Assorted Works Of Ee Cummings Essay, Research Paper
Assorted Works of EE Cummings
Edward Estlin Cummings, famously known as E. E. Cummings, had a really alone manner of composing his poesy. The manner his verse forms were written are what many critics admire most. He brushed aside the regulations of English and allowed his art to reflect through. He lived from 1894 to the twelvemonth 1962. He has written 100s of verse forms in his calling. Many of his verse forms are difficult to understand or interpret. They have to be meticulously dissected to understand their true or concealed significance. Many of his verse forms look like confused gibberish at a glimpse, but under close review are plants of a true poet.
One of the most celebrated verse forms of E. E. Cummings is & # 8220 ; cubic decimeter ( a & # 8221 ; . Since he ever had a alone manner of authorship, he besides seldom had a rubric for his verse forms, therefore, the first line would stand for his rubric. In the undermentioned verse form, one may inquire what is being said.
& # 8220 ; cubic decimeter ( a
lupus erythematosus
af
fa
ll
s )
one
cubic decimeter
iness & # 8221 ; ( Cummings 1 )
For the inexperient reader, this verse form would look like meaningless letters put
together in a non-sentence construction. When this verse form is looked at from a mystifier point
of position, one begins to set his mystifier together. When read suitably, the verse form so reads & # 8220 ; a foliage falls in loneliness. & # 8221 ; His manner was an incredible interruption through in poesy for his clip, and still is today. The originality of E. E. Cummings & # 8217 ; s verse form has been surpassed by few and perchance by no other poets. He has written many verse forms that have the same construction as & # 8220 ; cubic decimeter ( a & # 8221 ; .
& # 8220 ; In his work, Cummings experimented radically with signifier, punctuation, spelling and sentence structure, abandoning traditional techniques and constructions to make a new, extremely idiosyncratic agencies of poetic look. Later in his calling, he was frequently criticized for settling into his signature manner and non pressing his work towards farther development. However, he attained great popularity, particularly among immature readers, for the simpleness of his linguistic communication, his playful manner and his attending to topics such as war and sex. At the clip of his decease in 1962, he was the 2nd most widely read poet in the United States, after Robert Frost. & # 8221 ; ( Navasky 1 )
One would hold to hold with the individual who wrote the old statement. The manner E. E. Cummings wrote his poesy would catch one & # 8217 ; s involvement the minute he/she lays eyes upon Cummings & # 8217 ; s work. His work may hold appealed to a younger audience in the past, but now his verse forms are cherished by 1000000s. E. E. Cummings and Robert Frost were both really celebrated during the clip of Cummings & # 8217 ; s composing. One may believe that they both had great plants, but E. E. Cummings opened a door to poetry that had seldom been explored before.
In the undermentioned E. E. Cummings & # 8217 ; verse form, & # 8220 ; insu nli ght & # 8221 ; , one will see that his words
signifier a window to perchance stress his imaginativeness and endowment that he has for the
poesy he writes.
& # 8220 ; insu nli ght
O
verand
O
vering
A
onc
eup
ona
tim
vitamin E ne wsp aper & # 8221 ; ( Cummings 24 )
This could be a P
oem about how a newspaper lays in forepart of a window over clip, and the Sun passes over it many times. As in his other verse forms, one may inquire what E. E. Cummings is seeking to acquire across when composing his poesy. One may believe that his poesy is strictly for pleasance, another may believe that his verse forms have a deeper significance. Not all of his verse forms are written like the two antecedently mentioned. Many are in a more modern manner, yet all are in lowercase letters.
In the undermentioned verse form, the manner that it is written shows another facet of E. E. Cummings & # 8217 ; s singular endowment for poesy.
& # 8220 ; n
OthI
N
g can
s
urPas
s
the m
Y
SteR
Y
of
s
tilLnes
s & # 8221 ; ( Cummings 42 )
In this verse form, E. E. Cummings has a alone manner of holding the words sandwiched between the same letters. One may inquire how E. E. Cummings can pull off to interrupt away from traditional poesy, and still hold a surprise waiting about every corner. Many of E. E. Cummings & # 8217 ; s verse forms do non hold a rhyme strategy to them. This may be another one of his signature features that makes him so popular.
In the verse form & # 8220 ; one & # 8221 ; , one may visualize a snowflake drifting through the air both in their head and on the page.
& # 8220 ; one
T
hello
s
snowflake
( a
Li
ght
in
g )
is upon a gra
V
Es
T
one & # 8221 ; ( Cummings 61 )
E. E. Cummings has a great manner of leting the reader to visualise his Hagiographas,
leting the reader to make full in the pages with colour and gesture. In the verse form above, the
manner the letters zig and zag, remind one of snow falling on a cold winter twenty-four hours. Many of his verse forms are about nature and human nature. The subjects of his verse form scope every bit drastically as his manner of composing. Not merely was E. E. Cummings a celebrated and gifted author, he was besides a painter. He painted many images while he was composing, and idea of himself as a painter merely every bit much as he was a author. Most of his pictures were done with oil and canvas. Even though he was both a author and a painter, he is most good known for his Hagiographas.
Few words can be said that express the endowment that E. E. Cummings had. He is ranked with the great poets such as Robert Frost and Emily Dickinson. No other poets have been able to excel the originality of E. E. Cummings. When one thinks of E. E. Cummings, one normally thinks of how he used small letter letters and how he broke the regulations of poetic manner that made him celebrated. Very few people think of how he changed poesy in one life-time. This poet was a true mastermind in the kingdom of poesy. Was interrupting the regulations of English what made him celebrated, or was it the pure capricious feeling you get when you try to calculate out his poesy? In the instance of E. E. Cummings, it would hold to be both.
Plants Cited
Cummingss, E. E. 95 Poems by E. E. Cummings. New York: New York, 1950
Cummingss, E. E. 73 Poems. New York: New York, 1961
Navasky, Bruno. The Academy of American Poets. 25 May 1997. 15 Mar. 1999
