The Knife Essay, Research Paper

The Knife Like a slender fish, it waits, at the ready, so, travel! Description and similes like the former sentence fill Richard Seizer s essay, The Knife, about to the point of bursting, presenting a horn of plenty of imagination to the reader and casting new visible radiation on even the least noticeable points. In the work, Seizer uses a aggregation of intense inside informations, strategically good placed enunciation, and a point of position that allows maximal penetration to the talker s head. The illustrations of item in the essay are legion, about weighing the piece down with its ability to artistically paint the writer s scene into the reader s head. The flesh parts, falling off to yellow globules of fat from the slit made by this awful steel-bellied thing. Possibly the most notable component in this description is the verb usage, the words parts and falling off give the flesh about a will in which you receive the image of the organic structure sloping unfastened, all caused by one fleet gesture of the manus. Adjectives dominate the sentence, though, stacking inside informations on inside informations in order to finish the scene. He scurries across our holy topographic point and filthies our communion table hastes through the writer s head as we turn to its embodiment with a retribution, and pluck it from the lip of the scratch in the dent of clip. The old sentence describes non the visual aspect of the little emmet doing its manner to the unfastened lesion, but the actions it makes. Yet once more the verbs base proud within the transition, exposing for all to see and visualize the vision of the ant rushing to its finish. Upon reading even the first few paragraphs in the piece in inquiry, the reader is practically knocked over by illustrations of enunciation. The writer is the executioner, excluded for a minute while the cleric [ amenitiess ] the captive before the surrender. The writer uses a choice pick of words to expose his feelings, pull offing to portray different positions of the other members of the operating staff in the same attempt. Seizer s enunciation allows the reader to understand precisely what the writer is believing as the reader s

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s lock onto the words. The Ant of the Absurd is drawn from its linen lair and heads to the very boils of the guts. The wording of this sentence doesn t just allow for deeper investigation of the author s mind, but goes as far as to do the word of detail and display images to the reader s brain. The ant moves slowly from its hiding place, obviously heading to the open wound and the reader sees it all through the author s ability to select the perfect words for the job which it so elegantly accomplishes. The piece is packed with examples of diction, these are just a few that one might notice on first glance. Point of view strikes the reader unexpectedly, due to the unique perspective it is shown through. I am repairing the strangulated hernia of an old man and, because of his age and condition, I am using local anesthesia. The obvious viewpoint portrayed in the selection is first-person, which always presents the reader with complete and utter insight into the reader s thought. The reader does not require intense detail outlining the author s thoughts, feelings, worries, doubt, et cetera, because he or she receives them straight-forwardly through the author s own words. I listen to them whispering and I listen with breathe held. The phrasing and the obvious inclusion of the word I lead to understanding of the author s feelings of nervousness as he awaits the dreaded point in time when he will have to work on the patient before him. The feelings are displayed directly by his actions, but also through the way even the slightest things are noticed of the author s own performances. Point of view brings the reader closer to the reading than any other device in this piece, and these examples barely scratch the surface. Richard Seizer s genius with his essay The Knife portrays everything a story should include. Gripping detail, diction that gives us an intimate perspective of the author, and a point of view that reveals everything all exist harmoniously within the work. The devices manage to deliver the story that, lacking any great and thorough plot, one would not expect from any other writer.