & # 30063 ; & # 8308 ; & # 26740 ; & # 8293 ; & # 25971 ; & # 25974 ; & # 26994 ; & # 31092 ; & # 28448 ; & # 8294 ; & # 26740 ; & # 8293 ; & # 30064 ; & # 26994 ; & # 24948 ; & # 26990 ; & # 24931 ; & # 8300 ; & # 28531 ; & # 26979 ; & # 29797 ; & # 11897 ; & # 21536 ; & # 25960 ; & # 28704 ; & # 28517 ; & # 27760 ; & # 8293 ; & # 29281 ; & # 8293 ; & # 25974 ; & # 31090 ; & # 28448 ; ntentions, and once more you see Hawthorne demoing sympathy towards Hester.

I feel really regretful for Pearl ; she? s caught in all this involuntarily. She seems to be really uncomplete and I believe it? s because she has no male parent, she demands that her female parent tells her who her male parent is but Hester refuses to make so. Hawthorne describes pearl as being evil but I don? Ts see why she? s really guiltless to me. All this is enforced upon her by the actions of her female parent. Just like her female parent pearl is an castaway when it comes to covering with other kids. Hawthorne describes Pearl as the vermilion letters? the kid? s whole visual aspect was the vermilion missive in another form. ? We see in chapter seven how Pearl is a victim of her female parents actions once more, the townsfolks say? Behold, verily, there is the adult female of the vermilion missive? there is the similitude of the Scarlet missive running by

Page 2.

her side! Come hence, and allow us fling clay at them. ? Hawthorne doesn? T seem as sympathetic towards

pearl as he is towards Hester. A symbol that I have noticed but do non understand is the rosebush and flowering in the first chapter they speak of it as a moral flower, so pearl explains that she was plucked from a rosebush by the prison door. Is the symbolism suppose to be that out of all that inhuman treatment and badness of jurisprudence a beautiful flower such as a rose could hold been taken from that? Another notes Men are the chief characters in the book who make the of import determination, as Hawthorne seems to portray adult females have no influence on society. It? s fundamentally a? adult male? s universe? and for Hester to maintain her kid she had to be helped by a adult male Arthur Dimmesdale fortunately pleads for her. Besides it? s dry how the adult females are a batch less sympathetic towards Hester as the work forces are. I would believe they should understand what she? s traveling through, but yet once more she should hold known what will go on in a universe were adult females sentiments mean nil. I guess they expected Hester to cognize better ; that? s why they are vindictive towards her because she gives them all a bad name.

Ch 9-13

Roger Chillingworth is compared to the Satan and I don? Ts see why? I understand his motivations for seeking to happen out the male parent of his married woman? s girl ; the lone job is the method he uses to travel about happening the information. Leech is a good metaphor in that it describes precisely what he? s making.

I? m now get downing to understand the Puritan beliefs ; in relation to the treatment we had in category how Puritans can be driven brainsick by their faith. Dimsdale seems to be in state of affairs of the kind ; his secret that he? s concealment is blighting him in a heartfelt way. I still wear? t see Chillingworth as the Satan the Leech yes but? Satan? , no. Besides I truly disliked the thought of the? Black Man being a symbol of the Satan? . Furthermore even though Chillingworth finds the information that he needed to happen he went about making it technically like a Leech might. He fundamentally sucked the information out of Dimmesdale.

Hawthorne now seems to be sympathising with Dimmesdale and a great trade more than he had done before with Hester. Dimmesdale unlike Hester, whose chief enemies were the townsfolk, has his chief enemy Chillingworth, being compared to? Satan? . Hawthorne has him travel to the scaffold to have exoneration for his offense, the job is unlike Hester no 1 was at that place to talk spitefully of him as they did for Hester demoing once more Hawthorne & # 8217 ; s sympathy more for Dimmesdale than for Hester.

Hester? s image seems to be somewhat altering and acquiring worse for Dimmesdale. Hester is? A? is seen now as? Able? alternatively of? Adultery? . But the transition that puzzles me is the transition comparing the missive to a? cross on a nun? s bosom? . That seems contradictory kind of oxymoronic.

Ch 14-17.

Many things are now eventually revealed in these last chapters. First I don? t see Chillingworth as being the rightful scoundrel in this narrative he merely wants retaliation and that? s justifiable, Dimmesdale is self-inflicting the hurting which he? s traveling through. I still wear? t agree with Chillingworth being compared to the Satan. And this mention about him being the? Black Man? is raging me. I figure he might hold used it because at that clip that wasn? t the term used for African Americans. But if it was Hawthorne appears to be racialist.

Page 3.

Hear we see Hester feeling sorry for Dimmesdale and uncovering Chillingworth? s true individuality. Dimmesdale becomes angry with her and I don? t agree.

Here in chapter 17 you see Hawthorne? s position towards adult females coming into drama once more by doing Dimmesdale acquire angry with Hester. Why is she the 1 at mistake, wasn? t Dimmesdale the 1 that stood on the Scaffold in forepart of all the people and requested that she say who the male parent is, while he himself was the male parent all along. Where was he during the seven old ages, in which Hester cared for Pearl when she needed a? Father figure, ? where was he? No 1 is to fault for his ordeal now but he ; and Hawthorne? s positions towards adult females seem to forestall and blind him from seeing the true image.

Ch 18-21

In these chapters many things are blossoming. An facet of symbolism is when Hester removes the missive for the first clip. Bespeaking that her penalty is over and she? s ready to travel on. An interesting scene is were pearl garbages to traverse the creek because she notices that her female parent didn? T wear the missive that she? s worn since pearl was gone. I? m non sure what this mass meeting meant but I figured pearl thought it was a grade of designation.

Dimmesdale now returns back with high liquors for the first clip in a piece. Thingss look as if to be traveling good for them. For the first clip I genuinely see Chillingworth as playing a scoundrel in that he prevented Dimmesdale and Hester from go forthing Boston on the ship.

Ch 22-24

I don? Ts truly understand Mistress Hibbins and her motivations at all. But she had the foreboding that what happened to Dimmesdale at the terminal would come true she told Hester that the? Black adult male has a manner of telling affairs so that grade shall be disclosed in unfastened daytime to the eyes of all the universe.

In the terminal Dimmesdale dies with the belief that? God? has given clemencies unto him. Pearl? s buss had broken a enchantment Hawthorne describes, I assumed the enchantment had to make with guilt.

Dimmesdale shows his love for? God? even the terminal as he praises him as he? s death.

Notes:

& # 183 ; Hawthorne describes Hester as merely accepting the penalty that she received, but non truly enduring. Dimmesdale on the other manus is seen as being really guiltless. Hawthorne is really sympathetic through his enunciation it seems, towards Dimmesdale.

& # 183 ; Each sex seems to be the worst justice for the other. The townswomen are really critical towards Hester ; th & # 45087 ; & # 12240 ; & # 45088 ; & # 15840 ; & # 45089 ; & # 1800 ; & # 45090 ; & # 1800 ; & # 36899 ; & # 1440 ; & # 36900 ; & # 1440 ; & # 45093 ;