The Love Song Of J Alfred Pr

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There have been many different subjects in that of American and European literature. Some subjects display a kind of romantic side of society and other subjects display dark disenchantment of it all. Existentialism is a common subject among post war authors in which they display a character s contempt of society and their realisation of its ruin. These characters will besides, normally, inquiry life s importance. The Love Song of J. Alfred Prufrock, by T.S. Eliot, and The End of Something, by Ernest Hemingway, are both experiential plant from a European position every bit good as an American position. These two plants contain some similarities every bit good as some differences.

The Love Song of J. Alfred Prufrock and The End of Something incorporate some similarities between them. Both characters see excessively much and see excessively deep ( Henri Barbusse, HelI ) . This means that the character perceives life in a different manner from that of the multitudes. They have besides seen more than the ordinary individual. Both characters have evidently seen war either from a soldier s point of position ( The End of Something ) or from a citizen who lives in the devastation of Europe ( The Love Song of J. Alfred Prufrock ) . They know first manus the downward spiral of civilisation. Basically, they believe there is no hope for world, and that life in itself is futile. They have seen the huge sums of decease and devastation and recognize that there is no such thing as permanency. Loves will ever be lost, money will ever vaporize, and power will ever be diminished ; what was done will be undone, finally. This is why Nick ( The End of Something ) does non seek to pass on with his girlfriend, what s the point?

There are besides some differences between that of The Love Song of J. Alfred Prufrock and The Tocopherol

neodymiums of Something. The character in The Love Song of J. Alfred Prufrock portrays a really different attitude towards what he has learned as compared to the character Nick in The End of Something. Prufrock realizes the diminution of Western civilisation, but continues to populate in the commonplace scene. Alternatively of accepting his realisation or possibly seeking for his ain way through religious and spiritual agencies, he alternatively conforms to the life around him. Yet, he still believes himself to be on a higher degree, although this is really common among experiential character whether they conform or non. H.G. Wells said it best is his narrative The Country of the Blind, when his hero stated in response to him being unhealthy and neurotic, In the state of the blind, the one-eye adult male is king. This means fundamentally that he is the one adult male who knows he is ill in a civilisation that doesn t cognize it is ill. Yet he still decides to conform. The character Nick, in The End of Something, seems to be more affected by his realisation. He has already seen excessively much and sees no manner back. Therefore he lives his ineffectual life and will likely decease entirely unless his attitude alterations in the hereafter.

There are some similarities every bit good as some differences in The Love Song of J. Alfred Prufrock, by T.S. Eliot, and The End of Something, by Ernest Hemingway. The similarities include that of the character s recognizing the diminution of Western civilisation and both believe there is no hope for world. The chief difference is that Prufrock decides to conform to mundane life while Nick refuses to or can non return to the commonplace scene. The experiential character believes life to be ineffectual, a film. He is a adult male who can non populate in the comfy, insulated universe of the common adult male, accepting what he sees and touches as world. He sees excessively deep and excessively much, and what he see is basically chaos.

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