The Way We Live Now Essay, Research Paper
The Way We Live Now abstract
& # 8220 ; The Way We Live Now & # 8221 ; is designed to make a duologue environing the issues of AIDS. The drama will face these issues and let each reader to research their ain beliefs without being confronted by controversial state of affairss. It is a clear, lyrical piece with accent placed on words and single feelings.
& # 8220 ; The Way We Live Now & # 8221 ; consists wholly of fragments of conversation among friends concerned about a friend with AIDS. They confer on the telephone, over java, in the halls of the infirmary, about the patient and his unwellness. They speculate, prognosticate, portion anxiousnesss, trade feelings of guilt and incrimination, pool their medical cognition, and knock the medical constitution.
The patient ne’er appears, and so, we ne’er meet a fully-fledged character, but merely hear the orchestra of voices that accurately reflect the mediated and disconnected character of modern community life. News travels among them like an electric current, transporting daze moving ridges of fright and hurting. Their pooling of medical traditional knowledge consequences in an eclectic mix of redresss that reach from poulet soup to the patient & # 8217 ; s favorite jelly
beans.
By the terminal, several of the characters, represented merely by voices in the conversation, have had to come to footings non merely with the at hand loss of their friend, but with their ain assorted and
unsettling responses. The disease, clearly AIDS, is ne’er mentioned by name.
The individual at the centre of the narrative serves as a mirror and mark of his friends & # 8217 ; ain exposure. They don & # 8217 ; t truly cognize how to go a functioning healing and assisting community, but figure it out as they go along. The dark side of this narrative is its exposure of the deficiency of friendly relationship and good purposes ; some friends merely back off.
In our battle for a perfect unrecorded, we sometimes bury that deceasing is an inevitable component of life, and seldom do we see perfect deceases. Sometimes we or a loved one dies before old age claims us. Some of us, still immature, go ailment with an incurable disease. Some contract a deathly disease that is contagious.
The heartening message is that communities of friendly relationship can be strong, flexible and cheerful even as they construct in a clip of crisis. The narrative suggests and demonstrates how conversation rather literally creates a community of healing.
