The Best Little Girl In The World

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Analysis of The Best Little Girl in the World The writer of

my book is Steven Levenkron. Warner Books published this

book in September of 1978 in New York, NY. The genre

of my book is fiction with suspense. The Best Small Girl in

the World could be based on a true narrative, but it is non

wholly true to life. It would fall under the suspense

class because the reader does non cognize if Kessa will populate

or dice. The all important intents of this book are to inform

and to narrate. The writer does a nice occupation of accomplishing his

intent. I am now cognizant of the many dangers of the deathly

disease being described. Steven Levenkron has many

makings. He is a? practising clinical psychologist with a

forte in eating upsets? ( The Best Little Girl in the

World page 2 ) . He has been a? clinical adviser at

Montefiore Hospital and Medical Center every bit good as the

Center for the survey of Anorexia and Bulimia in New York

City? ( page 2 ) . He is besides a? current member of ANAD of

Highland Park, Illinois? ( page 2 ) . This book does hold a few

failings but more strengths. A failing would hold to

be the stoping. It is non eventful. I was trusting for a surprise

of some kind, and it ne’er came. However, I noted many

strengths. The descriptive inside informations seem great. Although the

inside informations appear instead gross at points, I think that is a good

thing. That manner a reader discovers the rough world of the

disease. ? The dilutant is the victor? ( The Best Little Girl in

the World Steven Levenkron page 25 ) . This is a powerful

quotation mark because tenuity is what the whole narrative is based

upon. Kessa thinks that the dilutant she is the better. She is

most decidedly proved incorrectly in the terminal. I noted three chief

scenes used in this book. The Best Small Girl in the World

takes topographic point in the twelvemonth of 1979. The first 1 is the

Dietrich? s place. Their flat is located in New York

City. The 2nd location is at Francesca? s dance studio

business district. The 3rd location where the action takes topographic point is

in the infirmary. Kessa is in the infirmary for about three

months, and so she is released to populate at place. Four chief

characters are present in this book. They happen to be

Kessa, Lila, Grace and Harold. The two supporters are

Kessa and Grace. Kessa is a short, frail, fifteen-year-old

miss. Grace appears to be a middle-aged homemaker. Grace is

supportive of Kessa even through the tough times. The

adversaries are Harold and Lila. Harold is Kessa? s male parent

who has a little imbibing job. He ever cries and is

crabbed. Lila, Kessa? s roomie in the infirmary, is

ever seting Kessa down for being anorectic. She calls her

a? skinny. ? One type of struggle in this peculiar book is

man/woman versus man/woman. This is shown when Kessa

is forced to eat by her parents. Another type of struggle is

man/woman versus ego. This is the biggest struggle

throughout the full narrative. Kessa continues to conflict herself

over her weight. Yet another type is man/woman versus

nature. This is shown when Kessa? s blood force per unit area drops to

an highly low rate. Man/woman versus society is the

images of scraggy theoretical accounts that Kessa cuts out demonstrate

the consequence of society upon immature people. Man/woman versus

destiny, supernatural, and god/goddess is shown because

Kessa? s destiny is to maintain her life. The composing manner of the

writer is third-person omniscient. This means that the writer

can creep into the character? s heads. I enjoy this manner

because the reader is able to cognize what all of the characters

are believing. I enjoyed this book, so I would decidedly

urge it to others. It shows the rough world of

anorexia nervosa. After reading this book, an person will

recognize that this is a serious affair, which should non be taken

lightly.

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