The distinctively ocular techniques created by Henry Lawson in his short narratives. differ in techniques but relate in thoughts and constructs to those created in Baz Luhrmann’s movie “Australia” Both Henry Lawson and Baz Luhrmann usage distinctively ocular techniques in their portraitures of life in the Australian Bush. Their stereotyped positions of bush society in the outback are shown through their chosen average with techniques of “chronological listing” ‘film montage’ ‘colloquial language’ and aural techniques. the short narrative “The Drover’s Wife” by Henry Lawson. An interesting ocular scene of the function of a adult female in society in the Australian outback is presented through the literary technique of chronological listing. when the herders married woman is up all dark waiting for the serpent to come up graphic remembrances of her old experiences of ‘drought’ ‘fire’ ‘floods’ ‘sickness’ ‘loss’ ‘stranger danger’ and ‘isolation’ gives us an penetration into the interesting distinctively ocular functions placed on a herders married woman in the Australian shrub.
Similarly in the movie “Australia” by Baz Luhrmann we are shown through interesting movie techniques of collage. tracking shootings. and aerial positions a broad array of distance ( Darwin to Faraway Downs ) from civilization. assorted conditions conditions pass oning the adversities and the isolation endured in remote society. Colloquial linguistic communication in the narrative “Joe Wilson’s Courtship” by H Lawson and Baz Luhrmann’s movie “Australia” portrays an interesting penetration into society in the Australian outback. In Joe Wilson’s courtship’ Joe addresses Mary with typical Australian slang “’what is it Mary? I said ‘Ain’t you good? Ain’t you happy’” to give the reader a distinctively ocular word picture of the deficiency of instruction in Australian outback society. In the movie “Australia” the same stereotype of an uneducated shrub society is shown in the saloon scene where one of the locals say “She deserves a drink merely like any man” .
