The Use Of Time In Poetry: Milton, Shakespeare, Wordsworth Essay, Research Paper

Throughout the Elizabethan and Romantic epoch, clip and nature are subjects that are ever-present in the

great poesy of the period. Although the poets presented this thought in different ways, it was clear that clip

and nature were major influences on each adult male? s authorship and that each of them were, in a sense, highly

frustrated by the construct of clip. It appeared to me that each poet, in some signifier, felt empty and

unaccomplished, and they all consider as true that clip is non on their side. In Shakespeare? s Sonnet

LXXIII, the poet is an older adult male comparing his life to such things as dark and twenty-four hours, the four seasons, and

as a fire in a fire. Shakespeare uses these images to demo us merely how rapidly clip base on ballss. I found his

representation of life as the rhythm of twenty-four hours and dark peculiarly insightful.

? In me thou see? st the dusk of such twenty-four hours

As after sundown fadeth in the West,

Which by and by black dark doth take off,

Death? s 2nd ego, that seals up all in remainder. ?

To Shakespeare, morning is the birth of a kid, mid-day is a kid? s young person, and dusk, his current

phase, is the phase of life when decease is nearing, although it has non yet arrived. The Sun has set, and

the sky is a beautiful colour, but the black dark, decease, will take that all off. He knows he is past his prime

and now he merely awaits decease. It is easy to see that Shakespeare is rather defeated because he knows that

decease is coming, but he doesn? Ts know when it is coming. The comparing of the rhythm of twenty-four hours and dark to

the rhythm of life made me recognize how hurried life is and how you should appreciate and do the most of

the clip you have. The phrase? decease? s 2nd ego? is particularly strong as he is stating that every clip

you go to kip, it is like a little decease. Every clip you go to kip, you lose another twenty-four hours. Shakspere

resolutenesss this job with a pair that screams love me now while I am still here because when I am

gone you will repent non loving me.

Time is besides a chief subject in Milton? s? How Soon Hath Time? . Milton, nevertheless, is concerned

because he feels that he has nil to demo for his life and he is scared that decease is

nearing him.

He personifies clip, naming it? the elusive stealer of young person? . At the age of 23, he can? t believe how clip is merely

go throughing him by. It is clear in lines 5-8 that he is frustrated, stating that although on the exterior he may look

like a kid, inside he is a mature adult male.

? Possibly my gloss might lead on the truth,

That I to manhood am arriv? vitamin D so near,

And inward ripeness doth much less appear & # 8230 ; ?

He knows God has given him a endowment, but he hasn? T been able to make anything with it yet and he is afraid

that the velocity of clip will take his great chance off from him. Milton presents us with his hurt,

but he shows a his adulthood by accepting whatever God? s program for him is.

? All is, if I have grace to utilize it so,

As of all time in my great Taskmaster? s oculus. ?

Wordsworth, nevertheless, has a wholly different presentation of clip in? The Daffodils? . He is

lonely, as the gap line, ? I wandered lonely as a cloud? , clearly provinces, but he is non as frustrated with

clip as the other poets. In the verse form, he is rolling aimlessly until he sees a? crowd? of Narcissus pseudonarcissuss. They

look to be dancing in a? sprightly? dance, which cheers him up. At that minute in clip, nil

surpassed the beauty of the Narcissus pseudonarcissuss.

? The moving ridges beside them danced ; but they

Out-did the scintillating moving ridges in hilarity. ?

Wordsworth was filled with felicity at that point, but he doesn? T recognize how much? wealth? the

dafodils had really brought him. In the last stanza he is stating that now, no affair how disquieted or

unhappy he may be, the memory of the Narcissus pseudonarcissuss will hearten him up. All he has to make is believe back to that

point in clip when he was watching the Narcissus pseudonarcissuss dance and it will convey him happiness.

? For oft, when on my couch I lie

In vacant or in brooding temper,

They flash upon that inward oculus & # 8230 ;

And so my bosom with pleasance fills,

And dances with the Narcissus pseudonarcissuss?

I think the poet? s all portion a common land when it comes to the topic of clip and nature,

although Wordsworth, to me, seems to be more in melody to nature than the others. It is clear that clip and

nature were heavy subjects in poesy during the Elizabethan and Romantic epochs.